{"id":8059,"date":"2014-06-17T10:50:31","date_gmt":"2014-06-17T10:50:31","guid":{"rendered":"http:\/\/lorenalupu.wordpress.com\/?p=8059"},"modified":"2014-06-17T10:50:31","modified_gmt":"2014-06-17T10:50:31","slug":"maleficent-un-film-pentru-femei-frustrate","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/maleficent-un-film-pentru-femei-frustrate\/","title":{"rendered":"Maleficent, un film pentru femei frustrate"},"content":{"rendered":"

Toate trecem prin sublima v\u00e2rst\u0103 de 16 ani. \u015ei ne combin\u0103m cu c\u00e2te un pulifrici nesigur, care atunci \u00ee\u015fi descoper\u0103 sexualitatea, \u015fi e gata s\u0103-\u0163i jure iubire maxim\u0103 pentru a prinde prilejul s\u0103 pun\u0103 \u015fi el m\u00e2na pe primul s\u00e2n din via\u0163a lui. \u015ei pl\u00e2ngem amarnic c\u0103 a doua zi \u00eel g\u0103sim jur\u00e2nd iubire maxim\u0103 vecinei de la trei.<\/p>\n

Unele, \u00eens\u0103, dep\u0103\u015fim frumos momentul, ne maturiz\u0103m \u015fi r\u00e2dem de propriile dramolete. Altele r\u0103m\u00e2nem fixate \u00een marea dram\u0103 de la 16 ani \u015fi scriem patetisme lugubru de stupide, ca scenariul de la Maleficent<\/em>.<\/p>\n

Dac\u0103 un scenarist b\u0103rbat ar scrie \u00een 2014 un film \u00een care toate personajele feminine sunt proaste \u015fi curve, l-am \u00eenjura cu cl\u0103buci la gur\u0103. L-am acuza c\u0103 atac\u0103 pozi\u0163ia femeii \u00een societate, c\u0103 submineaz\u0103 imaginea femeii, c\u0103 blablabla. Eu, pe m\u0103sur\u0103 ce vedeam filmul, \u015fi detectam frustr\u0103ri de muiere p\u0103r\u0103sit\u0103 \u00een mod repetat de to\u0163i porcii pe care a vrut s\u0103-i t\u00e2rasc\u0103 la altar, ziceam: e clar, scenaristul acestui film trebuie s\u0103 fie femeie. \u015fi cu siguran\u0163\u0103, femeie ur\u00e2t\u0103.<\/p>\n


\nDrag\u0103 porcule, mi-ai sf\u00e2\u015fiat tu inima, dar s\u0103 vezi cum \u00ee\u0163i bag io statueta asta p\u00e2n\u0103-n stomac, dac\u0103 te v\u0103d \u00eent\u00e2mpl\u0103tor pe strad\u0103!”<\/em><\/p>\n

Nu m\u0103 \u00een\u0163elege\u0163i gre\u015fit. N-am nimic cu aspectul fizic al nim\u0103nui, c\u00e2t\u0103 vreme frustr\u0103rile \u015fi ofticile nu se traduc \u00een opere de un penibil cr\u00e2ncen.<\/p>\n

Maleficent<\/em> e cel mai dezechilibrat film pe care l-am v\u0103zut \u00een ultima vreme. Ideea de a umaniza eroina prin faptul c\u0103 i s-a \u00eent\u00e2mplat ceva oribil \u00een tinere\u0163e e just\u0103. \u00cen schimb, dac\u0103 o faci dezumaniz\u00e2nd cel\u0103lalt personaj din poveste – regele Stefan – la acela\u015fi nivel grotesc \u015fi lipsit de nuan\u0163e \u00eempotriva c\u0103ruia luptai, c\u00e2nd ziceai c\u0103 vrei s\u0103 umanizezi personajul, n-ai mai f\u0103cut absolut nimic.<\/p>\n

\u015ei \u00eenjur \u00een primul r\u00e2nd scenariul, pentru c\u0103 e scris de-a dreptul infantil. Promotorii filmului au \u00eencercat s-o dreag\u0103, pun\u00e2nd \u00een circula\u0163ie doar clipule\u0163e care ilustrau r\u0103utatea eroinei. Exact a\u015fa ar fi trebuit s\u0103 \u00eenceap\u0103 \u015fi scenariul propriu-zis. Cu o eroin\u0103 malefic\u0103, pe care s\u0103 n-o \u00een\u0163eleg. \u015ei care s\u0103 mi se reveleze pe parcurs. Dac\u0103 mi se explic\u0103 din prima c\u00e2t e de victim\u0103, \u015fi c\u00e2t de mil\u0103 trebuie s\u0103-mi fie de ea, povestea realmente nu are unde s\u0103 creasc\u0103. Ceea ce se \u015fi \u00eent\u00e2mpl\u0103.<\/p>\n

Apoi, exist\u0103 numai dou\u0103 personaje, \u00een tot filmul, care au suficiente vorbe-n gur\u0103 \u00eenc\u00e2t s\u0103 fie personaje, nu scheme de. Titulara \u015fi corbul ei. Restul lumii din film face figura\u0163ie, mai trece prin cadru, mai bea un ceai. Z\u00e2nele din Frumoasa<\/em> ini\u0163ial\u0103 erau perfect caracterizate, cu apuc\u0103turi, ticuri, dr\u0103g\u0103l\u0103\u015fenii particulare. Cele trei z\u00e2ne din oribilitatea asta de acum sunt o mas\u0103 amorf\u0103. Pute\u0163i ruga pe oricine care a v\u0103zut filmul s\u0103 v\u0103 citeze o replic\u0103 a lor. Nu va putea s-o fac\u0103.<\/p>\n

Nu \u00een ultimul r\u00e2nd: \u00een ultimele minute ale filmului, eroina \u00ee\u015fi recupereaz\u0103 aripile c\u00e2t de poate de simplu. Se sparge cuf\u0103rul \u00een care sunt \u0163inute, \u015fi aripile vin singure \u00eenapoi. P\u0103i, \u00eentreb eu: mai era nevoie de tot arsenalul \u0103la de vr\u0103ji, blesteme, spini, \u00eenv\u00e2rteli, farse jucate z\u00e2nelor bune \u015fi idioate, pentru o chestie care se putea recupera at\u00e2t de u\u015for?<\/p>\n

\u015ei, dac\u0103 tot suntem aici: ea, care r\u0103m\u0103sese cu at\u00e2tea puteri magice, apari\u0163ii, dispari\u0163ii, vr\u0103ji – nu-l putea transforma pe nesim\u0163itul de Stefan \u00een g\u00e2ndac \u00een exact secunda \u00een care \u015fi-a constatat absen\u0163a aripilor, apoi s\u0103 dea cu Raid \u015fi end of story? Tot fundamentul acestui scenariu se surp\u0103 \u00een exact un sfert de or\u0103 de la \u00eenceputul filmului. \u015ei urmeaz\u0103 doar eterna \u015fi infinita demonstra\u0163ie c\u0103 b\u0103rba\u0163ii-s ni\u015fte lepre rele \u015fi, \u00een cel mai bun caz, doar inutile.<\/p>\n

Fetelor, cred c\u0103 a venit momentul s\u0103 dep\u0103\u015fim cultura victimiz\u0103rii. Shit happens. C\u0103 stai pe loc \u015fi-\u0163i lingi la infinit r\u0103nile sau c\u0103 dep\u0103\u015fe\u015fti momentul \u015fi \u00eenve\u0163i s\u0103 nu mai pui botul la vr\u0103jeal\u0103 ca g\u00e2sca data viitoare – e decizia ta. Dar dac\u0103 un tip ar fi scris un film la fel de sup\u0103rat pe femei cum e Maleficent<\/em> pe b\u0103rba\u0163i, toat\u0103 lumea ar fi scris c\u0103 e un porc misogin \u015fi un m\u00e2rlan lipsit de sentimente.<\/p>\n","protected":false},"excerpt":{"rendered":"

Toate trecem prin sublima v\u00e2rst\u0103 de 16 ani. \u015ei ne combin\u0103m cu c\u00e2te un pulifrici nesigur, care atunci \u00ee\u015fi descoper\u0103 sexualitatea, \u015fi e gata...<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-8059","post","type-post","status-publish","format-standard","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/8059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=8059"}],"version-history":[{"count":0,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/8059\/revisions"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=8059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=8059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=8059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}