{"id":26275,"date":"2024-04-03T13:12:48","date_gmt":"2024-04-03T10:12:48","guid":{"rendered":"https:\/\/lorenalupu.com\/blog\/?p=26275"},"modified":"2024-04-03T13:18:59","modified_gmt":"2024-04-03T10:18:59","slug":"clubul-de-filme-vechi-the-silence-of-the-lambs","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/clubul-de-filme-vechi-the-silence-of-the-lambs\/","title":{"rendered":"Clubul de filme vechi: The Silence of the Lambs"},"content":{"rendered":"\n<p><strong>Bine a\u0163i venit la Clubul de Filme Vechi,&nbsp; un serial \u00een care lu\u0103m un film f\u0103cut cu cel pu\u0163in zece ani \u00een urm\u0103, \u00eel revedem cu mintea de acum \u015fi analiz\u0103m dac\u0103 ne mai d\u0103 fiori \u015fi azi, \u015fi de ce.<\/strong><\/p>\n\n\n\n<p>\u201cDar, Lorena, eu cred c\u0103 un film vechi nu este \u0103sta, ci un film vechi este nu-\u015ftiu-care.\u201d<br>Minunat, izbe\u015fte paypalul \u0103la cu o dona\u0163ie \u015fi explic\u0103-mi \u00een rubrica de detalii ce e un film vechi pentru tine.<\/p>\n\n\n\n<p>E un exerci\u0163iu mereu fascinant s\u0103 revezi un film care \u0163i-a pl\u0103cut \u00een adolescen\u0163\u0103 sau la 20 de ani. Unele o s\u0103 \u0163i se par\u0103 overrated, expirate \u015fi facile. Iar \u00een altele, o s\u0103 descoperi subtilit\u0103\u0163i \u015fi meandre pe care le ratase\u015fi cu brio la prima vizionare. <\/p>\n\n\n\n<p><strong>The Silence of the Lambs<\/strong> a fost lansat \u00een 1991 \u015fi a fost primul film horror care \u015fi-a adjudecat principalele premii Oscar ale urm\u0103torului an: cel mai bun film, cea mai bun\u0103 regie, cel mai bun actor, cea mai bun\u0103 actri\u0163\u0103 \u015fi cel mai bun scenariu. Anii 80 au fost un deceniu de glorie pentru genul horror, dar au mar\u015fat \u00een special pe exces de s\u00e2nge pe pere\u0163i, violen\u0163\u0103 explicit\u0103, cadavre h\u0103cuite. \u00cen 1991, acest film a redefinit genul cu o abordare de tip \u201eless is more\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/6iB21hsprAQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<\/div><\/figure>\n\n\n\n<p>\u00centr-adev\u0103r, mare parte din sentimentul de groaz\u0103 pur\u0103 \u0219i fiori reci pe \u0219ira spin\u0103rii nu vine din gore, ci din tensiunea de nedescris, construit\u0103 prin interpret\u0103rile actorice\u0219ti r\u0103v\u0103\u0219itoare ale \u00eentregii distribu\u021bii. Da, Sir Anthony Hopkins \u0219i Jodie Foster au luat premiile Oscar; dar fiecare pies\u0103 a acestui puzzle rafinat care a fost The Silence of the Lams a func\u021bionat perfect, ca mecanismul unui ceas elve\u021bian. <\/p>\n\n\n\n<p>Rev\u0103z\u00e2nd filmul \u00een aprilie 2024, mi-am dat seama c\u00e2t de actual \u0219i de elocvent devine \u00eentr-o lume post #metoo. Pentru c\u0103, din primul cadru, al femeii care fuge singur\u0103 \u00een p\u0103dure cu muzic\u0103 dramatic\u0103 pe fundal (un cli\u0219eu obosit al genului horror, by the way), \u0219i prin nenum\u0103ratele priviri h\u0103mesite, lacome, pline de dorin\u021b\u0103, condescendente, arogante, gre\u021boase pe care le \u00eenfrunt\u0103 aceasta \u00een calitate de \u00eencep\u0103toare \u00eentr-un domeniu dominat de b\u0103rba\u021bi, tema privirii masculine \u0219i a agresiunii masculine e uluitor de avantgardist\u0103 pentru 1991. <\/p>\n\n\n\n<p>Buffalo Bill e uciga\u0219ul care masacreaz\u0103 \u0219i jupoaie femei, dar prin modul \u00een care o devoreaz\u0103 din priviri, fiecare din colegii lui Clarice e un mic Buffalo Bill. <\/p>\n\n\n\n<p>\u00cen mod bizar, de\u0219i prezentat de intrig\u0103 \u0219i de nara\u021biune ca un criminal vicios \u0219i sinistru, Hannibal the cannibal, Dr. Lecter e singurul care nu are acest vibe cotropitor \u00een raport cu Clarice. Dimpotriv\u0103: conexiunea care se construie\u0219te \u00eentre vestitul asasin \u00eenchis \u00een condi\u021bii de maxim\u0103 securitate \u0219i agentul novice venit s\u0103-l intervieveze e nea\u0219teptat de uman\u0103, protectoare \u0219i profund\u0103. Pe m\u0103sur\u0103 ce ea continu\u0103 s\u0103-l intervieveze, c\u0103ut\u00e2nd s\u0103-i ob\u021bin\u0103 cooperarea, Lecter \u00eei exploreaz\u0103 traumele din copil\u0103rie \u0219i fraternizeaz\u0103 cu ea prin intermediul vulnerabilit\u0103\u021bii. Clarice \u00eel trateaz\u0103 pe Lecter ca pe un om, nu ca pe un monstru, iar Lecter o trateaz\u0103 pe Clarice ca pe un om, nu ca pe o bucat\u0103 de carne destinat\u0103 poftelor. <\/p>\n\n\n\n<p>\u00centr-o concluzie nea\u0219teptat\u0103, psihopatul cel mai feroce r\u0103m\u00e2ne cel mai empatic personaj. \u0218i aceast\u0103 evolu\u021bie e jucat\u0103 \u0219i de Hopkins, \u0219i de Foster, cu o autenticitate \u0219i o subtilitate pe care le savurezi \u0219i dup\u0103 multe vizion\u0103ri, c\u00e2nd \u0219tii deja ce urmeaz\u0103 \u0219i treci de \u0219ocul \u0219i groaza pove\u0219tii la prima vedere. <\/p>\n\n\n\n<p>Scena introductiv\u0103, cea a fetei care alearg\u0103 singur\u0103 \u00een p\u0103dure, nu e doar un trope clasic de horror, ci un gest semnificativ pentru Clarice. De fapt, nu fuge de un uciga\u0219 \u00eenarmat cu o miralier\u0103, sau de o bestie s\u00e2ngeroas\u0103, ci de propriile frici \u0219i de propriile traume. Se antreneaz\u0103 pentru a deveni agent FBI, iar antrenamentul ei e mai eficient, pentru c\u0103 nevoia ei de a proteja pe cei slabi nu vine dintr-un cod moral, ci din con\u0219tientizarea acut\u0103 a propriei fragilit\u0103\u021bi. <\/p>\n\n\n\n<p>E chemat\u0103 \u00een biroul \u0219efului, Jack Crawford, superiorul mai \u00een v\u00e2rst\u0103, dar \u00eenc\u0103 atr\u0103g\u0103tor, intens con\u0219tient de frumuse\u021bea lui Clarice. Chiar dac\u0103, pe tot parcursul filmului, Crawford nu face nici o propunere explicit\u0103 sau o tentativ\u0103 de a ini\u021bia o aventur\u0103, privirea \u0219i limbajul corporal sunt evidente pentru toat\u0103 lumea, mai pu\u021bin pentru Clarice, a c\u0103rei inocen\u021b\u0103 \u0219i concentrare exclusiv\u0103 pe ancheta \u00een curs o fac cu at\u00e2t mai sexy \u0219i mai atr\u0103g\u0103toare \u00eentr-un mod pe care ea \u00eens\u0103\u0219i nu \u00eel \u00een\u021belege. <\/p>\n\n\n\n<p>\u00cen timp ce un criminal \u00een serie, cunoscut doar cu porecla Buffalo Bill, ucide femei \u0219i le jupoaie, apoi le arunc\u0103 \u00een r\u00e2u, Crawford o trimite pe Clarice ca pe un miel de sacrificat, \u00een penitenciarul de maxim\u0103 securitate unde e \u021binut psihiatrul Hannibal Lecter, un alt uciga\u0219 \u00een serie ale c\u0103rui fapte \u00eenfrico\u0219\u0103toare l-au transformat \u00eentr-o legend\u0103 vie. <\/p>\n\n\n\n<p>\u0218i aici, avem un alt trope de film clasic horror r\u0103sturnat. Pentru a ajunge la celula lui Hannibal, Clarice parcurge un lung coridor cu al\u021bi mon\u0219tri pres\u0103ra\u021bi \u00een toate celulele. Unul mai sinistru \u0219i mai dezumanizat dec\u00e2t cel\u0103lalt. Te a\u0219tep\u021bi ca Hannibal s\u0103 fie cel mai cumplit dintre to\u021bi. Dar, surpriz\u0103. Avem de a face cu un gentleman elegant, cu maniere impecabile, care vorbe\u0219te pe un ton mereu calm \u0219i protocolar. Da, spune inclusiv cele mai oribile r\u0103ut\u0103\u021bi pe un ton calm \u0219i protocolar. <\/p>\n\n\n\n<p>Stilistic, regizorul Jonathan Demme apeleaz\u0103 la arta prim-planului gr\u0103itor \u0219i elocvent. Aceasta \u00ee\u0219i pierde din impact c\u00e2nd vezi filmul pe tablet\u0103 sau pe laptop, dar trebuie s\u0103 ne amintim c\u0103 proiec\u021biile din vremea aceea se \u00eent\u00e2mplau \u00een cinematografe, \u0219i expresiile b\u00e2ntuitoare ale lui Hopkins erau c\u00e2t peretele. <\/p>\n\n\n\n<p>Cei doi asasini \u00een serie, Lecter \u0219i Buffalo Bill sunt dezv\u0103lui\u021bi prin tehnici contrare. Primim exces de detalii despre copil\u0103ria plin\u0103 de abuzuri a lui Bill, dar nu afl\u0103m nici m\u0103car un detaliu despre evolu\u021bia care l-a f\u0103cut pe Hannibal s\u0103 devin\u0103 asasinul necru\u021b\u0103tor de acum. \u00cel vedem \u00eentreg din prima, dar povestea lui r\u0103m\u00e2ne un mister p\u00e2n\u0103 la sf\u00e2r\u0219it. \u00cen opozi\u021bie, Buffalo Bill ne e prezentat prin detalii, prin p\u0103r\u021bi din corp, prin gesturi. Dac\u0103 Hannibal devine intens personal cu Clarice, Bill se refer\u0103 la victimele lui cu \u201eit\u201d (pronume referitor la obiecte) chiar \u0219i c\u00e2nd le d\u0103 ordine, \u0219i conexiunea lui cu ele e inexistent\u0103. <\/p>\n\n\n\n<p>\u0218i pas cu pas, ni se dezv\u0103luie \u0219i mobilul crimelor fiec\u0103ruia dintre ei. <\/p>\n\n\n\n<p>Bill ucide femei, pentru c\u0103 e disperat dup\u0103 corpul \u0219i pielea lor m\u0103t\u0103soas\u0103, \u0219i vrea s\u0103-\u0219i fac\u0103 un costum din aceasta. E practic nivelul ultim de obiectificare.<\/p>\n\n\n\n<p> Victimele lui Hannibal sunt Miggs, colegul de penitenciar care a agresat-o sexual pe Clarice, poli\u021bi\u0219tii care \u00eel \u021bin \u00eencarcerat, \u0219i la final, Chilton, psihologul narcisist \u0219i sadic care l-a torturat \u00een penitenciar. Crimele lui au o component\u0103 justi\u021biar\u0103, iar momentul \u00een care o vede pe Clarice atacat\u0103 de Miggs e cel care \u00eei declan\u0219eaz\u0103 empatia. Putem numi asta subiectificare? Putem? <\/p>\n\n\n\n<p>Dac\u0103 vrem cu adev\u0103rat, putem. <\/p>\n\n\n\n<p>Dup\u0103 ce Clarice e singura care \u00eei descifreaz\u0103 corect indiciile \u0219i prinde criminalul, &#8211; \u0219i nu dau detalii, pentru c\u0103 nu vreau s\u0103 stric pl\u0103cerea vizion\u0103rii pentru cei care a\u021bi tr\u0103it sub o st\u00e2nc\u0103 p\u00e2n\u0103 acum &#8211; Lecter, care \u00eentre timp evadeaz\u0103 datorit\u0103 incompeten\u021bei \u0219i arogan\u021bei lui Chilton, o sun\u0103 ultima oar\u0103. Cu o declara\u021bie de aproape-dragoste. \u201eNu voi veni dup\u0103 tine, pentru c\u0103 lumea e mai bun\u0103 cu tine \u00een ea.\u201d <\/p>\n\n\n\n<p>Acel telefon nu era necesar. Povestea s-ar fi putut \u00eencheia cu succes \u0219i f\u0103r\u0103 el. Dar faptul c\u0103 s-a \u00eent\u00e2mplat confirm\u0103 c\u0103, a\u0219a cum mieii care \u021bip\u0103 \u00een momentul sacrific\u0103rii sunt vulnerabilitatea lui Clarice, Clarice a devenit vulnerabilitatea lui Hannibal Lecter. <\/p>\n\n\n\n<p>Dac\u0103 apreciezi acest articol, po\u021bi sus\u021bine la r\u00e2ndul t\u0103u site-ul \u00een singurul mod care conteaz\u0103.&nbsp;<a href=\"https:\/\/www.paypal.com\/paypalme\/Trollywood\"><strong>Aici<\/strong><\/a>. Pentru dona\u021bii de 50 de euro sau mai mult, \u00eemi po\u021bi propune tu un subiect. Pentru dona\u021bii de 25 de euro sau mai mult, po\u021bi propune o poezie pentru<strong>&nbsp;<a href=\"https:\/\/www.tiktok.com\/@lorena.lupu\">cele 365 de zile de poezie.<\/a><\/strong><\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"http:\/\/paypal.me\/Trollywood\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/i2.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea-300x300.jpg?resize=300%2C300\" alt=\"\" class=\"wp-image-14577\" srcset=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=184%2C184&amp;ssl=1 184w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=100%2C100&amp;ssl=1 100w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?w=931&amp;ssl=1 931w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure>\n\n\n\n<p>***<\/p>\n\n\n\n<p>Vrei s\u0103 m\u0103 urm\u0103re\u015fti \u00een social media? \u00cemi po\u0163i da like pe&nbsp;<a href=\"https:\/\/www.facebook.com\/lorenaalmighty\/\"><strong>Facebook<\/strong><\/a>, follow pe&nbsp;<strong><a href=\"https:\/\/twitter.com\/lorenalupu\">Twitter<\/a><\/strong>&nbsp;\u015fi&nbsp;<strong><a href=\"https:\/\/www.instagram.com\/lorena.lup\/\">Instagram<\/a><\/strong>, subscribe pe&nbsp;<strong><a href=\"https:\/\/www.youtube.com\/channel\/UCCHBtHi6S2GlUFqETH70cjQ\">YouTube<\/a><\/strong>&nbsp;\u015fi pe<strong><a href=\"https:\/\/www.tiktok.com\/@lorena.lupu\">&nbsp;TikTok<\/a><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bine a\u0163i venit la Clubul de Filme Vechi,&nbsp; un serial \u00een care lu\u0103m un film f\u0103cut cu cel pu\u0163in zece ani \u00een urm\u0103, \u00eel&#46;&#46;&#46;<\/p>\n","protected":false},"author":2,"featured_media":26276,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-26275","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/04\/The-silence-of-the-lambs-.png?fit=1330%2C811&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/26275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=26275"}],"version-history":[{"count":2,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/26275\/revisions"}],"predecessor-version":[{"id":26278,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/26275\/revisions\/26278"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media\/26276"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=26275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=26275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=26275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}