{"id":26374,"date":"2024-04-24T13:53:06","date_gmt":"2024-04-24T10:53:06","guid":{"rendered":"https:\/\/lorenalupu.com\/blog\/?p=26374"},"modified":"2024-04-24T17:55:43","modified_gmt":"2024-04-24T14:55:43","slug":"clubul-de-filme-vechi-the-usual-suspects","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/clubul-de-filme-vechi-the-usual-suspects\/","title":{"rendered":"Clubul de filme vechi: The Usual Suspects"},"content":{"rendered":"\n<p><strong>Bine a\u0163i venit la Clubul de Filme Vechi,&nbsp; o serie \u00een care lu\u0103m un film f\u0103cut cu cel pu\u0163in zece ani \u00een urm\u0103, \u00eel revedem cu mintea de acum \u015fi analiz\u0103m dac\u0103 ne mai d\u0103 fiori \u015fi azi, \u015fi de ce.<\/strong><\/p>\n\n\n\n<p><strong>The Usual Suspects<\/strong> e unul dintre acele filme care te duc ad\u00e2nc \u00een eroare, \u015fi \u00ee\u0163i construiesc o poveste fals\u0103 pe care \u0163i-o servesc \u00een detaliu, apoi te pocnesc peste ochi cu revela\u0163ia c\u0103 adev\u0103rul e cel pe care nu-l a\u015fteptai, \u015fi c\u0103 te-ai l\u0103sat dus de nas ca un poli\u0163ist arogant ascult\u00e2nd povestea unui invalid. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/oiXdPolca5w?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<\/div><\/figure>\n\n\n\n<p>Dac\u0103 nu ai v\u0103zut <strong>The Usual Suspects<\/strong>, te rog frumos un lucru: opre\u015fte-te din lectura acestui text, caut\u0103 pe google unde po\u0163i vedea The Usual Suspects. M\u0103 irit\u0103 teribil s\u0103 m\u0103 \u00eentrebi \u201edar eu unde pot vedea The Usual Suspects?\u201d, pentru c\u0103 Google e gratuit, dar timpul meu nu este. <\/p>\n\n\n\n<p>Vezi <strong>The Usual Suspects<\/strong> cu naivitatea spectatorului care nu \u0219tie despre ce e vorba, s\u0103 po\u021bi experimenta cu adev\u0103rat \u0219ocul \u0219i surpriza twistului final. Eu am avut aceast\u0103 experien\u021b\u0103 \u0219i e una din bucuriile condi\u021biei de spectator. Nu vreau s\u0103 \u021bi-o r\u0103pesc. Mergi \u0219i vezi filmul. Apoi revino s\u0103 discut\u0103m informat. <\/p>\n\n\n\n<p>\u00cel vei mai revedea de dou\u0103-trei ori, doar pentru a detecta indiciile fine care indic\u0103, pe parcursul filmului, cum st\u0103 treaba de fapt, \u0219i c\u0103 tocmai e\u0219ti pe cale s\u0103 hale\u0219ti z\u0103h\u0103relul, \u0219i vei savura m\u0103iestria cu care un maestru al fic\u021biunii a construit o poveste care \u00eembin\u0103 cu at\u00e2ta art\u0103 fic\u021biunea \u0219i realitatea, \u00eenc\u00e2t, la final, singurul lucru pe care-l \u0219tii sigur este c\u0103 nu \u0219tii nimic. <\/p>\n\n\n\n<p>Pentru c\u0103 The Usual Suspects este o explorare genial\u0103 a temei \u0219i a trope-ului Naratorului \u00een care nu po\u021bi avea \u00eencredere. Unreliable narrator, \u00een englez\u0103. <\/p>\n\n\n\n<p>OK, s\u0103 zicem c\u0103 ai v\u0103zut filmul \u0219i ai revenit. Avem o secven\u021b\u0103 introductiv\u0103: interlopul de prestigiu Dean Keaton (Gabriel Byrne) zace r\u0103nit la bordul unei cor\u0103bii. De undeva de sus, cineva presteaz\u0103 un \u0219iroi de urin\u0103, suger\u00e2nd c\u0103   se p*** cu jet pe via\u021ba lui Keaton. Apoi, din \u00eentuneric, apare o figur\u0103 misterioas\u0103 \u00een negru. Plan detaliu: bricheta \u0219i ceasul de aur. Men\u021bionez aceste detalii, pentru c\u0103 ele vor deveni relevante mai \u00eencolo, de\u0219i acum nu \u0219tii asta. C\u00e2nd d\u0103 cu ochii de figura misterioas\u0103, pe care noi \u00een continuare n-o vedem, Keaton r\u0103m\u00e2ne tablou. \u00cei cade fa\u021ba. Apoi \u00eel saut\u0103 pe Keyser. Keyser \u00eel \u00eentreab\u0103 dac\u0103 e preg\u0103tit. R\u0103spunsul e \u201eda\u201d. Atunci, se aud dou\u0103 \u00eempu\u0219c\u0103turi off-screen, \u0219i ulterior, toat\u0103 corabia e incendiat\u0103. <\/p>\n\n\n\n<p>Trecem la o scen\u0103 de la sediul poli\u021biei, care investigheaz\u0103 masacrul. Exist\u0103 doi supravie\u021buitori: un muncitor ungur cu arsuri care \u00eel fac de nerecunoscut, \u0219i care e \u00een prezent la spital (\u0219i care, \u00een treac\u0103t fie spus, are ochii alba\u0219tri ai lui Keaton \u0219i restul fe\u021bei afectat de arsuri. Sau poate e doar o coinciden\u021b\u0103 aruncat\u0103 special pentru derut\u0103). \u0218i un escroc m\u0103runt, invalid \u0219i inofensiv, speriat \u0219i de umbra lui, Verbal Kint (Kevin Spacey). De\u0219i e \u00een rolul principal, Kevin e men\u021bionat al cincilea \u00een credite, pentru o nou\u0103 derut\u0103. <\/p>\n\n\n\n<p>Verbal a r\u0103mas \u00een via\u021b\u0103 \u0219i e neatins, pentru c\u0103 s-a ascuns dup\u0103 ni\u0219te funii \u0219i a urm\u0103rit ac\u021biunea f\u0103r\u0103 s\u0103 se implice cu nimic. E singurul martor, dar refuz\u0103 s\u0103 depun\u0103 m\u0103rturie \u00een tribunal, \u201epentru c\u0103 nu e un \u0219obolan\u201d, \u0219i c\u00e2nd agentul Dave Kujan vine s\u0103-l interogheze, i se spune c\u0103 Verbal Kint \u0219i-a negociat deja imunitatea \u0219i va fi eliberat \u00een dou\u0103 ore. <\/p>\n\n\n\n<p>Concret, filmul e un lung interogatoriu al lui Kujan, care porne\u0219te de la afirma\u021bia \u201eSunt mai de\u0219tept dec\u00e2t tine\u201d \u0219i \u00eel subestimeaz\u0103 pe Verbal pe tot parcursul interac\u021biunii, \u0219i flasbackul pove\u0219tii lui Verbal, care \u00eencepe de la un adev\u0103r verificabil: cu \u0219ase s\u0103pt\u0103m\u00e2ni \u00een urm\u0103, poli\u021bia din New York a adunat cinci suspec\u021bi ai unui jaf de arme, c\u0103ut\u00e2nd s\u0103 identifice ho\u021bul. \u0218i cre\u00e2nd cel mai celebru lineup din istoria cinematografiei: Kevin Pollak, Stephen Baldwin, Benicio del Toro, Gabriel Byrne \u0219i Kevin Spacey. <\/p>\n\n\n\n<p>Kint \u00ee\u0219i exprim\u0103 uimirea c\u0103 el, un escroc m\u0103runt, care nu \u0219tie smardoial\u0103 \u0219i nici caft, a ajuns \u00een compania unor interlopi vesti\u021bi, dar, pentru c\u0103 e politicos \u0219i inteligent, se integreaz\u0103 repede \u00een ga\u0219c\u0103. \u0218i \u00eencepe o lung\u0103 \u0219i \u00eentortocheat\u0103 poveste despre cum cei cinci formeaz\u0103 propriul boy band \u0219i \u00eencep s\u0103 dea spargeri \u0219i alte f\u0103r\u0103delegi \u00eempreun\u0103. <\/p>\n\n\n\n<p>\u0218i \u00een acest grup, persoana care se impune ca autoritate, cel mai matur \u0219i mai experimentat, e Keaton. Un fost poli\u021bist corupt, ajuns ulterior mare mafiot, care luase decizia de a duce o via\u021b\u0103 cinstit\u0103, se cuplase cu o avocat\u0103 pe care o iubea din toat\u0103 inima \u0219i, \u00een momentul arestului, tocmai discuta cu investitori pentru un restaurant nou. \u00cen povestea lui Verbal, Keaton e figura central\u0103, povestea lui de iubire cu avocata are greutate, pentru c\u0103 ea \u00eel duce pe calea cea bun\u0103, dar, nemul\u021bumit de faptul c\u0103 poli\u021bia i-a alungat investitorii, Keaton se al\u0103tur\u0103 g\u0103\u0219tii, min\u021bindu-se de fiecare dat\u0103 c\u0103 acea opera\u021biune va fi ultima. <\/p>\n\n\n\n<p>La un moment dat, dup\u0103 o pist\u0103 fals\u0103 care duce la dezastru, grupul e abordat de un avocat pe nume Kobayashi. U\u0219or ciudat faptul c\u0103 acest Kobayashi nu are tr\u0103s\u0103turi de japonez, dar hei, \u00ee\u021bi zici, filmul e f\u0103cut \u00een anii 1990, c\u00e2nd \u00eenc\u0103 Hollywoodul nu avea preocuparea respectului fa\u021b\u0103 de rase \u0219i etnii. Kobayashi le dezv\u0103luie c\u0103 lucreaz\u0103 pentru vestitul interlop Keyser S\u00f6ze, \u0219i c\u0103 el a determinat poli\u021bia s\u0103 adune laolalt\u0103 acest lineup, pentru c\u0103 fiecare dintre cei prezen\u021bi a comis o infrac\u021biune care l-a prejudiciat pe S\u00f6ze. <\/p>\n\n\n\n<p>Din basmul lui Verbal, Keyser S\u00f6ze pare acest str\u0103in \u00eenalt \u0219i \u00eentunecat, o prezen\u021b\u0103 exotic\u0103 \u0219i seduc\u0103toare, care \u00ee\u0219i secer\u0103 f\u0103r\u0103 a clipi propria familie, pentru a nu avea puncte vulnerabile \u00een fa\u021ba clanurilor adverse. Un mister viu, pe care nimeni nu-l cunoa\u0219te. <\/p>\n\n\n\n<p>Ce vrea S\u00f6ze de la grup? S\u0103 urce pe  o corabie care pleac\u0103 din port \u0219i s\u0103 distrug\u0103 o \u00eenc\u0103rc\u0103tur\u0103 masiv\u0103 de cocain\u0103, pentru a elimina concuren\u021ba. Astfel, S\u00f6ze va considera c\u0103 membrii grupului \u0219i-au reparat gre\u0219eala, \u0219i \u00eei va l\u0103sa \u00een pace pe viitor. <\/p>\n\n\n\n<p>Unul dintre infractori, Fenster, \u00eencearc\u0103 s\u0103 fug\u0103 de aceast\u0103 misiune \u0219i e g\u0103sit ucis. Ca aluzie fin\u0103 c\u0103 ordinul nu se discut\u0103, ci se execut\u0103. Restul caut\u0103 s\u0103-l lichideze pe Kobayashi, dar Kobayashi \u00eei \u021bine \u00een \u0219ah: are pe m\u00e2n\u0103 vie\u021bile tuturor apropia\u021bilor lor. <\/p>\n\n\n\n<p>\u0218i atunci, cei patru orchestreaz\u0103 lovitura \u0219i atac\u0103 corabia. Numai c\u0103, surpriz\u0103: pe corabie nu e urm\u0103 de cocain\u0103, ci doar un alt criminal, Arturo Marquez, pe care autorit\u0103\u021bile vor s\u0103 pun\u0103 m\u00e2na. Marquez \u00eel cunoa\u0219te pe Keyser S\u00f6ze \u0219i-l poate da \u00een vileag. <\/p>\n\n\n\n<p>Un asasin pe care nu-l vedem \u00eel \u00eempu\u0219c\u0103 pe Marquez, exact cum l-a \u00eempu\u0219cat \u0219i pe Keaton \u00een secven\u021ba introductiv\u0103. Acela\u0219i asasin \u00eei c\u0103s\u0103pe\u0219te pe to\u021bi \u201esuspec\u021bii de serviciu\u201d, unul c\u00e2te unul, pentru c\u0103, de fapt, Keyser S\u00f6ze NU are de g\u00e2nd s\u0103 le ierte datoriile. <\/p>\n\n\n\n<p>De ce Verbal a r\u0103mas pe margine? Din empatia lui Keaton fa\u021b\u0103 de invalid. \u00cen caz c\u0103 opera\u021biunea e un e\u0219ec \u0219i ga\u0219ca e lichidat\u0103, s\u0103-i spun\u0103 iubitei c\u0103 el a \u00eencercat s\u0103 redevin\u0103 cet\u0103\u021bean cinstit, dar iat\u0103, via\u021ba e complex\u0103 \u0219i are multe aspecte. <\/p>\n\n\n\n<p>Verbal descrie cu maxim\u0103 anxietate modul cum a asistat, de dup\u0103 funii, la moartea lui Keaton. De ce n-a tras el personal \u00een Keyser? De fric\u0103 s\u0103 nu rateze \u021binta \u0219i s\u0103 nu fie ucis chiar el de marele criminal? <\/p>\n\n\n\n<p>Performan\u021ba lui Spacey e magistral\u0103. Alura lui de nea Marcel, contabilul, ticurile lui de invalid p\u0103truns de con\u0219tiin\u021ba propriei neputin\u021be \u0219i sentimentul c\u0103 e amestecat f\u0103r\u0103 voie \u00een ceva ce-l dep\u0103\u0219e\u0219te \u0219i c\u0103 tot ce vrea e s\u0103 ajung\u0103 acas\u0103, s\u0103 bea un ceiu\u021b de mu\u0219e\u021bel \u0219i s\u0103 rezolve o integram\u0103, privirea lui umil\u0103 de c\u0103prioar\u0103 surprins\u0103 \u00een b\u0103taia farurilor te p\u0103c\u0103lesc f\u0103r\u0103 efort. <\/p>\n\n\n\n<p>Pe ici pe colo, c\u00e2nd Kujan e cu spatele, detectezi c\u00e2te un z\u00e2mbet r\u0103ut\u0103cios, dar povestea e relatat\u0103 \u00een a\u0219a manier\u0103, \u00eenc\u00e2t \u00eel justifici. <\/p>\n\n\n\n<p>\u00centre timp, ungurul de la spital \u0219i-a revenit \u0219i d\u0103 o descriere a lui Keyser S\u00f6ze, pe care graficianul poli\u021biei o transpune \u00eentr-un desen. <\/p>\n\n\n\n<p>\u00centre timp, din povestea lui Verbal, Kujan trage concluzia c\u0103 Keaton e Keyser S\u00f6ze \u0219i probabil c\u0103 a sc\u0103pat \u00een mod misterios. Verbal e mai mult dec\u00e2t fericit s\u0103 confirme \u0219i, cum cau\u021biunea lui a fost pl\u0103tit\u0103, e liber s\u0103 plece. La ie\u0219ire, i se elibereaz\u0103 bricheta de aur, ceasul de aur \u0219i \u021big\u0103rile, dar tu, pierdut \u00een dou\u0103 ore de pove\u0219ti, \u00eenc\u0103 nu remarci c\u0103 sunt obiectele din prima secven\u021b\u0103 a filmului. <\/p>\n\n\n\n<p>Apoi, Verbal pleac\u0103 \u0219i, \u00een timp ce se \u00eendep\u0103rteaz\u0103, mersul lui \u00ee\u0219i pierde \u0219chiop\u0103tatul \u0219i devine normal \u0219i sprinten. Dup\u0103 col\u021b, \u00eel a\u0219teapt\u0103 o ma\u0219in\u0103 neagr\u0103, \u0219i \u00een ea, \u201eKobayashi\u201d. <\/p>\n\n\n\n<p>Ce apreciez eu: c\u0103 revela\u021bia nu ne e servit\u0103 repede, slam, bam, thank you, m&#8217;am. C\u0103 filmul \u00ee\u0219i ofer\u0103 timp \u0219i te ia lent \u0219i senzual. C\u0103 agentul Kujan se prinde din detaliile pe care le vede prin birou c\u0103 \u00eentreaga poveste a lui Verbal a fost improvizat\u0103 din ce a v\u0103zut \u00een jur. \u0218i c\u0103, exact atunci, vine faxul cu portretul robot al lui Keyser \u0219i da, acesta e Verbal. <\/p>\n\n\n\n<p>\u0218i \u00een timp ce agentul Kujan d\u0103 n\u0103val\u0103 afar\u0103 s\u0103-l prind\u0103 din urm\u0103 pe Keyser, \u00een plan secund se vede ma\u0219ina neagr\u0103 a lui \u201eKobayashi\u201d demar\u00e2nd &#8211; \u00een realitate, Kobayashi e numele brandului de pe cea\u0219ca lui Kujan. <\/p>\n\n\n\n<p>\u0218i \u00een\u021belegi c\u0103, timp de dou\u0103 ore, poli\u021bia l-a \u021binut \u00een arest pe cel mai periculos interlop din Los Angeles, care i-a jucat ca pe popice, le-a zis basme de adormit copiii \u0219i le-a lunecat printre degete cu o m\u0103iestrie inegalabil\u0103.<\/p>\n\n\n\n<p>\u0218i c\u00e2nd \u00een\u021belegi asta, \u0219i ai avea o premis\u0103 clar\u0103 de lucru, filmul se termin\u0103. E genul \u0103la de final excep\u021bional, care te las\u0103 cu o imens\u0103 dorin\u021b\u0103 de  mai mult. <\/p>\n\n\n\n<p>Cristopher McQuarrie \u0219i-a meritat Oscarul pentru scenariu cu v\u00e2rf \u0219i \u00eendesat, iar Bryan Singer a pus \u00een valoare acest scenariu cu o regie de vis.<\/p>\n\n\n\n<p>\u0218i slav\u0103 domnului, Hollywood nu a \u00eempins ideea unui sequel care s\u0103 strice geniul pur al acestui film absolut perfect, cum s-a \u00eent\u00e2mplat cu \u201eThe Matrix\u201d sau cu \u201dBasic Instinct\u201d. Rar \u00eent\u00e2lne\u0219ti un sequel care s\u0103 nu fie f\u0103cut doar ca vac\u0103 de muls \u0219i s\u0103 nu sug\u0103 intens \u0219i cu strig\u0103turi. <\/p>\n\n\n\n<p>Dac\u0103 iube\u0219ti thrillerele, dac\u0103 e\u0219ti ahtiat dup\u0103 enigm\u0103 \u0219i pericol, \u201eThe Usual Suspects\u201d este FILMUL. Minunat din primul \u0219i p\u00e2n\u0103 \u00een ultimul cadru, cu o art\u0103 de a doza revela\u021bia strop cu strop, care te \u021bine f\u0103r\u0103 aer chiar \u0219i la a zecea vizionare. <\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<p>Dac\u0103 apreciezi acest articol, po\u021bi sus\u021bine la r\u00e2ndul t\u0103u site-ul \u00een singurul mod care conteaz\u0103.&nbsp;<a href=\"https:\/\/www.paypal.com\/paypalme\/Trollywood\"><strong>Aici<\/strong><\/a>. Pentru dona\u021bii de 50 de euro sau mai mult, \u00eemi po\u021bi propune tu un subiect. Pentru dona\u021bii de 25 de euro sau mai mult, po\u021bi propune o poezie pentru<strong>&nbsp;<a href=\"https:\/\/www.tiktok.com\/@lorena.lupu\">cele 365 de zile de poezie.<\/a><\/strong><\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"http:\/\/paypal.me\/Trollywood\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/i2.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea-300x300.jpg?resize=300%2C300\" alt=\"\" class=\"wp-image-14577\" srcset=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=184%2C184&amp;ssl=1 184w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=600%2C600&amp;ssl=1 600w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?resize=100%2C100&amp;ssl=1 100w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2018\/03\/cafea.jpg?w=931&amp;ssl=1 931w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure>\n\n\n\n<p>***<\/p>\n\n\n\n<p>Vrei s\u0103 m\u0103 urm\u0103re\u015fti \u00een social media? \u00cemi po\u0163i da like pe&nbsp;<a href=\"https:\/\/www.facebook.com\/lorenaalmighty\/\"><strong>Facebook<\/strong><\/a>, follow pe&nbsp;<strong><a href=\"https:\/\/twitter.com\/lorenalupu\">Twitter<\/a><\/strong>&nbsp;\u015fi&nbsp;<strong><a href=\"https:\/\/www.instagram.com\/lorena.lup\/\">Instagram<\/a><\/strong>, subscribe pe&nbsp;<strong><a href=\"https:\/\/www.youtube.com\/channel\/UCCHBtHi6S2GlUFqETH70cjQ\">YouTube<\/a><\/strong>&nbsp;\u015fi pe<strong><a href=\"https:\/\/www.tiktok.com\/@lorena.lupu\">&nbsp;TikTok<\/a><\/strong>.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bine a\u0163i venit la Clubul de Filme Vechi,&nbsp; o serie \u00een care lu\u0103m un film f\u0103cut cu cel pu\u0163in zece ani \u00een urm\u0103, \u00eel&#46;&#46;&#46;<\/p>\n","protected":false},"author":2,"featured_media":26379,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-26374","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/04\/TUS.jpeg?fit=474%2C331&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/26374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=26374"}],"version-history":[{"count":4,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/26374\/revisions"}],"predecessor-version":[{"id":26382,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/26374\/revisions\/26382"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media\/26379"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=26374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=26374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=26374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}