{"id":27561,"date":"2025-02-02T13:55:07","date_gmt":"2025-02-02T10:55:07","guid":{"rendered":"https:\/\/lorenalupu.com\/blog\/?p=27561"},"modified":"2025-02-02T15:19:15","modified_gmt":"2025-02-02T12:19:15","slug":"clubul-de-filme-vechi","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/clubul-de-filme-vechi\/","title":{"rendered":"Clubul de Filme Vechi:The Girl on a Motorcycle"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em><strong>Bine a\u0163i venit la Clubul de Filme Vechi. Aici revizit\u0103m filme clasice, care ne-au marcat copil\u0103ria \u015fi adolescen\u0163a, \u015fi le apreciem prin prisma omului matur (lol) care suntem ast\u0103zi.<\/strong><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Disclaimer: C\u00e2nd fac recenzii de filme noi, am grij\u0103 s\u0103 nu dau spoilere. Dar c\u00e2nd filmul are peste zece ani vechime, \u015fi g\u0103se\u015fti un rezumat al scenariului pe Wikipedia, chiar nu am aceast\u0103 preocupare. Care vii \u00een sec\u0163iunea de comentarii s\u0103 \u0163ipi \u201espoiler\u201d, recomand s\u0103 vizitezi \u00eent\u00e2i Paypalul, s\u0103 izbe\u0219ti acolo cu o dona\u021bie care s\u0103 merite deranjul, \u0219i apoi \u00eemi poveste\u0219ti la ce film vrei recenzie f\u0103r\u0103 spoiler. C\u00e2nd v\u0103d \u0219i sus\u021binere financiar\u0103, nu doar preten\u021bii, devin irezistibil de cooperant\u0103. Mul\u021bumesc anticipat.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">***<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0103pt\u0103m\u00e2na trecut\u0103, a murit c\u00e2nt\u0103rea\u021ba \u0219i actri\u021ba britanic\u0103 Marianne Faithfull, una dintre figurile rebele care au condus emanciparea feminin\u0103 \u0219i revolu\u021bia sexual\u0103 a anilor 60. Din p\u0103cate, spiritul ei revolu\u021bionar n-a ajuns \u00een Rom\u00e2nia lui Ceau\u0219escu, unde la mod\u0103 era doar mama eroin\u0103 cu minimum cinci copii a lui Ceau\u0219escu, prin urmare, decesul ei a fost bifat de siteurile de \u0219tiri cu c\u00e2teva articola\u0219e de cinci r\u00e2nduri.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dar cum acest site celebreaz\u0103 \u0219i comemoreaz\u0103 femeile care au rupt barierele expresivit\u0103\u021bii artistice permise \u201es3xului slab\u201d, vom onora memoria Mariannei rev\u0103z\u00e2nd filmul ei din 1968, <strong>The Girl on a Motorcycle<\/strong>. Pentru c\u0103 filmul are peste 50 de ani vechime, \u00eel g\u0103si\u021bi gratuit pe YouTube, \u00een varianta lui integral\u0103.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/-rScHhkSUXo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">***<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Girl on a Motorcycle <\/strong>e un exemplu clasic de film soft erotic al anilor 60. Reune\u0219te dou\u0103 s3x simboluri ale vremii: pe Marianne Faithfull \u0219i pe Alain Delon, ambii \u00een cea mai delicioas\u0103 perioad\u0103 a lor. E creat s\u0103 st\u00e2rneasc\u0103 vise umede tineretului hippiot cu scene senzuale artistic compuse, cu mult\u0103 nuditate mascat\u0103 doar \u00een punctele esen\u021biale \u0219i cu explorarea unor teme \u00eendr\u0103zne\u021be, cum ar fi libertinajul feminin \u0219i \u00eenclina\u021bia spre BDSM. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Filmul se bazeaz\u0103 pe un roman numit \u201eLa motocyclette\u201d, al unui scriitor suprarealist numit Andr\u00e9 Pieyre de Mandiargues, \u0219i e un colaj de amintiri \u0219i reverii al unei tinere femei, Rebecca (Faithfull), m\u0103ritate cu un b\u0103rbat cumin\u021bel \u0219i banal, Raymond, dar care viseaz\u0103 la pasiunea dezl\u0103n\u021buit\u0103 \u0219i kinky pe care o tr\u0103ise cu Daniel (Alain Delon). <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00centr-o diminea\u021b\u0103, dup\u0103 un vis erotic \u00een care e atlet\u0103 c\u0103lare pe un cal \u00eentr-un circ, biciuit\u0103 de un Daniel, costumat flamboaiant \u00een alb, ca un dresor exotic, Rebecca decide c\u0103 via\u021ba de nevast\u0103 cumin\u021bic\u0103 \u0219i integrat\u0103 armonios \u00een societate nu e pentru ea. Se ridic\u0103 din pat, \u00ee\u0219i ia salopeta de piele neagr\u0103, o \u00eembrac\u0103 f\u0103r\u0103 lenjerie (aici recunosc c\u0103 am str\u00e2mbat pu\u021bin din nas pentru c\u0103 1. te roade r\u0103u \u00een zonele delicate \u0219i 2. f\u0103r\u0103 un du\u0219 \u00een prealabil, ri\u0219ti s\u0103 devii bomb\u0103 biologic\u0103 la finalul excursiei) \u0219i pleac\u0103 spre Heidelberg, ora\u0219ul lui Daniel. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cum se vede, intriga e de un cli\u0219eu dureros. Femeia m\u0103ritat\u0103 cu un so\u021b plictisitor, vis\u00e2nd la iubitul cel r\u0103u. Nu v\u0103 a\u0219tepta\u021bi ca acest film s\u0103 v\u0103 extind\u0103 orizonturile intelectuale c\u0103 nu o va face. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ce ofer\u0103 la schimb, \u00eens\u0103, e cizelare estetic\u0103 \u0219i cinematografic\u0103. Faithfull e sexy \u0219i lunec\u0103 \u00een costumul de piele neagr\u0103 cu gra\u021bia unei feline. Delon e sexy \u0219i, reconstituit doar din amintirile infuzate de dorin\u021b\u0103 \u0219i pasiune ale Rebecc\u0103i, are o aur\u0103 de seduc\u0103tor intangibil, dar, \u00een acela\u0219i timp, \u00eenc\u00e2ntat s\u0103-\u0219i duc\u0103 \u201esclava\u201d pe toate c\u0103r\u0103rile pierzaniei. C\u0103l\u0103toria cu motocicleta e imprevizibil\u0103 \u0219i totodat\u0103 feeric\u0103, peisajul francez \u0219i german e explorat cu o lentil\u0103 \u00eensetat\u0103 de frumos de Jack Cardiff, care a fost regizor \u0218I operator de imagine. \u0218i, important pentru acest tip de film, tensiunea erotic\u0103 dintre Faithfull \u0219i Delon e intens\u0103, palpabil\u0103 \u0219i e firul ro\u0219u care  duce filmul \u00een spate. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Motocicleta era mare lucru \u00een anii 60. Un simbol al libert\u0103\u021bii, al sfid\u0103rii normelor sociale \u0219i al rebeliunii rock &#8216;n&#8217; roll. Imaginea femeii care pleac\u0103 singur\u0103 pe lume, c\u0103lare pe o motociclet\u0103, era de un curaj nebun. Interac\u021biunile Rebecc\u0103i cu diver\u0219i cet\u0103\u021beni profund \u0219oca\u021bi de atitudinea \u0219i conduita ei sunt mai pu\u021bin impresionante azi dec\u00e2t erau pe vremuri, pentru c\u0103 noi ca societate am dep\u0103\u0219it acel tip de teribilism. De aceea, multe aspecte ale filmului sunt dep\u0103\u0219ite moral. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dar c\u00e2nd s\u0103 zici, \u201eda, ok, \u0219i ce dac\u0103?\u201d, \u021bi se mai serve\u0219te o amintire intens pasional\u0103 \u00eentre Rebecca \u0219i Daniel, \u0219i interesul \u021bi se erecteaz\u0103 iar. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rebecca era o fat\u0103 cuminte de librar c\u00e2nd Delon a intrat \u00eentr-o zi \u00een magazinul lor \u0219i a bulversat-o dintr-o singur\u0103 privire. Apoi, a invitat-o la o plimbare cu motocicleta, s\u0103 se mai aeriseasc\u0103. \u0218i fiecare plimbare cu motocicleta e o nou\u0103 incursiune \u00een erotism. Dar cum Daniel vede rela\u021bia lor doar ca pe un schimb de senza\u021bii intense, unde el e st\u0103p\u00e2nul \u0219i ea sclava, Rebecca decide s\u0103-l p\u0103r\u0103seasc\u0103 \u0219i s\u0103 se m\u0103rite. Ca dar de nunt\u0103, el \u00eei ofer\u0103 motocicleta din titlul filmului, vehiculul pe care se \u00eent\u00e2mpl\u0103 ac\u021biunea (ac\u021biunile), apoi p\u0103r\u0103se\u0219te ora\u0219ul. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Montajul oniric \u0219i trecerile psihedelice de la trecut la prezent \u0219i de la prezent la fantezie te fac s\u0103 nu \u0219tii ce anume e real, ce anume e fructul unei intense nevoi erotice nerezolvate \u0219i ce anume e speran\u021b\u0103. Dar asta e partea interesant\u0103 a filmului. Asta \u00eei d\u0103 dinamism \u0219i imprevizibil. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Finalul e dramatic \u0219i cutremur\u0103tor, pentru c\u0103 rebeliunea feminin\u0103 trebuie \u00eentotdeauna pedepsit\u0103. \u0218i, din punct de vedere narativ \u0219i artistic, e finalul necesar pentru a salva filmul de condi\u021bia de cli\u0219eu absolut. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Concluzia: dac\u0103 vre\u021bi s\u0103 savura\u021bi o or\u0103 \u0219i jum\u0103tate de erotism artistic filmat, cu dou\u0103 vedete pe care publicul vremii era disperat s\u0103 le vad\u0103 \u00een pielea goal\u0103, vede\u021bi <strong>The Girl on a Motorcycle<\/strong>. Povestea e la fel de relevant\u0103 ca \u00eentr-un film p***o. Dar, garantat, nu ve\u021bi r\u0103m\u00e2ne nesatisf\u0103cu\u021bi. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">***<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">***<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cafeaua de la tine \u00eemi d\u0103 rezilien\u021b\u0103. \ud83d\ude00<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.paypal.com\/paypalme\/Trollywood\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"82\" src=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/01\/paypal-.jpg?w=700&amp;ssl=1\" alt=\"\" class=\"wp-image-25884\" srcset=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/01\/paypal-.jpg?w=250&amp;ssl=1 250w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/01\/paypal-.jpg?resize=150%2C49&amp;ssl=1 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">***<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vrei s\u0103 m\u0103 urm\u0103re\u015fti \u00een social media? \u00cemi po\u0163i da follow pe&nbsp;<a href=\"https:\/\/www.facebook.com\/lorenaalmighty\/\"><strong>Facebook<\/strong><\/a>&nbsp;\u015fi&nbsp;<strong><a href=\"https:\/\/www.instagram.com\/lorena.lup\/\">Instagram<\/a><\/strong>, subscribe pe&nbsp;<strong><a href=\"https:\/\/www.youtube.com\/channel\/UCCHBtHi6S2GlUFqETH70cjQ\">YouTube<\/a><\/strong>&nbsp;\u015fi pe<strong><a href=\"https:\/\/www.tiktok.com\/@lorena.lupu\">&nbsp;TikTok<\/a><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">***<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bine a\u0163i venit la Clubul de Filme Vechi. Aici revizit\u0103m filme clasice, care ne-au marcat copil\u0103ria \u015fi adolescen\u0163a, \u015fi le apreciem prin prisma omului&#46;&#46;&#46;<\/p>\n","protected":false},"author":2,"featured_media":27562,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-27561","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2025\/02\/girl-motorcycle.jpg?fit=1160%2C739&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/27561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=27561"}],"version-history":[{"count":3,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/27561\/revisions"}],"predecessor-version":[{"id":27565,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/27561\/revisions\/27565"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media\/27562"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=27561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=27561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=27561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}