{"id":26005,"date":"2024-01-27T11:31:49","date_gmt":"2024-01-27T08:31:49","guid":{"rendered":"https:\/\/lorenalupu.com\/blog\/?p=26005"},"modified":"2024-01-27T11:57:21","modified_gmt":"2024-01-27T08:57:21","slug":"de-ce-trebuie-uneori-sa-te-ridici-de-pe-scaun","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/de-ce-trebuie-uneori-sa-te-ridici-de-pe-scaun\/","title":{"rendered":"De ce trebuie uneori s\u0103 te ridici de pe scaun"},"content":{"rendered":"\n

Ieri seara, la Teatrul Mic s-a \u00eent\u00e2mplat un incident. Se juca o pies\u0103 despre via\u0163a unei femei transgender. \u00cen rolul femeii transgender, evident, era distribuit un b\u0103rbat straight, care avea idei preconcepute despre comunitatea trans \u015fi care juca femeia transgender a\u015fa cum sunt de obicei personajele gay \u015fi trans jucate \u00een teatrul rom\u00e2nesc: m\u00e2\u0163\u00e2it, pi\u0163ig\u0103iat \u015fi cu gesturi fals afectate. <\/p>\n\n\n\n

E adev\u0103rat, sunt destui actori LGBTQ \u00een Bucure\u015fti, dar, desigur, teatrul rom\u00e2nesc nu pune niciodat\u0103 problema \u00een acest mod. Am asistat la montarea multor spectacole \u015fi am v\u0103zut o droaie de alte spectacole. De obicei, grija regizorului e s\u0103 \u201efac\u0103 o regie\u201d, adic\u0103 o \u201eviziune cu care s\u0103 transpun\u0103 textul\u201d. Asta \u00eenseamn\u0103 decor extravagant, gesturi f\u0103r\u0103 sens \u0219i o coregrafie neinteligibil\u0103 a interpre\u021bilor pe scen\u0103 \u0219i zero, as in ZERO preocupare fa\u021b\u0103 de cine sunt de fapt, ca oameni, personajele puse \u00een scen\u0103. <\/p>\n\n\n\n

Acesta este adev\u0103rul. Ne putem min\u021bi unul pe altul c\u00e2t vrem, dar extrem de multe piese de teatru sunt puse \u00een scen\u0103 doar ca un exerci\u021biu de ego regizoral, iar preocuparea fa\u021b\u0103 de autenticitate e nul\u0103. <\/p>\n\n\n\n

Ca \u00een vestitul banc cu Bul\u0103 care se duce la teatru \u0219i-l \u00eentreab\u0103 pe nea portarul: \u201eMai repet\u0103 actorii?\u201d \u201eSta\u021bi s\u0103 verific.\u201d \u0218i, peste cinci minute: \u201eNu, nu repet\u0103, vorbesc normal.\u201d <\/p>\n\n\n\n

\u00cen perioada asta, Teatrul Mic s-a g\u00e2ndit c\u0103 ar fi o idee bun\u0103 s\u0103 arate inclusivitate, prin urmare, au montat o pies\u0103 intitulat\u0103 Eu sunt propria mea so\u021bie<\/em><\/strong> de Doug Wright. Piesa are ca personaj principal o femeie trans real\u0103, care a tr\u0103it \u00een Germania, \u00eentre 1928 \u0219i 2002: Charlotte von Mahlsdorf. O femeie care a fost \u021binta persecu\u021biei constante \u00een Germania comunist\u0103 de Est, dar care \u0219i-a deschis u\u0219a pentru to\u021bi tinerii gay marginaliza\u021bi \u0219i nega\u021bi de propriile familii. Totodat\u0103, Charlotte colecta art\u0103 din perioada Gr\u00fcnderzeit<\/em> (anii 1870), \u0219i, dup\u0103 c\u0103derea zidului din Berlin, \u0219i-a \u00eenfiin\u021bat propriul muzeu. <\/p>\n\n\n\n

Pe scurt, un personaj complex \u0219i interesant, extrem de educat\u0103 \u0219i extrem de curajoas\u0103, \u0219icanat\u0103 f\u0103r\u0103 \u00eentrerupere de Stasi est-german, Charlotte ar fi meritat o interpretare profund\u0103 \u0219i de substan\u021b\u0103.<\/p>\n\n\n\n

Evident c\u0103 nici comunicatul de pres\u0103, nici bro\u0219urica de sal\u0103, nimic nu puncta faptul c\u0103 e vorba despre via\u021ba unei importante personalit\u0103\u021bi transgender, pentru c\u0103 societatea rom\u00e2neasc\u0103 d\u0103 pe dinafar\u0103 de pudoare \u0219i ru\u0219ine prost \u00een\u021beleas\u0103. Ceea ce, desigur, nu-i \u00eempiedic\u0103 s\u0103 te h\u0103r\u021buiasc\u0103 cu toate atrocit\u0103\u021bile \u00een sec\u021biunea de comentarii. Acolo nu le mai e ru\u0219ine. <\/p>\n\n\n\n

Anul trecut, la o editur\u0103, am lucrat la lansarea unui roman multipremiat despre via\u021ba unui important activist queer \u0219i tot a\u0219a: \u201essssssssst, nu spune gay\u201d. GAY. GAY. Omul \u0103la a protestat \u00eempotriva unui regim de abuzuri \u0219i crime, \u0219i omul \u0103la era GAY. <\/p>\n\n\n\n

Z\u0103u c\u0103 nu \u00een\u021beleg de ce unii aleg s\u0103 publice sau s\u0103 pun\u0103 \u00een scen\u0103 pove\u0219ti gay \u0219i transgender, dar f\u0103r\u0103 s\u0103 spun\u0103 gay \u0219i f\u0103r\u0103 s\u0103 spun\u0103 transgender. E al dracu de ofensiv, de minimalizant \u0219i de insult\u0103tor. <\/p>\n\n\n\n

Ieri, s-a nimerit \u00een sal\u0103 la Teatrul Mic Antonella Lerca, \u0219i c\u00e2nd a v\u0103zut modul \u00een care interpretul hetero m\u00e2\u021b\u00e2ia \u0219i pi\u021big\u0103ia femeia transgender, din care \u00een mod vizibil nu \u00een\u021belegea nimic, a s\u0103rit prompt de pe scaun. S-a prezentat publicului drept o femeie transgender real\u0103 \u0219i a protestat \u00eempotriva modului \u00een care o persoan\u0103 transgender era redat\u0103 pe scena rom\u00e2neasc\u0103. P\u00e2n\u0103 c\u00e2nd a venit paza \u0219i a dat-o afar\u0103. <\/p>\n\n\n\n

Noi, ca spectatori de teatru, obi\u0219nui\u021bi s\u0103 t\u0103cem religios \u0219i s\u0103 b\u00e2rfim pe urm\u0103 de rahat monstruos am v\u0103zut, s\u0103rim rar de pe scaun. De aceea, tindem s\u0103 dezaprob\u0103m acest gest. Dar da, cineva trebuie s\u0103 protesteze legat de modul \u00een care este sistematic negat\u0103 \/ c\u0103lcat\u0103 \u00een picioare realitatea gay \u0219i trans. <\/p>\n\n\n\n

Mai ales c\u0103 persoana Charlotte von Mahlsdorf a existat \u00een realitate. Ai resurse online despre ea. E o femeie cu c**e grele, care a luptat cu comunismul est-german \u0219i a \u00eenfiin\u021bat un muzeu. C\u00e2\u021bi ne putem l\u0103uda cu at\u00e2ta curaj \u0219i rezilien\u021b\u0103? <\/p>\n\n\n\n

S\u0103 pui un b\u0103rbat straight, care nu \u00een\u021belege nimic nici din trauma disforiei de gen, nici din h\u0103r\u021buirea care a \u00eenso\u021bit \u00eentr-o societate conservatoare disforia de gen, nici din lupta \u00eenver\u0219unat\u0103 n\u0103scut\u0103 taman din traum\u0103 – s\u0103 \u00eenlocuiasc\u0103 tot acest adev\u0103r cu miau-miau e… o voi spune franc: o idio\u021benie. <\/p>\n\n\n\n

\u0218i c\u00e2nd realitatea se ridic\u0103 de pe scaun s\u0103 protesteze \u00eempotriva falsului fic\u021biunii tale, poate c\u0103 e momentul s\u0103 reconsideri de ce ai ales s\u0103 devii regizor \u0219i ce ai de spus de fapt cu pove\u0219tile pe care le pui \u00een scen\u0103.<\/p>\n\n\n\n

***<\/p>\n\n\n\n

Dac\u0103 apreciezi acest articol, po\u021bi sus\u021bine la r\u00e2ndul t\u0103u site-ul \u00een singurul mod care conteaz\u0103. Aici<\/strong><\/a>.<\/p>\n\n\n\n

***<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

***<\/p>\n\n\n\n

Vrei s\u0103 m\u0103 urm\u0103re\u015fti \u00een social media? \u00cemi po\u0163i da like pe Facebook<\/strong><\/a>, follow pe Twitter<\/a><\/strong> \u015fi Instagram<\/a><\/strong>, subscribe pe YouTube<\/a><\/strong> \u015fi pe TikTok<\/a><\/strong>.<\/p>\n\n\n\n

Ce le-a f\u0103tat mintea<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Ieri seara, la Teatrul Mic s-a \u00eent\u00e2mplat un incident. Se juca o pies\u0103 despre via\u0163a unei femei transgender. \u00cen rolul femeii transgender, evident, era...<\/p>\n","protected":false},"author":2,"featured_media":26007,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-26005","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/01\/421684903_10232852616680065_6902025935874552906_n.jpg?fit=1179%2C869&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/26005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=26005"}],"version-history":[{"count":4,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/26005\/revisions"}],"predecessor-version":[{"id":26011,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/26005\/revisions\/26011"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media\/26007"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=26005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=26005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=26005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}