{"id":26829,"date":"2024-08-24T10:17:02","date_gmt":"2024-08-24T07:17:02","guid":{"rendered":"https:\/\/lorenalupu.com\/blog\/?p=26829"},"modified":"2024-08-24T10:17:04","modified_gmt":"2024-08-24T07:17:04","slug":"clubul-de-filme-vechi-rocco-si-fratii-lui","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/clubul-de-filme-vechi-rocco-si-fratii-lui\/","title":{"rendered":"Clubul de filme vechi: Rocco \u015fi fra\u0163ii lui"},"content":{"rendered":"\n<p>Po\u0163i s\u0103 spui ce vrei tu despre Alain Delon, \u015fi mai ales despre t\u00e2mpeniile pe care le-a debitat \u00een ultimii ani de via\u0163\u0103, c\u00e2nd bolile i-au r\u0103pit orice bucurie de a tr\u0103i, iar s\u0103n\u0103tatea lui mintal\u0103 a fost \u00een pr\u0103bu\u015fire liber\u0103; dar nu po\u0163i nega faptul c\u0103 a fost un URIA\u015e actor. <\/p>\n\n\n\n<p>De aceea, am hot\u0103r\u00e2t s\u0103-i dedic\u0103m Clubul de filme vechi al acestei s\u0103pt\u0103m\u00e2ni, \u015fi v-am invitat s\u0103 vota\u0163i filme cu Alain Delon \u00een rol principal. Iar voi m-a\u0163i f\u0103cut m\u00e2ndr\u0103 de nivelul intelectual al cititorilor mei, pentru c\u0103 a\u0163i ales o capodoper\u0103 a unuia dintre cei mai importan\u0163i regizori ai secolului trecut: Luchino Visconti. Este vorba despre <strong>Rocco \u015fi fra\u0163ii lui (1960)<\/strong>, filmul \u00een care Alain Delon \u015fi-a demonstrat pentru prima oar\u0103 talentul incredibil, subtilitatea \u015fi profunzimea. <\/p>\n\n\n\n<p><strong>Rocco \u015fi fra\u0163ii lui <\/strong>e unul dintre acele filme care te \u00eenva\u0163\u0103 c\u0103 cinematografia e de fapt o art\u0103. O art\u0103 a vizualului &#8211; fiecare cadru al acestui film are o frumuse\u0163e de tablou italian renascentist, ba, uneori, de fresc\u0103 mural\u0103 forfotind de detaliu. O art\u0103 a pove\u015ftii, a situa\u0163iilor care evolueaz\u0103 p\u00e2n\u0103 la paroxism, derivate din tradi\u0163ie prost \u00een\u0163eleas\u0103, lupt\u0103 pentru supravie\u0163uire \u015fi personalit\u0103\u0163i vulcanice. \u015ei o art\u0103 a simbolului, subtil \u015fi totodat\u0103 elocvent, red\u00e2nd at\u00e2t de elocvent esen\u0163a uman\u0103. <\/p>\n\n\n\n<p>Cred c\u0103 ar trebui s\u0103 ne impunem nou\u0103 \u00een\u0219ine s\u0103 vedem mai multe filme clasice. Pentru c\u0103 avem nevoie de acest tip de educa\u021bie \u00een vie\u021bile noastre. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/kK1WXnyEkBk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<\/div><\/figure>\n\n\n\n<p>Luchino Visconti provine dintr-o familie aristocratic\u0103 milanez\u0103, \u0219i a avut o copil\u0103rie lipsit\u0103 de griji. Cu toate acestea, filmele din era lui neorealist\u0103 spun pove\u0219ti ale s\u0103r\u0103ciei crunte \u0219i ale disper\u0103rii cu un talent inegalabil \u0219i cu o autenticitate care zguduie inimi. Genul de s\u0103r\u0103cie \u00een care te bucuri c\u0103 ninge afar\u0103, pentru c\u0103 e ocazia ta de a c\u00e2\u0219tiga c\u00e2teva lire d\u00e2nd z\u0103pada cu lopata. <\/p>\n\n\n\n<p>O astfel de s\u0103r\u0103cie e tr\u0103it\u0103 de nenum\u0103rate familii din sudul Italiei, inclusiv de Rosaria Parondi, r\u0103mas\u0103 v\u0103duv\u0103 cu cinci fii. Primul, Vincenzo, a plecat deja la Milano \u0219i s-a integrat \u00eentr-o familie bun\u0103. Mama \u0219i ceilal\u021bi patru copii ajung pe nepus\u0103 mas\u0103 la Milano, \u0219i invadeaz\u0103 casa respectivei familii exact \u00een ziua \u00een care Vincenzo \u00ee\u0219i s\u0103rb\u0103tore\u0219te logodna cu Ginetta (Claudia Cardinale). Dac\u0103 gazdele sunt la \u00eenceput politicoase, egoismul Rosariei, care declar\u0103 c\u0103 doliul ei de v\u0103duv\u0103 e mult prea recent pentru a avea chef de s\u0103rb\u0103toare, na\u0219te furia p\u0103rin\u021bilor Ginei, care nu au nici un chef s\u0103 primeasc\u0103 haita de \u021b\u0103rani needuca\u021bi \u0219i pu\u0219i pe scandal din sud. \u0218i atunci, logodna e anulat\u0103, \u0219i \u00eentreaga familie e scoas\u0103 neceremonios pe u\u0219\u0103 afar\u0103, s\u0103 se descurce. <\/p>\n\n\n\n<p>Visconti are o atitudine deopotriv\u0103 tandr\u0103 \u0219i critic\u0103 la adresa conceptului de familie italian\u0103 atotprezent\u0103 \u0219i mereu acaparatoare, care nu \u021bine niciodat\u0103 cont de priorit\u0103\u021bi individuale \u0219i e ca un fel de t\u0103v\u0103lug tr\u0103g\u00e2ndu-\u0219i membrii \u00eentotdeauna \u00een jos, unde cel care \u021bip\u0103 cel mai tare are \u00eentotdeauna dreptate, iar cei t\u0103cu\u021bi \u0219i bl\u00e2nzi sunt victime \u0219i \u021bapi isp\u0103\u0219itori ai celor abuzivi. \u0218i cel t\u0103cut \u0219i bl\u00e2nd e, \u00een acest caz, Rocco (Alain Delon), a c\u0103rui frumuse\u021be tragic\u0103, infinit de vulnerabil\u0103, marcat\u0103 de o durere perpetu\u0103, cutremur\u0103toare, e at\u00e2t de impecabil \u00eencadrat\u0103 de pelicula alb-negru \u0219i de imaginile superb compuse ale lui Visconti. <\/p>\n\n\n\n<p>Rar vezi un actor care s\u0103 se contopeasc\u0103 at\u00e2t de complet cu un rol cum o face Delon cu rolul Rocco. Chiar dac\u0103 Rocco are relativ pu\u021bine replici, raportate la vacarmul ne\u00eencetat care e via\u021ba unei familii italiene, camera st\u0103 mult \u00een prim plan pe chipul lui \u0219i \u00eenregistreaz\u0103 toate modurile \u00een care lupta feroce cu jungla urban\u0103 \u0219i cu mon\u0219trii propriei familii \u00eei fr\u00e2nge inima. \u0218i \u00ee\u021bi fr\u00e2nge inima \u0219i \u021bie, spectatorul, pentru c\u0103 nu \u00eencetezi s\u0103 \u021bii cu Rocco \u0219i s\u0103 speri c\u0103, la un moment dat, sacrificiul lui mut va fi sesizat \u0219i apreciat. \u0218i evident, acel moment nu vine niciodat\u0103. <\/p>\n\n\n\n<p>\u00cen antitez\u0103 cu fra\u021bii Parondi, care, cel pu\u021bin la \u00eenceput, func\u021bioneaz\u0103 ca un tot unitar, e prezentat personajul Nadiei (Annie Girardot). Ea nu vrea ca t\u0103v\u0103lugul familiei s\u0103 \u00eei conduc\u0103 via\u021ba, prin urmare, pleac\u0103 pe cont propriu, \u0219i cum perioada e \u00eenc\u0103 destul de neprietenoas\u0103 cu femeile, ajunge s\u0103 practice singura meserie care ofer\u0103 stabilitate financiar\u0103 pentru o femeie nesus\u021binut\u0103 de familie: prostitu\u021bia. Nadia intr\u0103 \u00een film printr-o ceart\u0103 viforoas\u0103 cu tat\u0103l ei \u0219i exercit\u0103 asupra fra\u021bilor Parondi atrac\u021bia magnetic\u0103 pe care Milano \u00eensu\u0219i o execitase atunci c\u00e2nd au cobor\u00e2t din tren. Ea e or\u0103\u0219eanca: vesel\u0103, sociabil\u0103, superb\u0103, sigur\u0103 de sine, mereu bine \u00eembr\u0103cat\u0103, mereu cu vorbele la ea. Ei sunt \u021b\u0103ranii s\u0103raci, care au de \u00eenfruntat umilin\u021be, r\u0103ut\u0103\u021bi \u0219i priva\u021biuni cu fiecare respira\u021bie, din prima clip\u0103 \u00een care au deschis ochii. <\/p>\n\n\n\n<p>Filmul e \u00eemp\u0103r\u021bit \u00een capitole care poart\u0103 numele fiec\u0103rui fiu \u00een parte, dar dinamica abuzului, pe care pune lentila, e format\u0103 de doi piloni: Simone (Renato Salvatori), crud, narcisist, abuziv \u0219i manipulator, mincinos \u0219i ho\u021b, \u0219i Rocco (Alain Delon), cu sufletul mereu pe tav\u0103, mereu gata s\u0103 se lase jecm\u0103nit financiar \u0219i moral de fratele s\u0103u. Simone are un \u00eenceput promi\u021b\u0103tor de carier\u0103, ca boxer, dar lipsa lui de etic\u0103 \u0219i predispozi\u021bia spre exces \u00ee\u0219i spun cuv\u00e2ntul. \u00ce\u0219i pierde titlul de campion \u0219i ajunge un b\u0103t\u0103u\u0219 ratat, gata de orice pentru pu\u021bin\u0103 aten\u021bie de la Nadia. Rocco nu iube\u0219te boxul, dar \u00eencepe s\u0103-l practice pentru a salva familia; \u0219i cu c\u00e2t Simone se ad\u00e2nce\u0219te \u00een tic\u0103lo\u0219ie, \u0219antaj, degradare, cu at\u00e2t Rocco se \u00eenc\u0103p\u0103\u021b\u00e2neaz\u0103 s\u0103 intre \u00een contracte mai solicitante \u0219i s\u0103 se \u00eendatoreze financiar, pentru a-l feri de consecin\u021be \u0219i pentru a-l aduce pe linia de plutire. <\/p>\n\n\n\n<p>E ca un cerc vicios: Isus care ia asupra lui p\u0103catele omenirii, \u0219i omenirea, care se simte motivat\u0103 s\u0103 comit\u0103 din ce \u00een ce mai multe p\u0103cate, pentru c\u0103 nu trebuie s\u0103 pl\u0103teasc\u0103 pentru ele. <\/p>\n\n\n\n<p>Dar, desigur, nu po\u021bi salva un om de el \u00eensu\u0219i, \u0219i \u00een cele din urm\u0103, Simone ajunge s\u0103 comit\u0103 o crim\u0103. O omoar\u0103 pe Nadia, pentru c\u0103, indiferent ce ar face, nu \u00eei poate ob\u021bine iubirea. \u0218i consta\u021bi cu oroare cum familia e gata s\u0103-i ascund\u0103 \u0219i s\u0103-i acopere crima. Dac\u0103 nu ar fi al patrulea frate, Ciro, care \u00eenc\u0103 are o busol\u0103 moral\u0103 just\u0103 \u0219i rupe mecanismul co-dependen\u021bei: \u00eel denun\u021b\u0103 pe Simone la poli\u021bie. Un gest eliberator dup\u0103 trei ore de abuz nemilos \u0219i violent, care se acumuleaz\u0103 peste tine, spectator, dezv\u0103luind o nou\u0103 viziune asupra ideii de familie, ca o capcan\u0103 din care nu se poate sc\u0103pa. <\/p>\n\n\n\n<p>Dac\u0103 Sartre afirma c\u0103 infernul sunt ceilal\u021bi,<strong> Rocco \u0219i fra\u021bii lui <\/strong>sugereaz\u0103 c\u0103 infernul e familia. Presiunea acesteia \u00eempinge persoane \u00een roluri pe care nu \u0219i le doresc \u0219i care nu le sunt potrivite, iar cei cu tendin\u021be narcisiste \u0219i abuzive sunt mereu cei favoriza\u021bi. La sf\u00e2r\u0219it, c\u00e2nd fiul r\u0103t\u0103citor se \u00eentoarce acas\u0103, cu m\u00e2inile pline de s\u00e2nge, mama se bucur\u0103 mai mult de revenirea lui, dec\u00e2t de medalia de campion a lui Rocco, \u00eencununarea sacrificiului s\u0103u de sine \u00eentr-un sport pe care \u00eel ur\u0103\u0219te din r\u0103runchi. <\/p>\n\n\n\n<p>Un film elocvent \u0219i cutremur\u0103tor, o epopee a s\u0103r\u0103ciei \u0219i a tuturor alegerilor gre\u0219ite derivate din aceasta, <strong>Rocco \u0219i fra\u021bii lui<\/strong> se urm\u0103re\u0219te cu inima str\u00e2ns\u0103 \u0219i cu ochii \u00een lacrimi. Pentru c\u0103 \u00eentoarcerea la \u021bar\u0103 la care viseaz\u0103 Rocco, la paradisul m\u0103slinilor \u0219i curcubeelor, e doar o utopie feeric\u0103, un moment de alinare \u00eentre nenum\u0103ratele meciuri care \u00eel a\u0219teapt\u0103, s\u0103 pl\u0103teasc\u0103 imensele datorii asumate de pe urma fratelui s\u0103u. Frate care, \u00een cele din urm\u0103, tot \u00een \u00eenchisoare ajunge, subliniind inutilitatea acestui sacrificiu. <\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<p>Vrei s\u0103 m\u0103 urm\u0103re\u015fti \u00een social media? \u00cemi po\u0163i da like pe&nbsp;<a href=\"https:\/\/www.facebook.com\/lorenaalmighty\/\"><strong>Facebook<\/strong><\/a>, follow pe&nbsp;<strong><a href=\"https:\/\/twitter.com\/lorenalupu\">Twitter<\/a><\/strong>&nbsp;\u015fi&nbsp;<strong><a href=\"https:\/\/www.instagram.com\/lorena.lup\/\">Instagram<\/a><\/strong>, subscribe pe&nbsp;<strong><a href=\"https:\/\/www.youtube.com\/channel\/UCCHBtHi6S2GlUFqETH70cjQ\">YouTube<\/a><\/strong>&nbsp;\u015fi pe<strong><a href=\"https:\/\/www.tiktok.com\/@lorena.lupu\">&nbsp;TikTok<\/a><\/strong>.<\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<p>Dac\u0103 \u00ee\u021bi plac aceste articole, po\u021bi alege s\u0103-mi oferi sus\u021binerea de care am nevoie.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.paypal.com\/paypalme\/Trollywood\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"82\" src=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/01\/paypal-.jpg?w=700&amp;ssl=1\" alt=\"\" class=\"wp-image-25884\" srcset=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/01\/paypal-.jpg?w=250&amp;ssl=1 250w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/01\/paypal-.jpg?resize=150%2C49&amp;ssl=1 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Po\u0163i s\u0103 spui ce vrei tu despre Alain Delon, \u015fi mai ales despre t\u00e2mpeniile pe care le-a debitat \u00een ultimii ani de via\u0163\u0103, c\u00e2nd&#46;&#46;&#46;<\/p>\n","protected":false},"author":2,"featured_media":26830,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-26829","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/08\/Rocco-and-His-Brothers.jpg?fit=1200%2C766&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/26829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=26829"}],"version-history":[{"count":2,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/26829\/revisions"}],"predecessor-version":[{"id":26832,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/26829\/revisions\/26832"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media\/26830"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=26829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=26829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=26829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}