Weekendul \u0103sta a \u00eenceput la Bucure\u015fti festivalul Les Films de Cannes a Bucarest, \u015fi, cum se \u00eent\u00e2mpl\u0103, primul eveniment a fost vizionarea de pres\u0103 organizat\u0103 de Independen\u0163a Film pentru “Shoplifters”, c\u00e2\u015ftig\u0103torul Palmierului de Aur. Filmul este scris, regizat \u015fi montat de Hirokazu Kore-eda, care mi se p\u0103rea un nume aproximativ cunoscut. Abia dup\u0103 ce am dat un Google, m-am prins c\u0103 i-am v\u0103zut deja alte dou\u0103 filme, “Like Father, Like Son” \u015fi “After the Storm”, alte dou\u0103 drame care examineaz\u0103 chirurgical rela\u0163iile interumane \u015fi te fac s\u0103 pl\u00e2ngi cu lucruri mici, aproape banale.<\/p>\n
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So, having watched Shoplifters (and refreshed my makeup), I have the following to say: 1. My usual issue with art films: a VERY long and slow introduction. This pretense of a real life kills me. I go to the cinema WILLING to suspend my bisbelief, no need to murder it by hanging. 2. Wear a waterproof eyeliner. You’ll cry a lot. 3. It’s a much needed exploration into the topic of family. What makes a family? What do we have to do to belong? 4. Pressure and violence are never the answer. To anything. Go see @shopliftersfilm . It’s worth it. #japanesecinema #film #palmedor #artfilms #filmlover.<\/a><\/p>\n
O postare distribuit\u0103 de Lorena Lupu<\/a> (@lorena.lup) pe