{"id":18670,"date":"2019-11-30T11:29:39","date_gmt":"2019-11-30T08:29:39","guid":{"rendered":"https:\/\/lorenalupu.com\/blog\/?p=18670"},"modified":"2019-11-30T11:29:39","modified_gmt":"2019-11-30T08:29:39","slug":"clubul-de-filme-vechi-velvet-goldmine","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/clubul-de-filme-vechi-velvet-goldmine\/","title":{"rendered":"Clubul de filme vechi: Velvet Goldmine"},"content":{"rendered":"<p>E complicat cu filmele care se vor a fi biografii muzicale. Pentru c\u0103 vorbesc despre persoane reale, dotate cu orgolii imense, despre erori pe care ace\u0219tia nu le-ar admite nici tra\u0219i pe roat\u0103, despre adev\u0103ruri fluide, flexibile \u0219i subiective, \u00een func\u021bie de \u0103la pe care \u00eel \u00eentrebi. \u0218i atunci, se \u00eent\u00e2mpl\u0103 una din dou\u0103: sau ies ni\u0219te nara\u021biuni sterilizate \u0219i periate, s\u0103 convin\u0103 tuturor, cum s-a \u00eent\u00e2mplat cu Bohemian Rhapsody anul trecut, sau procedezi ca regizorul Todd Haynes, pionierul a\u0219a-numitului New Queer Cinema: le dai protagoni\u0219tilor nume fictive \u0219i mizezi pe inteligen\u021ba spectatorului.<\/p>\n<p>A\u0219a ies capodopere ireal de frumoase, de autentice \u0219i magice \u00een acela\u0219i timp, cum a fost Velvet Goldmine (1998). De\u0219i filmul spune povestea unei vedete imaginare, Brian Slade (Jonathan Rhys Meyers, foto), \u00eensu\u0219i titlul apar\u021bine unei piese \u00eenregistrate de David Bowie, o pies\u0103 de adora\u021bie homoerotic\u0103, eliminat\u0103 de produc\u0103tori de pe albumul The Rise and Fall of Ziggy Stardust and the Spiders from Mars.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/Kqd8ChJ5xLk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>Exist\u0103 dou\u0103 moduri \u00een care po\u021bi privi Velvet Goldmine. Primul este punctul de vedere al ini\u021biatului: s\u0103 \u0219tii rockul anilor 70 ca un t\u0103tic pletos \u0219i s\u0103 identifici fiecare referin\u021b\u0103 subtil\u0103 &#8211; iar filmul e plin de ele, fiecare cadru are o \u00eenc\u0103rc\u0103tur\u0103 cultural\u0103 n\u0103ucitoare. E evident c\u0103 Haynes l-a adorat pe Bowie, l-a urm\u0103rit pas cu pas, a\u0219a cum protagonistul filmului, Arthur (Christian Bale) \u00eel urm\u0103re\u0219te pe Brian Slade, \u0219i a sublimat artistic informa\u021bia.<\/p>\n<p>Al doilea e punctul de vedere al habarnistului: nu \u0219tii nimic despre glam rock, \u0219i nici nu te intereseaz\u0103 \u00een mod deosebit s\u0103 afli foarte multe, dar te identifici cu fascina\u021bia pe care foarte t\u00e2n\u0103rul Arthur (mai mult ca sigur un alter ego al lui Haynes \u00eensu\u0219i) o tr\u0103ie\u0219te c\u00e2nd reg\u0103se\u0219te \u00een interviurile \u0219i personalitatea lui Slade un mod de a fi cu care se identific\u0103 automat.<\/p>\n<p>Orice adolescent de ieri sau azi a trecut prin asta. c\u00e2nd \u0219i-a g\u0103sit propria rebeliune \u0219i c\u0103utare a unei identit\u0103\u021bi exprimate de un pop \/ rock icon dominant al perioadei.<\/p>\n<p>Arthur sunt eu, Arthur e\u0219ti tu, Arthur e fiecare dintre noi, \u00een secunda c\u00e2nd reg\u0103sim ceva ce poate c\u0103 nici nu \u0219tiam c\u0103 exist\u0103 \u00een noi, la contactul cu artistul care ne d\u0103 reset identitar.<\/p>\n<p>Culmea e c\u0103 Brian Slade \u00eensu\u0219i are un astfel de reset identitar, \u0219i persoana care i-l aduce nu e vreunul dintre fanii care at\u00e2rn\u0103 adorator, imit\u00e2ndu-i cu religiozitate lookul plin de glitter, nu e nici nevasta, Mandy (Toni Collette) care \u00ee\u0219i adapteaz\u0103 coafura \u0219i garderoba \u00een a\u0219a fel, \u00eenc\u00e2t pare mai degrab\u0103 fr\u0103\u021biorul geam\u0103n al lui Slade, ci e rebelul american crescut la trailer, \u00een s\u0103r\u0103cie extrem\u0103, \u0219i supus tratamentului cu electro\u0219ocuri \u00een fraged\u0103 pruncie pentru a elimina homosexualitatea (practic\u0103 de o cruzime extrem\u0103, \u0219i evident ineficient\u0103, cu care p\u0103rin\u021bii americani ai anilor 70 \u00eencercau s\u0103-\u0219i &#8220;\u00eendrepte&#8221; fiii cu orient\u0103ri vizibil diferite). Din acel punct, via\u0163a \u015fi cariera lui Wild (bazat par\u0163ial pe Lou Reed \u015fi par\u0163ial pe Iggy Pop, de vreme ce Bowie i-a iubit intens pe ambii) sunt un interminabil electro\u015foc. \u015ei un arc voltaic \u00eel trece pe Slade \u00een momentul \u00een care \u00eel vede pe Wild bestializ\u00e2ndu-se liber pe scen\u0103.<\/p>\n<p>Exist\u0103 iubirea &#8211; abandon, cea a unor personaje modelabile, cum sunt Arthur sau Mandy, \u015fi iubirea &#8211; inspira\u0163ie, cea care se na\u015fte la contactul dintre identit\u0103\u0163i, Slade \u015fi Wild.<\/p>\n<p>Desigur, cum nici una dintre identit\u0103\u0163i nu e dispus\u0103 la compromis, iubirea &#8211; inspira\u0163ie, cea care \u00eel face pe adolescentul Arthur s\u0103 se autosatisfac\u0103 viguros la pozele cu Slade \u015fi Wild s\u0103rut\u00e2ndu-se pasional, devine treptat iubire &#8211; chin, pe m\u0103sur\u0103 ce Wild se adapteaz\u0103 din ce \u00een ce mai pu\u0163in la planurile croite pentru el de managerul lui Slade, uns cu toate alifiile, lipsit de orice scrupule \u015fi disperat dup\u0103 bani.<\/p>\n<p>\u00cen mod bizar, de cum cuplul Slade &#8211; Wild se descompune, lumea lui Slade se dizolv\u0103 \u015fi ea, mariajul se spulber\u0103 \u015fi Slade \u00ee\u015fi \u00eensceneaz\u0103 propria moarte, ceea ce d\u0103 o nou\u0103 lovitur\u0103 carierei lui; pe de alt\u0103 parte, Wild \u00ee\u015fi g\u0103se\u015fte un nou partener \u015fi colaborator \u00een Jack Fairy (un mix de Brian Eno, Little Richard \u015fi Bryan Ferry).<\/p>\n<p>De men\u0163ionat c\u0103 nara\u0163iunea, a\u015fa cum o simplific eu, e goal\u0103 de frumuse\u0163ea tripant\u0103 a cr\u00e2mpeielor de story care se strecoar\u0103 prin imagini decadente \u015fi str\u0103lucitoare, costume ravisante glam rock \u015fi mi\u015fc\u0103ri ame\u0163itoare de camer\u0103, care reconstituie o lume feeric\u0103, dezinhibat\u0103 \u015fi avangardist\u0103: Londra anilor 70.<\/p>\n<p>Arthur, \u00een prezent jurnalist, \u00eencepe o anchet\u0103 destinat\u0103 s\u0103 afle unde e acum Brian Slade: pe parcursul acesteia, \u00ee\u015fi retr\u0103ie\u015fte propriile emo\u0163ii de adolescent, prezent \u00een toate momentele cheie care i-au implicat pe Slade, Wild \u015fi Mandy. \u015ei, \u00eentr-un twist de propor\u0163ii, \u00eel \u015fi identific\u0103 pe Slade cel de acum, dar diferen\u0163a e cam la fel de radical\u0103, ca aceea dintre Bowie \u00een era Ziggy Stardust \u015fi Bowie tuns corect \u015fi cu garderob\u0103 accentuat masculin\u0103 de la finalul anilor 80.<\/p>\n<p>Fiecare dintre personaje e, \u00eentr-un fel, victima unei iubiri ratate. Spre deosebire de Mandy cea acoperit\u0103 de glitter \u015fi \u0163inute androgine extravagante din era Slade, Mandy de acum e un om zdrobit, cu privirea sticloas\u0103, c\u0103ut\u00e2nd supravie\u021buirea. Curt Wild \u00eenc\u0103 at\u00e2rn\u0103 de o bijuterie verde misterioas\u0103, care ar fi apar\u0163inut odinioar\u0103 lui Oscar Wilde, primit\u0103 cadou de la Slade; iar Arthur \u015fi-a abandonat visele glam \u015fi s-a mul\u0163umit cu pozi\u0163ia omului care scrie.<\/p>\n<p>Prin mixul dintre detaliu specific reconstituit minu\u0163ios \u015fi adev\u0103rul general valabil, complexitatea narativ\u0103 \u015fi vizual\u0103, coloana sonor\u0103 excep\u0163ional\u0103, Velvet Goldmine e unul dintre marile filme-capodoper\u0103 ale anilor 90.<\/p>\n<p>***<\/p>\n<p>\u00ce\u0163i plac textele Trollywood? Po\u0163i sus\u0163ine \u015fi tu proiectul.<\/p>\n<p><a href=\"http:\/\/paypal.me\/Trollywood\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14577\" src=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea-300x300.jpg?resize=300%2C300\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=184%2C184&amp;ssl=1 184w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=100%2C100&amp;ssl=1 100w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?w=931&amp;ssl=1 931w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>***<br \/>\nVrei s\u0103 m\u0103 urm\u0103re\u015fti \u00een social media? \u00cemi po\u0163i da like pe <a href=\"https:\/\/www.facebook.com\/lorenaalmighty\/\"><strong>Facebook<\/strong><\/a>, follow pe <strong><a href=\"https:\/\/twitter.com\/lorenalupu\">Twitter<\/a><\/strong> \u015fi <strong><a href=\"https:\/\/www.instagram.com\/lorena.lup\/\">Instagram<\/a><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>E complicat cu filmele care se vor a fi biografii muzicale. Pentru c\u0103 vorbesc despre persoane reale, dotate cu orgolii imense, despre erori pe&#46;&#46;&#46;<\/p>\n","protected":false},"author":2,"featured_media":18671,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-18670","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2019\/11\/velvet-goldmine.jpg?fit=600%2C338&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/18670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=18670"}],"version-history":[{"count":3,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/18670\/revisions"}],"predecessor-version":[{"id":18674,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/18670\/revisions\/18674"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media\/18671"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=18670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=18670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=18670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}