{"id":5304,"date":"2012-06-01T13:21:55","date_gmt":"2012-06-01T13:21:55","guid":{"rendered":"http:\/\/lorenalupu.wordpress.com\/?p=5304"},"modified":"2012-06-01T13:21:55","modified_gmt":"2012-06-01T13:21:55","slug":"de-ce-coregrafii-sunt-excelenti-regizori","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/de-ce-coregrafii-sunt-excelenti-regizori\/","title":{"rendered":"De ce coregrafii sunt excelen\u0163i regizori"},"content":{"rendered":"

De c\u00e2te ori am o idee de spectacol, prefer s\u0103 o lucrez cu un coregraf. Dac\u0103 m\u0103 uit la CV-ul meu neoficial din ultimii 3 ani, nu a inclus nici o ciocnire cu un regizor, \u00een schimb multe, multe, MULTE \u00eent\u00e2lniri creative (din diverse pozi\u0163ii) cu coregrafi talenta\u0163i. <\/p>\n

Coregrafii au viziunea spa\u0163iului<\/strong><\/p>\n

Nimic nu e mai stupid, pe o scen\u0103, dec\u00e2t un om (sau mai mul\u0163i) care nu au raportare la spa\u0163iu. Ca spectator, ur\u0103sc actorii st\u00e2lpi, actorii-\u015fir, actorii-montaj-istoric \u015fi actorii-ciurd\u0103. Distan\u0163ele \u015fi apropierile sunt importante \u015fi expresive, iar omul implicat \u00een poveste nu se vede \u015fi nu \u00ee\u015fi d\u0103 seama de asta. Iar dac\u0103 omul care se uit\u0103 la el are mintea \u00een\u0163esat\u0103 de cli\u015fee, nu are cum s\u0103 rezulte dec\u00e2t \u00eenc\u0103 un cli\u015feu. De aceea nu suport eu mont\u0103rile clasice, de tip scen\u0103 italian\u0103. <\/p>\n

Coregrafii au sim\u0163ul dinamicii, respectiv al alternan\u0163ei de dinamici<\/strong><\/p>\n

Mul\u0163i regizori neexperimenta\u0163i au impresia c\u0103 “ritm” e s\u0103 turui replicile de parc\u0103 orice pauz\u0103 ar \u00eensemna moartea ultimului unicorn albastru de pe p\u0103m\u00e2nt. Al\u0163ii las\u0103 chestiile s\u0103 se l\u0103b\u0103r\u0163eze monoton, \u00eentr-o lab\u0103 luuung\u0103 \u015fi antihaz. Secretul unui spectacol fericit e acela\u015fi cu al unei partide de sex fericite: schimb\u0103ri inteligente (\u015fi surprinz\u0103toare) de ritm. <\/p>\n

Coregrafii v\u0103d altfel corpul omenesc<\/strong><\/p>\n

\u015ei \u015ftiu ce chei s\u0103 \u00eenv\u00e2rt\u0103, pentru ca acesta s\u0103 exprime ce vor ei. Dac\u0103 un regizor oarecare \u00eencepe o regie la modul: “pe ce tonuri c\u00e2nt\u0103m noi textul \u0103sta”, un coregraf c\u00e2t de t\u00e2n\u0103r \u00ee\u0163i va pune problema: “Cum facem s\u0103 devin\u0103 necesar?” Excellent question, Watson. Really, really good one. \u00cen momentul \u00een care alea trei vorbe devin o mic\u0103 parte a unui traseu mult mai complex \u015fi extrem de motivat, nu au cum s\u0103 sune dec\u00e2t bine.
\nCa dovad\u0103 c\u00e2t de eronat e pus\u0103 problema la castinguri. “Vino cu un monolog”. Candidatul se pro\u0163\u0103pe\u015fte \u00een dou\u0103 picioare \u015fi \u00eencepe s\u0103 de\u015ferte vorbe. Modul \u00een care c\u00e2nt\u0103 el texte patetice pe diverse tonuri nu ne spune nimic despre modul \u00een care se va conecta la prezentul scenic. Ceea ce ne duce la urm\u0103torul subpunct. <\/p>\n

Coregrafii sunt mult mai buni \u00een a crea un prezent scenic care s\u0103 \u00eendemne la reac\u0163ie vie<\/strong>
\nPentru c\u0103 asta le e meseria. <\/p>\n

\u015ei aici se adaug\u0103 un subpunct personal: <\/p>\n

Coregraful nu \u00eemi spune cli\u015fee despre text pe un ton de parc\u0103 mi-ar spune nout\u0103\u0163i<\/strong>
\nAm o alergie intens\u0103 la oamenii care spun banalit\u0103\u0163i \u015fi insinueaz\u0103 c\u0103 spun ceva nou \u015fi original. Scriind tone de texte de at\u00e2\u0163ia ani, eu cam \u015ftiu tot ce e de \u015ftiut despre modul \u00een care se construie\u015fte un text, logic\u0103, inten\u0163ie manifest\u0103, inten\u0163ie mascat\u0103, factori perturban\u0163i, umor aparent involuntar \u015fi orice alte am\u0103nunte care creeaz\u0103 o replic\u0103 aparent normal\u0103 \u00eentr-o situa\u0163ie aparent normal\u0103. <\/p>\n

De aceea, nu m\u0103 intereseaz\u0103 s\u0103 mi se explice: “Ea spune asta cu tandre\u0163e”, ca \u00een cazul oamenilor care acum citesc pentru prima oar\u0103 cutia de Ariel, \u00een timp ce se cac\u0103. Am nevoie de nout\u0103\u0163i despre punctul \u00een care m\u0103 aflu \u00een raport cu tine \u015fi cu parcursul scenic, despre dinamica necesar\u0103, despre tensiunea \u015fi ritmul momentului, \u015fi tandre\u0163ea va fi cople\u015fitoare. <\/p>\n

\u015ei cam din aceste motive prefer coregrafii. <\/p>\n","protected":false},"excerpt":{"rendered":"

De c\u00e2te ori am o idee de spectacol, prefer s\u0103 o lucrez cu un coregraf. Dac\u0103 m\u0103 uit la CV-ul meu neoficial din ultimii...<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-5304","post","type-post","status-publish","format-standard","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/5304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=5304"}],"version-history":[{"count":0,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/5304\/revisions"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=5304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=5304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=5304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}