{"id":19056,"date":"2020-02-16T12:05:06","date_gmt":"2020-02-16T09:05:06","guid":{"rendered":"https:\/\/lorenalupu.com\/blog\/?p=19056"},"modified":"2020-02-16T19:36:55","modified_gmt":"2020-02-16T16:36:55","slug":"clubul-de-filme-vechi-inception","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/clubul-de-filme-vechi-inception\/","title":{"rendered":"Clubul de filme vechi: Inception"},"content":{"rendered":"<p>Fie c\u0103 ne vine s\u0103 credem, fie c\u0103 nu, Inception \u00eempline\u0219te anul \u0103sta 10 ani. Parc\u0103 ieri era acest film nou \u0219i incredibil care l\u0103sase universul cu gura c\u0103scat\u0103.<\/p>\n<p>Mie \u00eemi place s\u0103 revizitez c\u0103r\u021bi \u0219i filme vechi, care mi-au rupt gura la vremea lor, s\u0103 v\u0103d dac\u0103 mai au acela\u0219i impact asupra mea \u0219i azi, sau avem un meh plictisit. Aici ave\u021bi review (\u0219i re-view) la <a href=\"https:\/\/lorenalupu.com\/blog\/clubul-de-filme-vechi-velvet-goldmine\/\"><strong>Velvet Goldmine<\/strong><\/a>, <a href=\"https:\/\/lorenalupu.com\/blog\/clubul-de-filme-vechi-the-matrix\/\"><strong>Interviu cu un vampir<\/strong><\/a> \u0219i <a href=\"https:\/\/lorenalupu.com\/blog\/clubul-de-filme-vechi-the-matrix\/\"><strong>The Matrix<\/strong>.<\/a> \u0218i cum azi intr\u0103m iar \u00een Mercur retrograd, c\u00e2nd se recomand\u0103 s\u0103 revizitezi mintal locuri vechi unde ai fost odinioar\u0103, ce poate fi mai adecvat dec\u00e2t s\u0103 revizit\u0103m acest labirint al viselor \u0219i semnifica\u021biilor, care e Inception?<\/p>\n<p>\u00cen 2006, c\u00e2nd a \u00eenceput Nolan s\u0103 ias\u0103 cu trilogia Cavalerului \u00centunecat, \u00eemi aduc aminte c\u0103 era triste\u021be general\u0103 prin cinematografe. \u00cenc\u0103 nu aveam Netflix \u0219i HBOGO \u0219i m\u0103 duceam la mall des \u00een perioada aia. Dar, evident, la mall nu vedeai dec\u00e2t comedii idioate \u0219i filme de ac\u021biune cu multe \u00eempu\u0219c\u0103turi \u0219i pu\u021bin creier. Da, am fost \u0219i eu g\u00e2sculi\u021ba de la mall, la o v\u00e2rst\u0103 la care \u00ee\u021bi st\u0103 bine s\u0103 fii g\u00e2sculi\u021ba de la mall. \u021ain minte c\u0103, \u00eenc\u0103 de la primul Batman, Nolan mi-a pl\u0103cut la nebunie, c\u0103 a fost altceva, c\u0103 a reu\u0219it s\u0103 ia cli\u0219eul r\u0103suflat al tipului care ziua e un milionar timid \u0219i noaptea bate r\u0103uf\u0103c\u0103tori ca pe covoare \u0219i s\u0103-i dea sensuri neb\u0103nuite.<\/p>\n<p>\u00cen 2010, c\u00e2nd a ie\u0219it cu Inception, Nolan \u0219i-a confirmat poten\u021bialul artistic la un nou nivel \u0219i a dat start unui nou trend: filmele SF cu buget exorbitant \u0219i droaie de simboluri pe centimetru p\u0103trat. Numai c\u0103 al\u021bi regizori nu erau Nolan \u0219i le-a ie\u0219it&#8230; oh, well, fiec\u0103ruia dup\u0103 posibilit\u0103\u021bi.<\/p>\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/YoHD9XEInc0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<p>Cobb (Leonardo DiCaprio) \u0219i Arthur (Joseph Gordon &#8211; Lewitt) sunt ni\u0219te infractori extrem de speciali. Prin tehnica viselor \u00eemp\u0103rt\u0103\u0219ite, infiltreaz\u0103 subcon\u0219tientul poten\u021bialei victime, s\u0103 fure informa\u021bii confiden\u021biale, utile pentru angajatorii lor. \u0218i angajatorul lor, Saito (Ken Watanabe), face cuno\u0219tin\u021b\u0103 cu ei \u00eentr-un punct \u00een care fac spionaj corporate \u0219i \u00eencearc\u0103 s\u0103 \u00eenha\u021be un contract extrem de important. Misiunea e un e\u0219ec, par\u021bial datorit\u0103 apari\u021biei inopinate a lui Mal (Marion Cotillard), so\u021bia lui Cobb, care pare s\u0103 aib\u0103 o pl\u0103cere pervers\u0103 \u00een a coopera cu adversarii so\u021bului ei, \u0219i par\u021bial datorit\u0103 tr\u0103d\u0103rii primului lor arhitect de spa\u021bii imaginare, care \u00ee\u0219i vinde echipa lui Saito.<\/p>\n<p>\u00cen acest punct, suntem l\u0103sa\u021bi s\u0103 credem c\u0103 Mal e o contraspioan\u0103, o ex\u0103 r\u0103zbun\u0103toare, sau poate un fel de doamn\u0103 Smith angajat\u0103 de competitor s\u0103-i strice ploile domnului Smith; rostul dintotdeauna al so\u021bilor \u0219i so\u021biilor. \ud83d\ude00<\/p>\n<p>Acum, la revedere, am apreciat modul extrem de lin \u0219i non-evident \u00een care povestea lunec\u0103 &#8211; \u0219i ne face \u0219i pe noi s\u0103 lunec\u0103m &#8211; \u00eentre diverse planuri \u0219i niveluri de vis \u0219i realitate, generatoare ale unor imagini suprarealiste de o frumuse\u021be ame\u021bitoare. Cumva, Nolan exploreaz\u0103 \u00eentregul poten\u021bial al no\u021biunii de &#8220;vis&#8221;, \u00een deplin\u0103tatea ei creativ\u0103. La \u00eenceputul filmului, un DiCaprio zbuciumat, cu o privire de om care tocmai a dat m\u00e2na cu Satana, e adus \u00een fa\u0163a unui Saito extrem de b\u0103tr\u00e2n, care evoc\u0103 o \u00eent\u00e2lnire din timpuri imemoriale. Ai zice c\u0103 \u0103sta e planul real. Apoi se trece brusc la \u00eent\u00e2lnirea dintre Saito t\u00e2n\u0103r \u015fi DiCaprio aparent relaxat \u015fi \u00een top shape, vorbind casually despre cum cel mai periculos \u015fi rezistent parazit este o idee implantat\u0103 \u00een mintea cuiva.<\/p>\n<p>Ceea ce pare o banal\u0103 conversa\u0163ie \u00ee\u0163i introduce exact tema filmului: inception, termen greu de tradus, ceva \u00eentre ini\u0163iativ\u0103, ini\u0163iere \u015fi \u00eenceput.<\/p>\n<p>Pentru c\u0103 \u00een primul plot twist al filmului, Saito le dezv\u0103luie celor doi spioni de vise c\u0103 el i-a angajat s\u0103-l spioneze, pentru a-i testa. \u015ei a vrut s\u0103-i testeze pentru o nou\u0103 misiune: nu pentru a fura informa\u0163ie din mintea cuiva, ci pentru a inocula informa\u0163ie. Ideea, parazitul periculos \u015fi rezistent din scena de \u00eenceput.<\/p>\n<p>Victima poten\u0163ial\u0103 e Robert Fischer, fiul neiubit \u015fi marginalizat al unui capitalist rapace cu un imperiu corporatist care amenin\u0163\u0103 s\u0103 \u00eenghit\u0103 pia\u0163a. Fischer tat\u0103l e pe patul de moarte, iar fiul urmeaz\u0103 s\u0103 mo\u015fteneasc\u0103 acest imperiu. \u00cen mintea lui trebuie inoculat\u0103 ideea diviz\u0103rii \u015fi nimicirii acestei firme, pentru a-l scoate de pe pia\u0163\u0103 pe concurentul lui Saito.<\/p>\n<p>De\u015fi Arthur crede c\u0103 &#8220;inception&#8221; e imposibil\u0103, \u015fi tinde s\u0103 resping\u0103 misiunea, Cobb reac\u0163ioneaz\u0103 extrem de emo\u0163ional, pentru c\u0103 i se promite \u015ftergerea infrac\u0163iunilor de care e acuzat \u015fi \u015fansa de a reveni \u00een State \u015fi a-\u015fi vedea copiii. \u00cen acest punct, suntem l\u0103sa\u0163i s\u0103 credem c\u0103, probabil, este urm\u0103rit pentru spionaj \u015fi furt de informa\u0163ie, \u015fi nu \u00een\u0163elegem de ce, \u00een convorbirea telefonic\u0103 cu cei mici, le spune c\u0103 mami nu se va \u00eentoarce niciodat\u0103. Doar am v\u0103zut-o. Lucra pentru concuren\u0163\u0103 \u015fi era a nabii de eficient\u0103.<\/p>\n<p>Cobb pleac\u0103 la Paris, s\u0103-\u015fi revad\u0103 socrul (Michael Caine), profesor de arhitectur\u0103, s\u0103-i m\u0103rturiseasc\u0103 faptul c\u0103 aceast\u0103 ultim\u0103 misiune \u00eel poate elibera de acuza\u0163ii, s\u0103 se \u00eentoarc\u0103 la copii, \u015fi c\u0103 are nevoie de un arhitect la fel de bun cum fusese el odinioar\u0103. Profesorul i-o ofer\u0103 pe Ariadne (Ellen Page), \u015fi odat\u0103 cu Ariadne, \u00eenv\u0103\u0163\u0103m \u015fi noi, publicul, cum func\u0163ioneaz\u0103 treaba, cum visele devin acest plan secund de explorare a min\u0163ilor \u015fi a subcon\u015ftientului, \u015fi cum spa\u0163iile din vis pot fi m\u0103re\u0163e, paradoxale, impresionante, sfid\u0103toare fa\u0163\u0103 de fizic\u0103.<\/p>\n<p>Primul inception este de fapt ini\u0163ierea acestei tinere fete, care, dup\u0103 ezit\u0103ri fire\u015fti, \u00eencepe s\u0103 creeze febril ruperi bru\u015fte de realitate, s\u0103 \u00eentoarc\u0103 Parisul cu susul \u00een jos \u015fi&#8230; c\u00e2nd distrac\u0163ia e mai \u00een toi, s\u0103 fie \u00eentrerupt\u0103 cu brutalitate de Mal, aceast\u0103 omniprezen\u0163\u0103 din mintea lui Cobb. \u015ei odat\u0103 cu ea \u00een\u0163elegem c\u0103, mai grav dec\u00e2t acuza\u0163iile justi\u0163iei, mai grav dec\u00e2t urm\u0103rirea interna\u0163ional\u0103, Cobb este condamnat de propria vinov\u0103\u0163ie \u015fi de prizonierul propriei urm\u0103riri, pentru c\u0103 se crede direct responsabil de moartea so\u0163iei sale. Nu, Mal nu e o doamn\u0103 Smith angajat\u0103 de competitori. E personificarea regretelor, a mustr\u0103rilor fa\u0163\u0103 de sine, a autosabotajului, a unei condamn\u0103ri interioare care \u00eel \u0163ine pe Cobb \u00eentr-o perpetu\u0103 ratare. \u015ei aceast\u0103 realizare e \u015fi azi de un impact impresionant asupra spectatorului, pentru c\u0103 e o tem\u0103 psihologic\u0103 major\u0103 de nuan\u0163\u0103 fin\u0103, care se desprinde pe nea\u015fteptate dintre straturile fascinante \u015fi suprarealiste ale filmului.<\/p>\n<p>Apoi, Cobb pleac\u0103 \u00een Mumbasa s\u0103-i recruteze pe Eames, ho\u0163ul de identit\u0103\u0163i (Tom Hardy, aici gangster slick de filme de ac\u0163iune vechi) \u015fi Yusuf, chimistul care, cu sedativele lui atotputernice, creeaz\u0103 vise de multiple niveluri, \u015fi are la subsol \u015fi un spa\u0163iu pentru vis\u0103tori care vin zilnic s\u0103-\u015fi tr\u0103iasc\u0103 realitatea diferit\u0103, singura realitate relevant\u0103, \u00een timp ce dorm. Poate cea mai transparent\u0103 metafor\u0103 pentru un club de opiomani.Un alt tip de inception, dac\u0103 vre\u0163i.<\/p>\n<p>Echipa afl\u0103 c\u0103 b\u0103tr\u00e2nul Fischer a murit \u00een Sidney, Australia \u015fi fiul, Robert, va \u00eenso\u0163i cadavrul \u00eentr-un zbor de zece ore p\u00e2n\u0103 la Los Angeles. Saito, milionarul, a cump\u0103rat compania aerian\u0103, c\u0103 de ce nu, a\u015fa merg treburile \u00een realitatea fantasmagoric\u0103 a filmelor de ac\u0163iune, \u015fi singurii pasageri care vor c\u0103l\u0103tori al\u0103turi de Robert sunt membrii echipei.<\/p>\n<p>\u015ei aici urmeaz\u0103 punctul culminant al filmului, un vis de trei niveluri, doldora de referin\u0163e cinematografice \u015fi citate culturale, de la Odiseea spa\u0163ial\u0103 a lui Kubrick \u015fi p\u00e2n\u0103 la legendara serie 007, una dintre cele mai r\u0103v\u0103\u015fitoare succesiuni de secven\u0163e din cinema, o lupt\u0103 \u00eentre min\u0163ile at\u00e2tor oameni, fiecare cu propriii demoni \u015fi cu propriile proiec\u0163ii, de unde afl\u0103m c\u0103 Robert e de fapt un biet adolescent \u00eent\u00e2rziat cu daddy issues, al c\u0103rui singur vis neasumat fusese o secund\u0103 de aten\u0163ie de la p\u0103rintele s\u0103u lacom de bani \u015fi putere, \u015fi care oricum nu avea dorin\u0163a de a acapara lumea, c\u0103 Saito, primul r\u0103nit, este mult mai vulnerabil dec\u00e2t pare \u015fi, marea surpriz\u0103, faptul c\u0103 vinov\u0103\u0163ia lui DiCaprio e, cel pu\u0163in la nivel de inten\u0163ie, c\u00e2t se poate de real\u0103. El a folosit incep\u0163ia prima oar\u0103 asupra so\u0163iei sale, dup\u0103 ce a adus-o \u00een &#8220;limbo&#8221;, planul cel mai ad\u00e2nc al subcon\u015ftientului, acolo unde a f\u0103cut-o s\u0103 conteste orice form\u0103 de realitate. \u015ei acest g\u00e2nd &#8211; virus a \u00eenso\u0163it-o pe femeie \u00eenapoi \u00een via\u0163a real\u0103 care, \u00een compara\u0163ie cu visele, i s-a p\u0103rut banal\u0103 \u015fi plictisitoare. \u015ei a\u015fa, s-a sinucis, \u00eenscen\u00e2nd o crim\u0103 pentru Cobb, s\u0103-l sileasc\u0103 s-o urmeze. Adev\u0103ratul motiv pentru care acesta este anchetat \u015fi h\u0103ituit \u00een toat\u0103 lumea.<\/p>\n<p>\u00cen acel plan profund al subcon\u015ftientului, nu doar Robert e cel c\u0103ruia i se \u00eent\u00e2mpl\u0103 o inception, ci, \u00eentr-o mai mic\u0103 sau mai mare m\u0103sur\u0103, fiecare dintre combatan\u0163i trece prin asta. Saito, prins \u00een &#8220;limbo&#8221;, are revela\u0163ia propriei efemerit\u0103\u0163i, experiment\u00e2nd acea b\u0103tr\u00e2ne\u0163e extrem\u0103, DiCaprio are revela\u0163ia faptului c\u0103 ai controlul asupra ideii ini\u0163iale, dar nu asupra modului \u00een care aceasta evolueaz\u0103 \u00een mintea receptorului \u015fi se elibereaz\u0103 de vin\u0103, iar Ariadne \u00ee\u015fi descoper\u0103 adev\u0103rata putere de eliberare \u015fi for\u0163a nesf\u00e2r\u015fit\u0103 a creativit\u0103\u0163ii.<\/p>\n<p>Finalul e deschis, \u015fi a fost principalul subiect de dezbatere, ani \u00een \u015fir dup\u0103 premiera filmului. Ceilal\u0163i membri ai echipei sunt ar\u0103ta\u0163i desprinz\u00e2ndu-se de ma\u015fina din vis, care se scufund\u0103, dar DiCaprio doarme \u00een continuare, \u00een timp ce, \u00een planul limbo, discut\u0103 cu Saito cel \u00eemb\u0103tr\u00e2nit, c\u0103ut\u00e2nd s\u0103-l readuc\u0103 la punctul zero, cel al realit\u0103\u0163ii.<\/p>\n<p>Aparent, \u015fi Cobb, \u015fi Saito se trezesc, dar jocul ambilor actori e subtil modificat.<\/p>\n<p>Cobb ajunge acas\u0103, dar copiii sunt \u00eembr\u0103ca\u0163i \u00een exact acelea\u015fi haine, ca \u00een visul lui.<\/p>\n<p>Iar micul dispozitiv folosit de el s\u0103 testeze realitatea (dac\u0103 se rote\u015fte f\u0103r\u0103 \u00eentrerupere, e vis, dac\u0103 se opre\u015fte, e trezie) continu\u0103 s\u0103 se roteasc\u0103, \u015fi acest cadru se \u00eentrerupe brusc, cu credite finale.<\/p>\n<p>Unii argumenteaz\u0103 c\u0103 e realitate, pentru c\u0103 nu mai exist\u0103 verigheta pe m\u00e2na lui Cobb. Al\u0163ii, c\u0103 absen\u0163a verighetei vorbe\u015fte doar de eliberarea lui din lan\u0163ul malefic al vinov\u0103\u0163iei fa\u0163\u0103 de Mal, \u00een limbo. Unii argumenteaz\u0103 c\u0103 e realitate, pentru c\u0103 pu\u015ftii par mai mari. Al\u0163ii, c\u0103 e vis, de vreme ce poart\u0103 haine identice. Unii, c\u0103 parc\u0103 dispozitivul \u00eencetine\u015fte. Al\u0163ii, c\u0103 ba nu, se rote\u015fte p\u00e2n\u0103 \u00een ultima sutime de secund\u0103.<\/p>\n<p>Un final care d\u0103 material de debate \u015fi unora, \u015fi celorlal\u0163i este, pentru mine, un final absolut genial \u015fi perfect construit pentru c\u0103, sincer, nici un artist nu datoreaz\u0103 toate r\u0103spunsurile, \u015fi o oper\u0103 de art\u0103 nu este raport contabil.<\/p>\n<p>Ce remarc\u0103m e OP\u0162IUNEA lui Cobb de a ignora acest dispozitiv, un mod de a spune c\u0103, indiferent c\u0103 e \u00een realitate, sau \u00een cel mai frumos vis de p\u00e2n\u0103 acum, e liber \u015fi absolut fericit, \u015fi cumva, asta e tot ce conteaz\u0103.<\/p>\n<p>Din acest punct de vedere, Inception \u00ee\u0163i livreaz\u0103 cel mai neconven\u0163ional \u015fi entuziasmant happy ending posibil.<\/p>\n<p>Verdict: Ce r\u0103m\u00e2ne actual \u015fi \u00een 2020? Atmosfera dens\u0103 de miraj \u015fi \u00eenc\u0103rc\u0103tura emo\u0163ional\u0103 a filmului. Cumva, toate acestea \u00ee\u0163i reamintesc de ce cinema-ul e \u00een continuare o art\u0103, nu un simplu mijloc de entertainment, atunci c\u00e2nd e f\u0103cut cu talent \u015fi miez.<\/p>\n<p>***<\/p>\n<p>\u00ce\u0163i plac textele Trollywood? Sus\u0163ine \u015fi tu proiectul.<\/p>\n<p><a href=\"http:\/\/paypal.me\/Trollywood\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-14577\" src=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea-300x300.jpg?resize=300%2C300\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=184%2C184&amp;ssl=1 184w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=100%2C100&amp;ssl=1 100w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?w=931&amp;ssl=1 931w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>***<br \/>\nVrei s\u0103 m\u0103 urm\u0103re\u015fti \u00een social media? \u00cemi po\u0163i da like pe <a href=\"https:\/\/www.facebook.com\/lorenaalmighty\/\"><strong>Facebook<\/strong><\/a>, follow pe <strong><a href=\"https:\/\/twitter.com\/lorenalupu\">Twitter<\/a><\/strong> \u015fi <strong><a href=\"https:\/\/www.instagram.com\/lorena.lup\/\">Instagram<\/a><\/strong>.<\/p>\n<p>***<\/p>\n<p>Ascult\u0103 Jet pe <strong><a href=\"https:\/\/open.spotify.com\/album\/3ahSP7bHbzcKsWtGDdzRLK\">Spotify<\/a><\/strong>, cump\u0103r\u0103 piesa pe <a href=\"https:\/\/music.apple.com\/album\/id\/1497428911\"><strong>iTunes<\/strong><\/a> sau pe <a href=\"https:\/\/www.amazon.com\/Jet\/dp\/B084DZ4W5J\"><strong>Amazon Music<\/strong><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fie c\u0103 ne vine s\u0103 credem, fie c\u0103 nu, Inception \u00eempline\u0219te anul \u0103sta 10 ani. Parc\u0103 ieri era acest film nou \u0219i incredibil care&#46;&#46;&#46;<\/p>\n","protected":false},"author":2,"featured_media":19057,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-19056","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2020\/02\/inception.jpg?fit=1200%2C675&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/19056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=19056"}],"version-history":[{"count":2,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/19056\/revisions"}],"predecessor-version":[{"id":19059,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/19056\/revisions\/19059"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media\/19057"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=19056"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=19056"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=19056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}