Text de Alina Nedelea<\/p>\n
(Prima parte, aici<\/a>.)<\/p>\n Cativa ani mai tarziu.<\/p>\n <\/p>\n Paolo Sorrentino a g\u0103sit un job pe un platou de filmare la un moment dat. Avea vreo 20 \u00a0de ani. Factotum, \u00eei zic italienii. Adic\u0103: fac ce ai nevoie.<\/p>\n Conduci actorii acas\u0103 cu masina, le duci cafelele \u015fi apa \u00een rulot\u0103 dac\u0103 \u0163i se cere, le \u0163ii umbrela s\u0103-i protejezi de soare \u00eentre o dubl\u0103 \u015fi alta \u015fi, cel mai important, c\u00e2nd s-a \u00eencheiat ziua de lucru, treci pe la Laborator s\u0103 predai rolele de pelicul\u0103 pentru a fi developate.<\/p>\n Era un b\u0103iat fericit c\u0103 a g\u0103sit de lucru, dar n-a durat mult p\u00e2n\u0103 s\u0103 fie concediat \u015fi s\u0103-l trimit\u0103 \u00een depresie. Cum adic\u0103 de ce a fost concediat? C\u0103 a pierdut rolele de pelicul\u0103, de-aia. Nici ast\u0103zi nu este capabil s\u0103 dea o explica\u0163ie decent\u0103. Le-a pierdut \u015fi basta.<\/p>\n Produc\u0103torii filmului nu l-au dat \u00een judecat\u0103 de mil\u0103, pentru c\u0103 era s\u0103rac – \u015fi orfan, pe deasupra. ”Ce dreaq s\u0103 lu\u0103m de la \u0103sta? Ce s\u0103-i lu\u0103m? Via\u0163a?”<\/p>\n L-au concediat \u00een \u015futuri \u015fi asta a fost.<\/p>\n Fine della storia.<\/p>\n <\/p>\n <\/p>\n <\/p>\n Sf\u00e2r\u015fitul, pe dracu. Pentru c\u0103 Paolo s-a \u00eentors acas\u0103 \u015fi, \u00een dou\u0103 s\u0103pt\u0103m\u00e2ni, a scris un scenariu. \u015ei, dup\u0103 aceea ,cu cea mai mare nesim\u0163ire din lume, s-a dus la teatru. Nu-l interesa spectacolul, ci actorul principal: Tony Servillo. L-a a\u015fteptat \u00een culise \u015fi i-a b\u0103gat cu for\u0163a scenariul \u00een bra\u0163e. Pentru cine nu-l cunoa\u015fte, Tony Servillo este un actor faimos \u015fi excep\u0163ional de bun, de p<\/a>e scenele de teatru napoletane. P\u00e2n\u0103 \u015fi so\u0163ul meu, vedet\u0103 interna\u0163ional\u0103, de altfel, l-a implorat s\u0103 joace \u00eentr-un film de-al lui, \u015fi nenea Tony i-a zis: ”Michele, poate alt\u0103dat\u0103! Pe mine nu m\u0103 intereseaz\u0103 lungmetrajele.”<\/p>\n Dar lui Paolo i-a spus scurt \u015fi la obiect: ”Am citit, mi-a pl\u0103cut, banii \u0163i-i g\u0103sesc eu.”<\/p>\n <\/p>\n C\u00e2teva luni mai t\u00e2rziu, Paolo Sorrentino a regizat: ”L’uomo in pi\u00f9”.<\/p>\n \u015ei \u00een exact acela\u015fi moment, s-a n\u0103scut o legend\u0103.<\/p>\n <\/p>\n <\/p>\n PS: De la el am auzit urm\u0103toarea replic\u0103, atunci c\u00e2nd m\u0103 pl\u00e2ngeam de via\u0163a mea \u015fi el de-a lui \u00eentr-o dup\u0103 amiaz\u0103, la o salat\u0103 \u015fi o cafea, acum vreo zece ani:<\/p>\n <\/p>\n ”Alina, \u00een via\u0163\u0103 este ca la restaurant. Te a\u015fezi la mas\u0103, m\u0103n\u00e2nci \u015fi pl\u0103te\u015fti. Nu neap\u0103rat \u00een aceast\u0103 ordine, \u00eens\u0103.<\/p>\n Exist\u0103 persoane care \u00eent\u00e2i m\u0103n\u00e2nc\u0103. \u015ei dup\u0103 aceea, pl\u0103tesc nota.<\/p>\n \u015ei alte persoane care \u00eent\u00e2i pl\u0103tesc nota \u015fi, dup\u0103 aceea, le sose\u015fte caviarul. Sau friptura. Sau pasta cu suc de ro\u015fii, depinde ce au comandat…”<\/p>\n ,,Paolo, io tot pl\u0103tesc, dar\u00a0 …”, l-am \u00eentrerupt.<\/p>\n ,,Se vede c\u0103 ai comandat caviarul cel mai scump, nebuno!” mi-a r\u0103spuns \u015fi el, \u00a0\u00eentrerup\u00e2ndu-m\u0103 la r\u00e2ndul lui.<\/p>\n <\/p>\n <\/p>\n Avea dreptate.<\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Text de Alina Nedelea (Prima parte, aici.) Cativa ani mai tarziu. Paolo Sorrentino a g\u0103sit un job pe un platou de filmare la...<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-7644","post","type-post","status-publish","format-standard","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/7644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=7644"}],"version-history":[{"count":0,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/7644\/revisions"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=7644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=7644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=7644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}