{"id":13290,"date":"2017-09-13T15:02:27","date_gmt":"2017-09-13T12:02:27","guid":{"rendered":"http:\/\/lorenalupu.com\/blog\/?p=13290"},"modified":"2017-09-13T15:02:27","modified_gmt":"2017-09-13T12:02:27","slug":"catarcticul-blestem-al-frumusetii","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/catarcticul-blestem-al-frumusetii\/","title":{"rendered":"Catarcticul blestem al frumuse\u0163ii"},"content":{"rendered":"<p>Au trecut zece ani de la ultimul lung metraj al lui Emir Kusturica, \u015fi dou\u0103zeci \u015fi ceva de la marile lui succese, <em>Arizona Dream<\/em>, <em>Underground<\/em> \u015fi <em>Black Cat, White Cat<\/em>. \u015ei totu\u015fi, regizorul s\u00e2rb a r\u0103mas \u00een istorie prin limbajul s\u0103u cinematografic specific, cu care a surprins universul balcanic ca nimeni altcineva.<br \/>\nNoul s\u0103u film, <em>On the Milky Road<\/em>, joc de cuvinte care \u00eenseamn\u0103 \u00een egal\u0103 m\u0103sur\u0103 Calea Lactee \u015fi drumul de zi cu zi al l\u0103ptarului, e, \u00eentr-un fel, o continuare a aceluia\u015fi univers cinematografic. \u015ei, \u00een acela\u015fi timp, e un fantasy cu teme de basm, enun\u0163at ca atare, \u00eenc\u0103 din generic: &#8220;Bazat pe trei pove\u015fti reale \u015fi multe fantezii&#8221;.<br \/>\nExact cum m\u0103 a\u015fteptam, v\u0103z\u00e2nd filmul, lumea noastr\u0103 corect\u0103 politic nu mai are organ de receptare pentru acest joc feeric al vanit\u0103\u0163ii. Recenziile sunt fioroase de-a dreptul. Un film &#8220;neconving\u0103tor&#8221;, &#8220;fals&#8221;, &#8220;lipsit de autenticitate&#8221;, &#8220;aberant&#8221; \u015fi a\u015fa mai departe.<br \/>\nDar mie mi-a pl\u0103cut.<br \/>\nFilmul nu-\u015fi propune nic\u0103ieri s\u0103 fie conving\u0103tor \u00een sensul verosimilit\u0103\u0163ii, \u015fi nici m\u0103car al importan\u0163ei dramelor tr\u0103ite de eroi, nu-\u015fi propune s\u0103-\u0163i &#8220;creioneze destine&#8221;, pur \u015fi simplu e o poezie \u00een imagini. Bogat\u0103 \u00een simboluri, fascinant\u0103 vizual, lipsit\u0103 de orice chef de a-i \u015fcoli pe oameni legat de marile valori ale vie\u0163ii.<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/34bD6kJW1a8?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>Un r\u0103zboi despre care b\u0103nuim c\u0103 e cel bosniac, dar definit suficient de vag \u00eenc\u00e2t s\u0103 \u00een\u0163elegem c\u0103 autorului i se f\u00e2lf\u00e2ie amplu de motiva\u0163iile lui \u015fi de cine are dreptate, \u00eenvr\u0103jbe\u015fte o regiune altminteri pitoresc\u0103 \u015fi multicolor\u0103 rural\u0103, unde, de cum porcul e sacrificat, un c\u00e2rd de g\u00e2\u015fte se arunc\u0103 \u00een cada cu s\u00e2nge s\u0103 fac\u0103 o baie, ca apoi, s\u0103 se \u00eenfrupte lacom din musculi\u0163ele atrase de miros. Ce-\u0163i mai trebuie victime cu lacrimi \u00een ochi \u015fi alte drame realiste c\u00e2nd autorul trateaz\u0103 tema r\u0103zboiului cu aceast\u0103 metafor\u0103 incredibil de plastic\u0103 \u015fi de gr\u0103itoare?<br \/>\nUn l\u0103ptar, Kosta (jucat de Kusturica \u00eensu\u015fi, care presteaz\u0103 un Nicolaescu &#8211; Cristi Puiu cu aceast\u0103 ocazie, cu marea diferen\u0163\u0103 c\u0103 nu e o abomina\u0163ie antiactorie crispat\u0103 \u015fi neprivibil\u0103, ca sus-numi\u0163ii) trece \u00een fiecare zi frontul, cu m\u0103g\u0103ru\u015ful lui, \u015fi \u00eenso\u0163it de \u015foim, cel mai bun prieten, s\u0103 duc\u0103 lapte solda\u0163ilor care se amuz\u0103 pe seama straniet\u0103\u0163ii lui, dar \u00ee\u015fi dau ghionturi, c\u0103 e un om bun, care \u015fi-a v\u0103zut fratele ucis.<br \/>\nLaptele e furnizat de o familie tipic kusturician\u0103, cu una dintre acele case balcanice \u00een care obiecte de tot felul creeaz\u0103 un haos pitoresc \u015fi memorabil, iar vedeta e un ceas cu mii de roti\u0163e \u015fi \u00eenc\u00e2lceli, \u00een care se r\u0103nesc pe r\u00e2nd to\u0163i membrii familiei. Aici tr\u0103ie\u015fte Milena, campioana iugoslav\u0103 la gimnastic\u0103 ritmic\u0103 \u00eentre 1984 &#8211; 1987, care \u00eel iube\u015fte pe Kosta \u015fi i-o declar\u0103 periodic, din cele mai acrobatice pozi\u0163ii cu capul \u00een jos.<br \/>\nNumai c\u0103 fratele Milenei e pe cale s\u0103 se \u00eentoarc\u0103 din r\u0103zboi, drept care, e nevoie de o Mireas\u0103. \u015ei, dintr-un centru de victime ale r\u0103zboiului, acoli\u0163ii Milenei r\u0103pesc o italianc\u0103 de o frumuse\u0163e atemporal\u0103. Monica Bellucci.<br \/>\nRolul Italiencei (care n-are nume, i se spune periodic Mireasa) se bazeaz\u0103 pe exact acela\u015fi mister biografic \u015fi personal care a propulsat-o printre stele pe Monica Bellucci \u00een primul ei mare rol, <em>Malena<\/em> (2000). Nu \u015ftim nimic despre trecutul ei, vedem doar c\u0103 e ireal de frumoas\u0103 \u015fi, exact ca \u00een cazul Malenei, acest lucru \u00eei aduce numai nenorociri \u015fi umilin\u0163\u0103. Tot ce \u015ftim e c\u0103 a fost r\u0103pit\u0103 de un general englez care \u015fi-a ucis so\u0163ia pentru a r\u0103m\u00e2ne cu ea \u015fi, pentru c\u0103 a depus m\u0103rturie \u00eempotriva lui la proces, el o caut\u0103 peste tot s-o omoare. \u015ei, \u00een drum, arde, p\u00e2rjole\u015fte, nimice\u015fte tot. &#8220;Pentru mine, frumuse\u0163ea e un blestem la fel de mare cum e pentru tine bun\u0103tatea&#8221;, \u00eei spune Mireasa lui Kosta, \u00een timp ce fug \u00eempreun\u0103 de terori\u015ftii picta\u0163i cu negru ai generalului.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2017\/09\/2_On-The-Milky-Road.jpg?resize=480%2C318\" alt=\"\" width=\"480\" height=\"318\" class=\"alignnone size-full wp-image-13293\" srcset=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2017\/09\/2_On-The-Milky-Road.jpg?w=480&amp;ssl=1 480w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2017\/09\/2_On-The-Milky-Road.jpg?resize=150%2C99&amp;ssl=1 150w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2017\/09\/2_On-The-Milky-Road.jpg?resize=300%2C199&amp;ssl=1 300w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/p>\n<p>Tema frumuse\u0163ii ca blestem este un motiv frecvent \u00een basmele balcanice. Cam cum sunt \u015fi restul peripe\u0163iilor acestui cuplu neconven\u0163ional. <\/p>\n<p>Aceasta e cheia \u00een care trebuie urm\u0103rit acest film, dac\u0103 nu vrei \u015fi tu s\u0103 te o\u0163\u0103r\u0103\u015fti c\u0103 e neverosimil \u015fi nerealist. Ia-o ca pe un basm balcanic. Sau ca pe o poveste de r\u0103zboi a unui soldat b\u0103tr\u00e2n cu mintea relativ estompat\u0103 de senilitate \u015fi rachiul tare, s\u00e2rbesc. Filonul s\u0103u poetic e consecvent \u015fi fluxul imaginilor are o logic\u0103 proprie. Singura de care ai nevoie \u00een acest caz. <\/p>\n<p>************<\/p>\n<p>Pentru \u015fi mai mult\u0103 poezie \u00een via\u0163a ta, nu uita s\u0103 comanzi \u00een presale volumul celor mai bune texte ale acestui blog, <em>Trollywood<\/em>. <a href=\"http:\/\/hyperliteratura.crestemidei.ro\/Trollywood?locale=ro\">Aici<\/a>. <\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2017\/08\/coverjpg.jpg?resize=700%2C259\" alt=\"\" width=\"700\" height=\"259\" class=\"alignnone size-full wp-image-13134\" srcset=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2017\/08\/coverjpg.jpg?w=851&amp;ssl=1 851w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2017\/08\/coverjpg.jpg?resize=150%2C56&amp;ssl=1 150w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2017\/08\/coverjpg.jpg?resize=300%2C111&amp;ssl=1 300w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2017\/08\/coverjpg.jpg?resize=768%2C284&amp;ssl=1 768w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Au trecut zece ani de la ultimul lung metraj al lui Emir Kusturica, \u015fi dou\u0103zeci \u015fi ceva de la marile lui succese, Arizona Dream,&#46;&#46;&#46;<\/p>\n","protected":false},"author":2,"featured_media":13291,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-13290","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2017\/09\/On-the-MIlky-Road.jpg?fit=693%2C357&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/13290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=13290"}],"version-history":[{"count":3,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/13290\/revisions"}],"predecessor-version":[{"id":13295,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/13290\/revisions\/13295"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media\/13291"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=13290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=13290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=13290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}