{"id":7836,"date":"2014-04-27T12:25:18","date_gmt":"2014-04-27T12:25:18","guid":{"rendered":"http:\/\/lorenalupu.wordpress.com\/?p=7836"},"modified":"2014-04-27T12:25:18","modified_gmt":"2014-04-27T12:25:18","slug":"yo-luc","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/yo-luc\/","title":{"rendered":"Yo, Luc!"},"content":{"rendered":"

\u00cemi place perioada prin care trece \u00een ultima vreme Luc Besson. Am r\u00e2s cu lacrimi de\u00a0Three Days to Kill<\/em>, iar azi am savurat intens\u00a0Brick Mansions.\u00a0<\/em><\/p>\n

Se vede de la o po\u015ft\u0103 c\u0103 Besson n-a fost \u00een via\u0163a lui \u00eentr-un ghetou. Via\u0163a de ghetou, cum o descrie el \u00een scenariul \u0103la, e la fel de SF ca \u015fi cum m-a\u015f apuca eu s\u0103 descriu, f\u0103r\u0103 s\u0103 m\u0103 documentez, traiul unei familii de eschimo\u015fi. Dar ceea ce-i lipse\u015fte \u00een realism \u015fi se completeaz\u0103 cu cli\u015feu e \u00eenlocuit cu succes de un umor de situa\u0163ie cum nu vezi dec\u00e2t \u00een comediile foarte bune. Cele care nu \u00ee\u0163i puncteaz\u0103 ostentativ, din cinci \u00een cinci minute, c\u00e2t de hazlii sunt ele.<\/p>\n

Ca \u015fi\u00a0Killing Them Softly<\/em>, ca \u015fi o serie de alte filme care ating \u00een treac\u0103t teme politice,\u00a0Brick Mansions\u00a0<\/em>vorbe\u015fte despre lupt\u0103 de clas\u0103 din ce \u00een ce mai nemiloas\u0103 \u015fi mai brutal\u0103, respectiv despre o ne\u00eencredere din ce \u00een ce mai mare a cet\u0103\u0163eanului de r\u00e2nd \u00een autorit\u0103\u0163i. Aici, Luc a nimerit notele juste, pentru c\u0103 astea dou\u0103 sunt universal valabile, at\u00e2t \u00een Europa, c\u00e2t \u015fi \u00een State. Ca s\u0103 nu vorbim de America Latin\u0103.<\/p>\n

Brick Mansions\u00a0<\/em>e un fel de Ferentari al Detroitului, dar unul cu droga\u0163i care arat\u0103 incredibil de bine \u015fi-s to\u0163i exper\u0163i \u00een arte mar\u0163iale. Datorit\u0103 politicii absolut necru\u0163\u0103toare cu sufletul omului s\u0103rman, cartierul a fost \u00eenconjurat de ziduri, permanent p\u0103zit de poli\u0163ie s\u0103 nu ias\u0103 nimeni, iar autorit\u0103\u0163ile \u015fi-au retras din zon\u0103 toate institu\u0163iile: de la \u015fcoli la circa de poli\u0163ie. \u015ei totu\u015fi, din bun\u0103tatea inimii lor, n-au t\u0103iat \u015fi alimentarea cu ap\u0103, respectiv salubritatea. Str\u0103zile-s halucinant de curate pentru o zon\u0103 r\u0103mas\u0103 de izbeli\u015fte, iar Lino, un soi de haiduc al lumii interlope, care fur\u0103 droguri de la \u015fmecheri sus-pu\u015fi \u015fi le vars\u0103 \u00een cad\u0103, s\u0103 nu pun\u0103 picior de om nasul pe ele, le trimite pe \u0163eav\u0103 cu ajutorul apei curente.<\/p>\n

Despre droguri \u015fi droga\u0163i se vorbe\u015fte tot filmul; ciudat c\u0103 nu-i vezi c\u00e2tu\u015fi de pu\u0163in pe str\u0103zi. Nu-i vezi c\u0103zu\u0163i \u00een letargie pe b\u0103nci \u015fi trotuare, nu-i vezi agit\u00e2ndu-se, nu vezi nimic. OK, eu am stat cu chirie \u015fi \u00een Rahova, \u015fi pe R\u0103cari \u00een Dristor, a\u015fa c\u0103 pove\u015ftile mele cu lorzi \u015fi peoni ai drogurilor ar ar\u0103ta oarecum diferit.<\/p>\n

Legat de Paul Walker \u015fi de moartea lui \u00een accident: cred c\u0103 Luc Besson a fost profet pre\u0163 de c\u00e2teva pagini. Bunicul lui din film \u00eei zice ceva de genul: O s\u0103 mori, dac\u0103 o \u0163ii tot a\u015fa! “Tot a\u015fa” \u00eensemn\u00e2nd mult caft cu oameni neprieteno\u015fi \u015fi – a\u0163i ghicit – condus neregulamentar cu dep\u0103\u015fire de vitez\u0103.<\/p>\n

A\u015f vrea s\u0103-mi scrie Luc Besson un scenariu despre cum m\u0103 \u00eembog\u0103\u0163esc peste noapte \u015fi \u00eemi petrec restul vie\u0163ii scriind proiecte care-mi plac, \u00eentr-un ritm confortabil. Mul\u0163umesc.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00cemi place perioada prin care trece \u00een ultima vreme Luc Besson. Am r\u00e2s cu lacrimi de\u00a0Three Days to Kill, iar azi am savurat intens\u00a0Brick...<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-7836","post","type-post","status-publish","format-standard","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/7836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=7836"}],"version-history":[{"count":0,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/7836\/revisions"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=7836"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=7836"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=7836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}