{"id":1040,"date":"2009-03-09T23:32:05","date_gmt":"2009-03-09T21:32:05","guid":{"rendered":"http:\/\/lorenalupu.wordpress.com\/?p=1040"},"modified":"2009-03-09T23:32:05","modified_gmt":"2009-03-09T21:32:05","slug":"frectii-psihanalitice-la-picioare-de-lemn-and-bjork-of-course","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/frectii-psihanalitice-la-picioare-de-lemn-and-bjork-of-course\/","title":{"rendered":"Frec\u0163ii psihanalitice la picioare de lemn: "And Bjork, Of Course""},"content":{"rendered":"

Luni seara, teatrul Odeon a g\u0103zduit un spectacol al Teatrului din Ploie\u015fti. Un spectacol de Radu Afrim. “And Bjork, Of Course”<\/strong><\/p>\n

\"Photobucket\"<\/a>
\n
\n “And Bjork, Of Course” e creat de Radu Afrim, dup\u0103 o pies\u0103 de… Dar mai conteaz\u0103? Unde \u00ee\u015fi pune Radu Afrim amprenta, autorul \u00eenceteaz\u0103 s\u0103 mai conteze. Pentru c\u0103 Radu Afrim rescrie, reproiecteaz\u0103, reconstruie\u015fte. Pe scurt, afrimizeaz\u0103.<\/p>\n

\u00cen general, universurile afrimizate sunt puternic marcate – fie de s\u0103r\u0103cie extrem\u0103 (“Plastilina”), fie de inadaptare (“Adam Geist”), fie de o boal\u0103 necru\u0163\u0103toare (“Inimi cicatrizate”, “E doar sf\u00e2r\u015fitul lumii.”), fie de b\u0103tr\u00e2ne\u0163e \u015fi neputin\u0163\u0103 (“Joy Megajoy”) Cu alte cuvinte, un bagaj mare, greu, ne\u00eendur\u0103tor \u015fi de neevitat – pe care personajele \u00eel car\u0103 cu gra\u0163ie sau cu morg\u0103, cu z\u00e2mbetul pe buze sau cu \u00eenjur\u0103turi birj\u0103re\u015fti – \u015fi toate acestea de fac s\u0103 pl\u00e2ngi\/r\u00e2zi\/pl\u00e2ngi\/r\u00e2zi \u015fi tot a\u015fa…<\/p>\n

Judec\u00e2nd prin prisma acestor mari teme afrimice, “And Bjork, Of Course” e atipic. Ni\u015fte oameni destul de banali \u015fi de lini\u015fti\u0163i vor \u015fi ei s\u0103 \u00eencerce marea cu degetul, pentru c\u0103 e r\u0103u cu r\u0103u, dar mai r\u0103u f\u0103r\u0103 de r\u0103u \u015fi – ia hai s\u0103-\u015fi trateze \u015fi ei sictirul ontologic cu o \u015fedin\u0163\u0103 de psihoterapie care s\u0103 \u00eei fac\u0103 s\u0103 “fie ei \u00een\u015fi\u015fi”.<\/p>\n

De aici, resursele comediei sunt aproape inepuizabile. R\u00e2zi de te str\u00e2mbi, c\u00e2nd vezi oameni \u00eencerc\u00e2nd s\u0103 pozeze \u00een victimele destinului implacabil, doar pentru a-i tu\u015fa pe cei din jur. “Nu spun c\u0103 nu sunt fericit\u0103, dar m\u0103 g\u00e2ndesc c\u0103 poate a\u015f putea fi \u015fi mai fericit\u0103”, recunoa\u015fte una din doamne. Alta pozeaz\u0103 melodramatic \u00een victima multiplului viol, dar nu pridide\u015fte s\u0103-\u015fi dea “licrele” jos, cum se ive\u015fte ocazia.<\/p>\n

\u015ei observi c\u0103 “suferinzii” din “Bjork, Of Course” sunt ai naibii de \u00eenc\u00e2nta\u0163i de suferin\u0163ele \u015fi traumele lor, c\u0103 se b\u0103l\u0103cesc \u00een ele cu voluptate, c\u0103 e singurul lucru care le mai ofer\u0103 o varia\u0163ie \u00een plictiseala major\u0103 a vie\u0163ii normale de adult. Iar Afrim surprinde \u015fi satirizeaz\u0103 spumos toate cli\u015feele cunoscute ale psihoterapiei, precum \u015fi ineficien\u0163a ei derizorie.<\/p>\n

\u015ei care e solu\u0163ia a\u015fa-ziselor probleme cu care se confrunt\u0103 ace\u015fti oameni pe care via\u0163a i-a scutit de griji reale?
\nDesigur, un futai \u00eendelung, epuizant \u015fi pe s\u0103turate. \u015ei e\u015fti ca nou. <\/p>\n","protected":false},"excerpt":{"rendered":"

Luni seara, teatrul Odeon a g\u0103zduit un spectacol al Teatrului din Ploie\u015fti. Un spectacol de Radu Afrim. “And Bjork, Of Course”<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-1040","post","type-post","status-publish","format-standard","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/1040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=1040"}],"version-history":[{"count":0,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/1040\/revisions"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=1040"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=1040"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=1040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}