{"id":18928,"date":"2020-01-26T11:28:14","date_gmt":"2020-01-26T08:28:14","guid":{"rendered":"https:\/\/lorenalupu.com\/blog\/?p=18928"},"modified":"2020-01-26T11:28:14","modified_gmt":"2020-01-26T08:28:14","slug":"clubul-de-filme-vechi-the-matrix","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/clubul-de-filme-vechi-the-matrix\/","title":{"rendered":"Clubul de filme vechi: The Matrix"},"content":{"rendered":"<p>E incredibil cum trece timpul. Filmul nostru futurist preferat din 1999 \u00eempline\u015fte 21 de ani, Andy \u015fi Larry Wachowski (regizorii) au devenit \u00eentre timp Lily \u015fi Lana Wachowski, \u015fi \u015ftirile vorbesc despre un Matrix 4 care va ie\u015fi \u00een cur\u00e2nd, tot cu Keanu Reeves la c\u00e2rm\u0103. Apropo de Keanu Reeves, vreau \u015fi eu \u00een matricea \u00een care tr\u0103ie\u015fte el, pentru c\u0103 mi se pare c\u0103 arat\u0103 la fel de bine acum, ca \u00een 1999.<\/p>\n<p>Filmul e o distopie cyberpunk, \u015fi ca orice distopie cyberpunk, e plasat\u0103 \u00eentr-un viitor cu realit\u0103\u0163i ironice, destinate s\u0103 exagereze, s\u0103 satirizeze sau s\u0103 critice aspecte ale vremurilor prezente.<br \/>\n\u015ei, desigur, pentru c\u0103 vorbim de anii 90, toate personajele bune sau rele poart\u0103 ochelari de soare, pentru c\u0103, habar n-am de ce, \u00een anii 90, ochelarii de soare erau uniforma standard a spionilor, infractorilor \u015fi eroilor. <\/p>\n<p>\u00cen 1999, \u00eenc\u0103 mai existau net cafe-uri (adic\u0103, dragilor, locuri unde te duceai s\u0103 bei o cafea \u015fi s\u0103 stai o or\u0103 pe net, pentru c\u0103 nu, n-aveai net acas\u0103, sau, rectific, nu orice s\u0103rac avea net acas\u0103), dar mai ales \u00een vest, tehnologia avansase \u00eendeajuns, ca orice om cu venituri decente s\u0103-\u015fi permit\u0103 un computer cam mare \u015fi cam greoi \u015fi o conexiune (relativ scump\u0103) la net.<\/p>\n<p>Apropo de asta, Matrix e ca o femeie deosebit de frumoas\u0103, cu o ton\u0103 de fillere \u00een fa\u0163\u0103, dar \u00ee\u015fi tr\u0103deaz\u0103 v\u00e2rsta \u00een dou\u0103 detalii: computerele la care stau oamenii sunt ni\u015fte m\u0103g\u0103oaie uria\u015fe (copii, a\u015fa erau vremurile) \u015fi telefoanele mobile imense, format c\u0103r\u0103mizi (copii, a\u015fa erau telefoanele mobile, \u015fi cine avea unul, era regele \u015fcolii).<\/p>\n<p>Povestea din Matrix reflect\u0103 o team\u0103 perpetu\u0103 prezent\u0103 \u00een genul cyberpunk, \u015fi anume, c\u0103 dac\u0103 l\u0103s\u0103m realitatea virtual\u0103 s\u0103 se urce \u00een capul nostru, la un moment dat, aceasta cap\u0103t\u0103 o con\u015ftiin\u0163\u0103 de sine st\u0103t\u0103toare \u015fi se \u00eentoarce \u00eempotriva noastr\u0103, iar noi o s\u0103 devenim sclavi umili \u015fi lipsi\u0163i de ap\u0103rare \u00eentr-o lume fictiv\u0103.<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/m8e-FF8MsqU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>Judec\u00e2nd dup\u0103 modul \u00een care m-au mic\u015forat pe mine ca trafic \u015fi ca venituri \u015fase luni \u00eenn\u0103dite de ban \u00een matricea Facebook, a\u015f zice c\u0103 temerea autorilor de cyberpunk nu e pe deplin nejustificat\u0103, cu diferen\u0163a c\u0103 nu ma\u015finile lupt\u0103 \u00eempotriva omenirii, ci tot ni\u015fte oameni, cu ni\u015fte p\u00e2rghii de putere \u00een m\u00e2n\u0103 \u015fi cu o nevoie \u00eenn\u0103scut\u0103 de a c\u0103lca pe cadavre \u00een cealalt\u0103.<\/p>\n<p>OK, s\u0103 revenim din divaga\u021bie \u0219i s\u0103 vorbim despre film. Film uluitor de revolu\u021bionar \u0219i inovativ pentru 1999, prin CGI spectaculos, dar impresionant \u0219i azi prin frumuse\u021bea poetic\u0103 a cadrelor create cu CGI spectaculos.<\/p>\n<p>Sunt filme de ac\u021biune unde se sare din elicopter \u00een ma\u0219in\u0103, din vapor \u00een UFO, din pul\u0103-n pom \u00een rafal\u0103 de \u00eempu\u0219c\u0103turi \u0219i sticl\u0103 spart\u0103, \u0219i toate astea sunt seci \u0219i matter of fact. Dar sunt filme ca Matrix sau Kill Bill care aleg s\u0103 fac\u0103 un \u00eentreg poem vizual bombastic \u0219i fantastic din acroba\u021bia caftului, geamuri sparte \u0219i plutirea de leb\u0103d\u0103 a protagonistului din lac \u00een pu\u021b. \u0218i \u00eentr-un mod gteu de explicat, sunt topit\u0103 pe interior dup\u0103 asta.<\/p>\n<p>Legat de filozofia filmului \u0219i de semnifica\u021biile profunde: eu cel mic de atunci, care era sort of a g\u00e2sc\u0103, a fost foarte impresionat de pilula albastr\u0103 care te trimite \u00eenapoi \u00een realitatea ta habarnist\u0103 \u0219i de pilula ro\u0219ie care te face s\u0103 vezi falsul drept fals \u0219i \u00ee\u021bi deschide u\u0219ile realit\u0103\u021bii 100% eco \u0219i bio, ca morcovii.<\/p>\n<p>Acum, mi se pare cumva lame c\u0103 toate astea se iau printr-o pilul\u0103, c\u0103 ne d\u0103m ultimii oameni puri r\u0103ma\u0219i s\u0103 lupt\u0103m pentru salvarea omenirii, dar \u00eenv\u0103\u021b\u0103m karate \u0219i cumfugi prin programare de pe calculator \u00een dou\u0103 ore. C\u0103 Marele Oracol alege totu\u0219i s\u0103 locuiasc\u0103 \u00een matrice, nu \u00een Zion, despre care ni se repet\u0103 \u00eendelung c\u0103 e ultima citadel\u0103 a omenirii, \u015fi nu oriunde, ci \u00eentr-o zon\u0103 de aproximativ ghetou. \u015ei c\u0103 Marele Oracol nu-l previne pe tat\u0103l ha\u0219tag-rezisten\u021bei, Morpheus, c\u0103 are un sifon la bord, \u0219i cu asta, aproape c\u0103 se compromite toat\u0103 misiunea. Practic, plimbarea p\u00e2n\u0103 la Oracol se \u00eencadreaz\u0103 dramaturgic \u00een &#8220;ia s\u0103 ne juc\u0103m inutil cu curul gol pe l\u00e2ng\u0103 pula sculat\u0103, de\u015fi nu vrem penetrare&#8221;. A\u015fa, de dragul suspansului.<\/p>\n<p>\u015ei apropo de suspans: un domeniu \u00een care recent tranzi\u0163ionatele surori Wachowski sunt t\u0103tici. Oric\u00e2t de gratuit ar fi pasul X sau Y din scenariu \u015fi oric\u00e2t nu ne aduce nimic nou,, modul \u00een care e descris \u015fi integrat \u00een poveste te \u0163ine \u00een \u015fah \u00eentr-un mare mod. Inclusiv faptul c\u0103 pe personaje le apuc\u0103 povestitul exact \u00een momente de maxim pericol \u015fi-\u0163i vine s\u0103 bagi o palm\u0103 \u00een ecran \u015fi s\u0103 le arzi una.<\/p>\n<p>Exemplu: Trinity, ha\u015ftag-rezistenta badass, se \u00eendr\u0103goste\u015fte de Neo, hackerul devenit Mesia m\u00e2ntuitor, Keanu Reeves. Firesc, cine nu s-ar \u00eendr\u0103gosti de Keanu Reeves? Probabil c\u0103 \u015fi surorile Wachowski erau cu chilo\u0163ii ghem dup\u0103 Keanu Reeves. Dar o g\u0103se\u015fte jum\u0103tatea de confesiune exact c\u00e2nd fug ca dispera\u0163ii de Agen\u0163ii &#8211; robo\u0163i \u015fi pot sc\u0103pa prin telefon, dar secundele alea lungi de &#8220;mam\u0103 ce te-a\u015f f&#8230; dar nu chiar acum&#8221; \u00eel las\u0103 pe Reeves descoperit \u015fi aparent f\u0103r\u0103 salvare \u00een fa\u0163a Agentului.<\/p>\n<p>\u00cen contrast, sunt dou\u0103 momente care nu m-au impresionat cine \u015ftie ce \u00een 1999, dar mi s-au p\u0103rut deosebit de frumoase acum.<\/p>\n<p>Morpheus, tat\u0103l rezisten\u0163ei, negru (cine spune c\u0103 nu exista inclusivitate \u00een 1999?) are \u00een echip\u0103 un sifon, iar informa\u0163ia ne e revelat\u0103 din prima misiune aproape e\u015fuat\u0103 a lui Trinity. Reiese c\u0103 e vorba de Cypher, un chel gras ur\u00e2t \u015fi antipatic, care b\u0103le\u015fte la frumoasa femeie, \u015fi te prinzi c\u0103 el e din secunda c\u00e2nd \u00eel descoperi p\u00e2ndind-o \u015fi f\u0103c\u00e2ndu-i o criz\u0103 de gelozie pentru c\u0103 ea \u00eei duce micul dejun lui Neo, pe atunci lupt\u0103tor neofit. \u00ce\u0163i petreci cam jum\u0103tate de film antipatiz\u00e2ndu-l pe chelul gras \u015fi ur\u00e2t (as one does), apoi, \u00eentr-un moment \u00een care acesta e fa\u0163\u0103 \u00een fa\u0163\u0103 cu Agen\u0163ii (entit\u0103\u0163i robotice prezentate drept invincibile \u015fi puse pe c\u0103s\u0103pit ha\u015ftag rezisten\u0163a), are o m\u0103rturisire, mu\u015fc\u00e2nd din friptur\u0103: &#8220;\u015etiu c\u0103 aceast\u0103 friptur\u0103 nu exist\u0103, dar e delicioas\u0103. Regret c\u0103 nu am ales pilula albastr\u0103&#8221;.<\/p>\n<p>Nevoia de fic\u0163iune, de basm, de o lume imaginar\u0103 \u00een care s\u0103 fii important e tradus\u0103 de actor &#8211; care repet, a f\u0103cut un job excelent \u00een a fi acel douchebag detestabil c\u0103ruia vrei s\u0103-i faci ficatul drob \u015fi s\u0103-l serve\u015fti m\u0103-sii drept r\u0103zbunare c\u0103 n-a optat pentru un oral &#8211; deci, cum ziceam, e tradus\u0103 de actor printr-o nostalgie \u015fi un regret at\u00e2t de cutremur\u0103toare, c\u0103 \u0163i-l fac subit simpatic. OK, ne trece mai \u00eencolo, c\u00e2nd acesta \u00eencepe s\u0103 se frece de corpul captiv al lui Trinity \u015fi zici c\u0103 aproape c\u0103 a\u015fteapt\u0103 s\u0103 o omoare, s-o poat\u0103 lua f\u0103r\u0103 obiec\u0163ii.<\/p>\n<p>Al doilea moment care m-a atins se \u00eent\u00e2mpl\u0103 \u00eentre unul dintre Agen\u0163ii care \u00eel \u0163in captiv pe Morpheus \u015fi \u00eel tortureaz\u0103, s\u0103 le divulge accesul la Zion. Agentul Smith, jucat cu un robotism impecabil, subtil \u015fi totodat\u0103 eficient, de Hugo Weaving.<\/p>\n<p>Agen\u0163ii, p\u00e2n\u0103 \u00een momentul respectiv, nu par s\u0103 aib\u0103 identitate sau sentimente. Sunt ni\u015fte neni la costum cu ochelari de soare, dic\u0163ie exagerat\u0103 \u015fi resting bitch faces, care vin, \u00eempu\u015fc\u0103 \u015fi pleac\u0103.<\/p>\n<p>\u00cen schimb, \u00een acest moment de singur\u0103tate, Smith divulg\u0103 o uria\u015f\u0103 repulsie fa\u0163\u0103 de transpira\u0163ie, fa\u0163\u0103 de miros, fa\u0163\u0103 de tot ce-i face pe oameni s\u0103 fie oameni. Visul de a ajunge \u00een Zion nu e pentru a prinde \u00een matrice \u015fi ultimii liberi. Visul de a ajunge \u00een Zion e pentru a nimici orice urm\u0103 de con\u015ftiin\u0163\u0103 \u015fi pentru a renun\u0163a la mascarada realit\u0103\u0163ii echitabile. Visul umed al oric\u0103rui dictator.<\/p>\n<p>Desigur povestea e ca a oric\u0103rui film de ac\u0163iune, la final eroul Mesia m\u00e2ntuitor The One ajunge la bordul navei exact c\u00e2nd robo\u0163ii uciga\u015fi sparg tot, salveaz\u0103 ziua \u015fi se contope\u015fte \u00eentr-un s\u0103rut pasional cu femeia iubit\u0103.<\/p>\n<p>Verdict: 20 de ani mai t\u00e2rziu, Matrix e \u00eenc\u0103 demn de v\u0103zut \u015fi de apreciat, de\u015fi te cam umfl\u0103 r\u00e2sul pe ici pe colo la cum \u00ee\u0163i recomandau diver\u015fi gigei, prin 1999, ba chiar \u015fi zece ani mai t\u00e2rziu, s\u0103 iei pilula albastr\u0103 sau, dimpotriv\u0103, s\u0103 o iei pe cea ro\u015fie \u015fi se credeau subtili \u015fi profunzi cu asta. Metafor\u0103 mai sl\u0103bu\u0163\u0103 \u015fi mai evident\u0103 cu greu.<\/p>\n<p>&nbsp;<\/p>\n<p>***<\/p>\n<p>\u00ce\u0163i plac textele Trollywood? Po\u0163i sus\u0163ine \u015fi tu proiectul.<\/p>\n<p><a href=\"http:\/\/paypal.me\/Trollywood\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14577\" src=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea-300x300.jpg?resize=300%2C300\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=184%2C184&amp;ssl=1 184w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=100%2C100&amp;ssl=1 100w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?w=931&amp;ssl=1 931w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>***<br \/>\nVrei s\u0103 m\u0103 urm\u0103re\u015fti \u00een social media? \u00cemi po\u0163i da like pe <a href=\"https:\/\/www.facebook.com\/lorenaalmighty\/\"><strong>Facebook<\/strong><\/a>, follow pe <strong><a href=\"https:\/\/twitter.com\/lorenalupu\">Twitter<\/a><\/strong> \u015fi <strong><a href=\"https:\/\/www.instagram.com\/lorena.lup\/\">Instagram<\/a><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>E incredibil cum trece timpul. Filmul nostru futurist preferat din 1999 \u00eempline\u015fte 21 de ani, Andy \u015fi Larry Wachowski (regizorii) au devenit \u00eentre timp&#46;&#46;&#46;<\/p>\n","protected":false},"author":2,"featured_media":18930,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-18928","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2020\/01\/maxresdefault.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/18928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=18928"}],"version-history":[{"count":2,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/18928\/revisions"}],"predecessor-version":[{"id":18931,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/18928\/revisions\/18931"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media\/18930"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=18928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=18928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=18928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}