{"id":27332,"date":"2024-12-14T13:00:22","date_gmt":"2024-12-14T10:00:22","guid":{"rendered":"https:\/\/lorenalupu.com\/blog\/?p=27332"},"modified":"2024-12-14T13:01:33","modified_gmt":"2024-12-14T10:01:33","slug":"clubul-de-filme-vechi-no-country-for-old-men","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/clubul-de-filme-vechi-no-country-for-old-men\/","title":{"rendered":"Clubul de Filme Vechi: No Country For Old Men"},"content":{"rendered":"\n<p><em><strong>Bine a\u0163i venit la Clubul de Filme Vechi. Aici revizit\u0103m filme clasice, care ne-au marcat copil\u0103ria \u015fi adolescen\u0163a, \u015fi le apreciem prin prisma omului matur (lol) care suntem ast\u0103zi.<\/strong><\/em><\/p>\n\n\n\n<p><strong>Disclaimer: C\u00e2nd fac recenzii de filme noi, am grij\u0103 s\u0103 nu dau spoilere. Dar c\u00e2nd filmul are peste zece ani vechime, \u015fi g\u0103se\u015fti un rezumat al scenariului pe Wikipedia, chiar nu am aceast\u0103 preocupare. Care vii \u00een sec\u0163iunea de comentarii s\u0103 \u0163ipi \u201espoiler\u201d, recomand s\u0103 vizitezi \u00eent\u00e2i Paypalul, s\u0103 izbe\u0219ti acolo cu o dona\u021bie care s\u0103 merite deranjul, \u0219i apoi \u00eemi poveste\u0219ti la ce film vrei recenzie f\u0103r\u0103 spoiler. C\u00e2nd v\u0103d \u0219i sus\u021binere financiar\u0103, nu doar preten\u021bii, devin irezistibil de cooperant\u0103. Mul\u021bumesc anticipat.<\/strong><\/p>\n\n\n\n<p>Azi revedem un clasic care a redefinit \u0219i dat peste cap toate cli\u0219eele westernului de odinioar\u0103: <strong>No Country For Old Men<\/strong>, capodopera absolut\u0103 a fra\u021bilor Joel \u0219i Ethan Coen. Filmul a ob\u021binut premiul Oscar pentru cel mai bun film \u0219i cea mai bun\u0103 regie, iar apari\u021bia fascinant\u0103 \u0219i terifiant\u0103 a lui Javier Bardem &#8211; pe care nu-l cuno\u0219team p\u00e2n\u0103 atunci &#8211; \u00een rolul Anton Chigurh i-a adus spaniolului premiul Oscar pentru rol secundar. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/38A__WT3-o0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<\/div><\/figure>\n\n\n\n<p>Am putea privi <strong>No Country For Old Men<\/strong> ca pe un western reinterpretat. Are cei trei eroi clasici al genului western: b\u0103iatul bun, care nu se poate \u021bine departe de \u00eencurc\u0103turi \u0219i se pomene\u0219te cu o valiz\u0103 de dolari \u00een bra\u021be (Josh Brolin), criminalul necru\u021b\u0103tor care nu iart\u0103 nimic (Javier Bardem) \u0219i \u0219eriful care \u00eencearc\u0103 s\u0103 prind\u0103 criminalul \u0219i s\u0103 restabileasc\u0103 lini\u0219tea (Tommy Lee Jones).<\/p>\n\n\n\n<p>Cu abilitatea lor aparte de a da o not\u0103 personal\u0103 fiec\u0103rei pove\u0219ti pe care o spun: fra\u021bii Coen iau aceste trope-uri western \u0219i le dau cu totul alt\u0103 evolu\u021bie . Iar acest lucru face ca <strong>No Country For Old Men<\/strong> s\u0103 fie o experien\u021b\u0103 at\u00e2t de savuroas\u0103, mai ales la prima vedere. <\/p>\n\n\n\n<p>Filmul e dominat de peisajele clasice, \u00eensorite \u0219i ample, cu vegeta\u021bie rar\u0103 \u0219i st\u00e2nc\u0103 sclipitoare, ale vestului s\u0103lbatic. \u00cencepem cu nara\u021biunea lui Ed Tom Bell (Tommy Lee Jones), \u0219eriful b\u0103tr\u00e2n al zonei. \u201e\u0102h\u0103i, taic\u0103, pe vremea mea treaba era mai simpl\u0103, nu erau at\u00e2tea crime \u0219i lumea era toat\u0103 z\u00e2mbete \u0219i trandafiri\u201d. OK, nu chiar a\u0219a, dar pe aceast\u0103 linie. \u0218i \u00eentr-o secven\u021b\u0103 oniric\u0103. \u00eel vedem pe Ed arest\u00e2nd \u0219i b\u0103g\u00e2nd \u00een ma\u0219in\u0103 un criminal, care vom constata ulterior c\u0103 e Javier Bardem. <\/p>\n\n\n\n<p>Faptul c\u0103 e o secven\u021b\u0103 oniric\u0103 nu ne e clar din prima, dar ne vom convinge c\u0103 e doar un vis aferent lui \u201e\u0103h\u0103i, taic\u0103, pe vremea mea\u201d, dup\u0103  ce \u00eel cunoa\u0219tem mai bine pe Anton Chigurh (personajul lui Bardem) \u0219i ne d\u0103m seama c\u0103 mo\u0219ul n-ar fi putut niciodat\u0103, de unul singur, s\u0103 captureze fIara. <\/p>\n\n\n\n<p>Tema alien\u0103rii experimentate la v\u00e2rsta a treia, a incapacit\u0103\u021bii de integrare \u00een \u201elumea din zilele noastre\u201d \u0219i a nostalgiei dup\u0103 \u201e\u0103h\u0103i, taic\u0103, pe vremea mea\u201d e ini\u021biat\u0103 \u00eenc\u0103 din titlul pove\u0219tii. \u201eNo Country For Old Men\u201d. <\/p>\n\n\n\n<p>\u00cen realitate, b\u0103tr\u00e2nul \u0219erif e cel care nu mai e potrivit pentru \u021binutul s\u0103u, nu mai are nici o curiozitate s\u0103 ancheteze crime, sau s\u0103 urm\u0103reasc\u0103 indicii, sau s\u0103 prind\u0103 r\u0103uf\u0103c\u0103tori. \u0218i nici nu e un narator de \u00eencredere. \u00ce\u0219i uit\u0103 propria poveste pe care i-o spune \u00eentr-o cafenea eroinei jucate de Kelly Macdonald.<\/p>\n\n\n\n<p>Tocmai din acest motiv, circul\u0103 pe Reddit o teorie cum c\u0103 Anton Chigurh nici nu exist\u0103 \u00een realitate, ci e \u00eenc\u0103 un basm izvor\u00e2t din imagina\u021bia hiperactiv\u0103 a unui b\u0103tr\u00e2n care \u00ee\u0219i simte puterile diminu\u00e2ndu-se \u0219i compenseaz\u0103 cu legende de vitejie. Un exemplu citat de redditori e aceast\u0103 secven\u021b\u0103 (pe care v-am potrivit-o s\u0103 \u00eenceap\u0103 exact la partea care ne intereseaz\u0103). <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/qEsao0tzmqU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;start=92&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<\/div><\/figure>\n\n\n\n<p>Aici, \u00eel vedem pe Chigurh p\u00e2ndind \u00een bezn\u0103, dar c\u00e2nd \u0219eriful deschide u\u0219a, nu e nimeni \u00een camer\u0103. <\/p>\n\n\n\n<p>Noi nu vom merge pe specula\u021biile gurilor rele \u0219i vom spune, dat\u0103 fiind pozi\u021bia lui Bardem, c\u0103 era de fapt \u00een 112, pentru c\u0103 nimeni nu p\u00e2nde\u0219te cu arma \u00een m\u00e2n\u0103 \u00een spatele u\u0219ii, s\u0103 ri\u0219te s\u0103-\u0219i ia o clan\u021b\u0103 \u00een ficat. Iat\u0103, mister elucidat. \u0218i c\u0103 \u0219eriful a evitat s\u0103 \u00eencaseze un glon\u021b taman pentru c\u0103 a ales, exact ca ceilal\u021bi supravie\u021buitori ai lui Chigurh, fa\u021ba norocoas\u0103 a monedei. <\/p>\n\n\n\n<p>Dac\u0103 \u0219eriful nu e at\u00e2t de viteaz \u0219i de competent cum ne-a obi\u0219nuit vechiul western, nici eroul \u201epozitiv\u201d, Llewelyn Moss, nu e pe at\u00e2t de pozitiv \u0219i de simpatic. Dimpotriv\u0103, \u00een primele momente, pare un idiot monumental, care rateaz\u0103 v\u00e2natul, d\u0103 peste mexicanii mor\u021bi \u0219i \u00eel las\u0103 pe cel r\u0103nit s\u0103 moar\u0103 pur \u0219i simplu \u00een de\u0219ert, \u00een timp ce el fur\u0103 valiza cu cele 2 milioane de dolari \u0219i vorbe\u0219te cu nevast\u0103-sa de parc\u0103 ar fi scos-o din  kuhr. Apoi, pentru c\u0103 e idiot cum am stabilit, \u00ee\u0219i aminte\u0219te noaptea c\u0103 e cazul s\u0103-i duc\u0103 ap\u0103 r\u0103nitului (care evident a murit, d\u0103\u0103\u0103h). Ne devine simpatic pe parcurs, prin inventivitatea cu care reu\u0219e\u0219te s\u0103 scape iar \u0219i iar de setea de s\u00e2nge a lui Bardem, dar e departe de a fi un erou \u00een adev\u0103ratul sens al cuv\u00e2ntului, \u0219i admit, \u00een 2007 c\u00e2nd am v\u0103zut filmul prima oar\u0103, abia a\u0219teptam s\u0103-\u0219i \u00eencaseze glon\u021bul de rigoare. <\/p>\n\n\n\n<p>\u0218i am ajuns la personajul care face acest film at\u00e2t de memorabil. Criminalul \u00een serie Anton Chigurh. Cu umorul specific, fra\u021bii Coen \u00eel pun pe Llewelyn s\u0103-i aud\u0103 gre\u0219it numele: \u201eCine, Sugar?\u201d, chit c\u0103 atitudinea lui Chigurh nu are nimic dulce. Chigurh poart\u0103 negru, ca orice tic\u0103los clasic de western, dar are o frizur\u0103 bizar\u0103 de hipster, sau de doamn\u0103 contabil\u0103 cu 5 ani \u00eenainte de pensie. \u0218i dac\u0103 r\u0103uf\u0103c\u0103torul clasic are de obicei o atitudine fa\u021b\u0103 de propriile crime, fie m\u00e2ndria de a ucide, fie l\u0103comia fa\u021b\u0103 de banii celor uci\u0219i, fie orgoliul de macho-macho-man, Chigurh e calm, distant \u0219i rece ca \u00eens\u0103\u0219i moartea. Ucide de parc\u0103 n-ar avea de ales. Arma lui e o pu\u0219c\u0103 de omor\u00e2t vite la m\u0103cel\u0103rie, \u0219i din discu\u021biile cu viitoarele victime, transmite limpede ideea c\u0103 nu are mai mult\u0103 considera\u021bie fa\u021b\u0103 de ele dec\u00e2t ar avea fa\u021b\u0103 de animale. Calmul acela nep\u0103m\u00e2ntean, imprevizibilul gesturilor, privirea rece ca ghea\u021ba fac din Chigurh un antagonist memorabil. Sau, cum spun redditorii, \u00eentruparea tuturor fricilor legate de degradare fizic\u0103 \u0219i intelectual\u0103, neputin\u021b\u0103 \u0219i moarte ale lui Ed Tom. <\/p>\n\n\n\n<p>\u201eNo Country for Old Men\u201d evolueaz\u0103 ca un story clasic de western, unde criminalul e \u00een urm\u0103rirea eroului care fuge cu valiza de dolari (\u0219i ucide cam tot ce mi\u0219c\u0103 \u00een drum, pentru simplul fapt c\u0103 respir\u0103 \u0219i s-a nimerit s\u0103 fie \u00een drum.) Spre meritul fra\u021bilor Coen, c\u00e2nd crima \u0219i s\u00e2ngele devin redundante \u0219i risc\u0103 s\u0103 insensibilizeze spectatorul, atentatele lui Coen sunt mutate off-screen \u0219i doar insinuate. <\/p>\n\n\n\n<p>Poanta vine c\u00e2nd, ocupat s\u0103 fug\u0103 de Chigurh, Llewelyn uit\u0103 s\u0103-\u0219i protejeze fundul de al\u021bi mafio\u021bi \u0219i, dup\u0103 ce petrece trei sferturi din film juc\u00e2nd un joc de strategie extrem de bine g\u00e2ndit, care \u00ee\u021bi d\u0103 \u0219i \u021bie, spectatorul, impresia c\u0103 va sc\u0103pa cu bine, cum e mereu \u00een westernuri, moare \u00een cel mai neelegant \u0219i stupid mod. <\/p>\n\n\n\n<p>Chigurh \u00eensu\u0219i, dup\u0103 ce a c\u0103s\u0103pit mare parte din distribu\u021bia filmului, e neutralizat de un banal accident de ma\u0219in\u0103, \u00een exact momentul \u00een care se simte buricul absolut \u0219i incontestabil al p\u0103m\u00e2ntului. \u0218i \u00eentr-un gest care \u00eel oglinde\u0219te pe al lui Llewelyn de mai devreme, roag\u0103 ni\u0219te b\u0103ie\u021bi s\u0103-i v\u00e2nd\u0103 c\u0103ma\u0219a de pe ei. Ini\u021bial, copilul ofer\u0103 c\u0103ma\u0219a gratuit, dar dup\u0103 ce Chgurh \u00eei ofer\u0103 o bancnot\u0103 \u00eens\u00e2ngerat\u0103 \u0219i pleac\u0103 undeva \u00een zare, copiii r\u0103m\u00e2n s\u0103 se certe pe bani, indic\u00e2nd faptul c\u0103 R\u0103ul tocmai a corupt o nou\u0103 genera\u021bie. <\/p>\n\n\n\n<p>Dar \u00een acest punct, \u0219eriful Ed nu-\u0219i mai bate capul. E b\u0103tr\u00e2n, obosit \u0219i tot ce vrea e s\u0103 stea acas\u0103 \u0219i s\u0103-i povesteasc\u0103 nevestei visele lui. <\/p>\n\n\n\n<p>\u0218i realmente nu \u0219tii dac\u0103 povestea lui Chigurh \u0219i a lui Llewelyn chiar s-a \u00eent\u00e2mplat, sau e doar o legend\u0103 a unui b\u0103tr\u00e2n \u0219erif pensionar, dezam\u0103git de trecerea timpului \u0219i de faptul c\u0103 nimic nu mai e ca pe vremea lui. <\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<p>Vrei s\u0103 m\u0103 urm\u0103re\u015fti \u00een social media? \u00cemi po\u0163i da follow pe&nbsp;<a href=\"https:\/\/www.facebook.com\/lorenaalmighty\/\"><strong>Facebook<\/strong><\/a>&nbsp;\u015fi&nbsp;<strong><a href=\"https:\/\/www.instagram.com\/lorena.lup\/\">Instagram<\/a><\/strong>, subscribe pe&nbsp;<strong><a href=\"https:\/\/www.youtube.com\/channel\/UCCHBtHi6S2GlUFqETH70cjQ\">YouTube<\/a><\/strong>&nbsp;\u015fi pe<strong><a href=\"https:\/\/www.tiktok.com\/@lorena.lupu\">&nbsp;TikTok<\/a><\/strong>.<\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.paypal.com\/paypalme\/Trollywood\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"82\" src=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/01\/paypal-.jpg?w=700&amp;ssl=1\" alt=\"\" class=\"wp-image-25884\" srcset=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/01\/paypal-.jpg?w=250&amp;ssl=1 250w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/01\/paypal-.jpg?resize=150%2C49&amp;ssl=1 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><\/figure>\n\n\n\n<p>***<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bine a\u0163i venit la Clubul de Filme Vechi. Aici revizit\u0103m filme clasice, care ne-au marcat copil\u0103ria \u015fi adolescen\u0163a, \u015fi le apreciem prin prisma omului&#46;&#46;&#46;<\/p>\n","protected":false},"author":2,"featured_media":27333,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-27332","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/12\/javier-bardem-.jpg?fit=825%2C413&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/27332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=27332"}],"version-history":[{"count":2,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/27332\/revisions"}],"predecessor-version":[{"id":27335,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/27332\/revisions\/27335"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media\/27333"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=27332"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=27332"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=27332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}