{"id":28814,"date":"2025-11-23T11:55:43","date_gmt":"2025-11-23T08:55:43","guid":{"rendered":"https:\/\/lorenalupu.com\/blog\/?p=28814"},"modified":"2025-11-23T11:57:06","modified_gmt":"2025-11-23T08:57:06","slug":"poetica-razbunarii","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/poetica-razbunarii\/","title":{"rendered":"Poetica r\u0103zbun\u0103rii"},"content":{"rendered":"\n<p><strong>Un simplu accident (It Was Just An Accident)<\/strong> al iranianului Jafar Panahi e c\u00e2\u015ftig\u0103torul premiului Palme d&#8217;Or la edi\u0163ia din acest an a Festivalului de la Cannes; \u015fi nu e o victorie \u00eent\u00e2mpl\u0103toare. Se poate spune c\u0103 e o decizie politic\u0103? Da, cu tendin\u0163ele extremiste \u015fi dictatoriale care r\u0103sar \u00een ultima vreme chiar \u015fi \u00een \u0163\u0103ri cu tradi\u0163ie democratic\u0103, <strong>Un simplu accident <\/strong>e un semnal de alarm\u0103 necesar \u015fi foarte, foarte actual. Dar e totodat\u0103 o decizie artistic\u0103, pentru c\u0103 filmul lui Panahi, realizat pe furi\u015f, \u00een spa\u0163ii izolate, de un regizor care a avut imensul ghinion de a se na\u015fte un spirit liber \u00eentr-o dictatur\u0103 nemiloas\u0103, \u015fi care a f\u0103cut \u00eenchisoare \u015fi a \u00eendurat multiple persecu\u0163ii pentru critica lui la adresa totalitarismului &#8211; filmul lui Panahi, cum ziceam, e de un minimalism \u015fi de o simplitate care pun \u00een eviden\u0163\u0103 o poveste sf\u00e2\u015fietoare \u015fi, totodat\u0103, o dilem\u0103 moral\u0103, \u00eentr-o nara\u0163iune de un suspans care te \u0163ine lipit de ecran. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"video-container\"><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/nF04v-ze2Yc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/div>\n<\/div><\/figure>\n\n\n\n<p>Ca \u00een orice thriller care se respect\u0103, \u00eenceputul e dulce. O familie merge acas\u0103 cu ma\u015fina, seara. Pe bancheta din spate, feti\u0163a \u0163op\u0103ie pe muzic\u0103 pop. Distras pe moment, tat\u0103l calc\u0103 un c\u00e2ine. \u015ei c\u00e2nd feti\u0163a reac\u0163ioneaz\u0103 empatic \u015fi vocal la moartea animalului, Jafar ne define\u015fte cuplul de pe scaunele din fa\u0163\u0103 cu trei replici cheie. Mama: \u201dA fost un simplu accident\u201d \u0219i \u201dA\u0219a a vrut Dumnezeu\u201d. Tat\u0103l: \u201dC\u00e2inele s-a aruncat \u00een fa\u021ba ma\u0219inii\u201d. <\/p>\n\n\n\n<p>Moartea unei fiin\u021be vii este expediat\u0103 cu trei cli\u0219ee preferate ale agresorilor dintotdeauna: Nu e mare lucru, se mai \u00eent\u00e2mpl\u0103 rahaturi. \u0218i responsabilitatea o poart\u0103 Dumnezeu, c\u0103 el ne ghideaz\u0103 pe to\u021bi. Respectiv: e vina victimei. Trei eschive care mascheaz\u0103 incapacitatea de empatie, care diferen\u021biaz\u0103 binele de r\u0103u. <\/p>\n\n\n\n<p>Realitatea \u00eentr-un regim dictatorial este c\u0103, dup\u0103 ce ai fost torturat la \u00eenchisoare, exist\u0103 \u0219anse s\u0103 te \u00eent\u00e2lne\u0219ti \u00eent\u00e2mpl\u0103tor cu persoana care te-a torturat. Ce faci atunci? <\/p>\n\n\n\n<p>\u00cen micul atelier auto unde ajunge familia noastr\u0103, pentru c\u0103 ma\u0219ina necesit\u0103 repara\u021bii minore, lucreaz\u0103 Vahid, fost prizonier politic. Acesta e \u00eentr-o discu\u021bie cu mama la telefon (c\u00e2nd aude mersul care \u00een mod vizibil \u00eel cutremur\u0103 din toate \u00eencheieturile. Apoi aude \u0219i vocea. \u0218i are o revela\u021bie: b\u0103rbatul care a intrat \u00een atelier e chiar ofi\u021berul care l-a abuzat c\u00e2t timp a fost la \u00eenchisoare. Prizonierii politici au fost lega\u021bi la ochi, dar boc\u0103nitul protezei \u0219i timbrul vocal \u00eel proiecteaz\u0103 mintal \u00eenapoi \u00een captivitate. <\/p>\n\n\n\n<p>Reac\u021bia lui Vahid e visceral\u0103 \u0219i violent\u0103: se fere\u0219te s\u0103 nu aib\u0103 contact direct cu fostul s\u0103u agresor, apoi \u00eel urm\u0103re\u0219te p\u00e2n\u0103 acas\u0103, iar a doua zi, c\u00e2nd \u00eel prinde singur, \u00eel r\u0103pe\u0219te \u0219i \u00eel duce \u00een de\u0219ert, s\u0103-l \u00eengroape de viu. Dar b\u0103rbatul neag\u0103 vehement c\u0103 ar fi ofi\u021ber, \u0219i c\u0103 ar fi ofi\u021berul care l-a agresat, p\u00e2n\u0103 \u00een punctul \u00een care \u00eei st\u00e2rne\u0219te \u00eendoieli. <\/p>\n\n\n\n<p>Atunci, Vahid decide s\u0103 caute al\u021bi prizonieri politici tortura\u021bi de acela\u0219i individ, s\u0103 \u00eel ajute la identificare. <\/p>\n\n\n\n<p>Grupule\u021bul care se creeaz\u0103 e de un pitoresc \u0219i un umor ce-\u021bi aduce aminte \u00een anumite momente de eroii lui Emir Kusturica; dar, printre situa\u021biile comice, Panahi recreeaz\u0103, din pove\u0219tile \u0219i amintirile lor, experien\u021ba cr\u00e2ncen\u0103 a \u00eenchisorii. Trauma e colectiv\u0103, dar reac\u021biile sunt puternic individualizate, de la pledoaria pentru iertare \u0219i omenie a fotografei Shiva, \u0219i p\u00e2n\u0103 la monologul furibund al lui Hamid, care \u00eel recunoa\u0219te imediat pe agresor \u0219i cere s\u0103 fie omor\u00e2t pe loc, pentru c\u0103 \u201e\u00eei ucizi sau e\u0219ti ucis de ei\u201d. <\/p>\n\n\n\n<p>\u0218i totu\u0219i, \u00een certuri \u0219i r\u0103zg\u00e2ndiri, grupul ezit\u0103. Oric\u00e2t\u0103 sete de r\u0103zbunare ai avea, dac\u0103 nu e\u0219ti un criminal, e teribil de greu s\u0103 iei via\u021ba unui om. De asta, pare s\u0103 spun\u0103 Panahi, binele nu are nicio \u0219ans\u0103 \u00een fa\u021ba r\u0103ului: binele are scrupule, mil\u0103, empatie. \u00cen loc s\u0103 ac\u021bioneze prompt \u0219i calculat, se complic\u0103 \u00een ra\u021bionaliz\u0103ri, dus la spital nevasta captivului, c\u0103reia \u00eei vine r\u0103u, cump\u0103rat cadou pentru feti\u021ba captivului. E teribil de greu s\u0103 comi\u021bi o crim\u0103, chiar \u0219i justificat\u0103, c\u00e2nd nu e felul t\u0103u de a fi. <\/p>\n\n\n\n<p>De\u0219i, tehnic, e povestea unor oameni care se plimb\u0103 de colo-colo \u00eentr-un van, cert\u00e2ndu-se, dozajul perfect de umor, explorare psihologic\u0103 a traumei \u0219i peripe\u021bii de moment te \u021bine captiv, chit c\u0103 intuie\u0219ti all along c\u0103 nu-l vor omor\u00ee. Dar finalul &#8211; pe care nu-l voi spoileri, pentru c\u0103, spre deosebire de Cravata galben\u0103, aici chiar am avea ce spoileri &#8211; interpretabil \u0219i totodat\u0103 \u00eenfrico\u0219\u0103tor, e cirea\u0219a de pe acest tort al torturii. Panahi face un job excelent din a te transpune \u00een mintea \u0219i sufletul fo\u0219tilor prizonieri, \u0219i, tr\u0103ind fic\u021biunea din perspectiva lor, fiecare posibil\u0103 interpretare a \u00eencheierii \u00ee\u021bi face stomacul s\u0103 se str\u00e2ng\u0103. <\/p>\n\n\n\n<p><strong>Un simplu accident<\/strong> e \u00eenc\u0103 \u00een cinematografe \u0219i ar trebui prescris pe re\u021bet\u0103 pentru to\u021bii cei ce viseaz\u0103 la via\u021ba \u00een dictatur\u0103. <\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<p>Dac\u0103 \u021bi-a pl\u0103cut articolul, arat\u0103-\u021bi sus\u021binerea cu o dona\u021bie.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.paypal.com\/paypalme\/Trollywood\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"82\" src=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/01\/paypal-.jpg?w=700&amp;ssl=1\" alt=\"\" class=\"wp-image-25884\" srcset=\"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/01\/paypal-.jpg?w=250&amp;ssl=1 250w, https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2024\/01\/paypal-.jpg?resize=150%2C49&amp;ssl=1 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><\/figure>\n\n\n\n<p>***<\/p>\n\n\n\n<p>Vrei s\u0103 m\u0103 urm\u0103re\u015fti \u00een social media? \u00cemi po\u0163i da follow pe&nbsp;<a href=\"https:\/\/www.facebook.com\/lorenaalmighty\/\"><strong>Facebook<\/strong><\/a>&nbsp;\u015fi&nbsp;<strong><a href=\"https:\/\/www.instagram.com\/lorena.lup\/\">Instagram<\/a><\/strong>, subscribe pe&nbsp;<strong><a href=\"https:\/\/www.youtube.com\/channel\/UCCHBtHi6S2GlUFqETH70cjQ\">YouTube<\/a><\/strong>&nbsp;\u015fi pe<strong><a href=\"https:\/\/www.tiktok.com\/@lorena.lupu\">&nbsp;TikTok<\/a><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un simplu accident (It Was Just An Accident) al iranianului Jafar Panahi e c\u00e2\u015ftig\u0103torul premiului Palme d&#8217;Or la edi\u0163ia din acest an a Festivalului&#46;&#46;&#46;<\/p>\n","protected":false},"author":2,"featured_media":28817,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-28814","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2025\/11\/itwas-1.jpg?fit=640%2C400&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/28814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=28814"}],"version-history":[{"count":1,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/28814\/revisions"}],"predecessor-version":[{"id":28816,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/28814\/revisions\/28816"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media\/28817"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=28814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=28814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=28814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}