{"id":8780,"date":"2014-12-17T13:02:20","date_gmt":"2014-12-17T13:02:20","guid":{"rendered":"http:\/\/lorenalupu.wordpress.com\/?p=8780"},"modified":"2014-12-17T13:02:20","modified_gmt":"2014-12-17T13:02:20","slug":"nu-ne-ucideti-cu-suspansul","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/nu-ne-ucideti-cu-suspansul\/","title":{"rendered":"Nu… ne… ucide\u0163i… cu… suspansul…"},"content":{"rendered":"

Articol vechi, dar etern actual, ca rochi\u0163a mic\u0103 \u015fi neagr\u0103, caviarul \u015fi \u00eenjur\u0103turile de mum\u0103.<\/strong><\/p>\n

C\u00e2nd prestezi un job \u00een domeniul artelor \u015fi literelor, sau c\u00e2nd b\u00e2ntui pur \u015fi simplu pe Internet, acest uria\u015f bloc de texte f\u0103r\u0103 corector, in c\u00e2nd \u00een c\u00e2nd, \u00ee\u0163i aterizeaz\u0103 sub nas c\u00e2te\u2026 un\u2026 text\u2026 care e mai\u2026 \u00eenc\u0103rcat\u2026 de punc\u2026te-pu\u2026ncte dec\u00e2t d\u2026e litere\u2026 \u015ei e enervant. E aproape la fel de enervant!! ca excesul (!?!?!) de semne de exclama\u0163ie cu sau f\u0103r\u0103 semne de \u00eentrebare printre ele. \u015ei, ce e mai grav, spune lucruri foarte ur\u00e2te despre autor.<\/p>\n

1. Autorul n-a \u00een\u0163eles la ce se folosesc semnele de punctua\u0163ie. <\/strong><\/p>\n

Dragi prieteni. Orice text\u2026 plin\u2026 de puncte-puncte\u2026 are\u2026 exact\u2026 valoarea\u2026 pe care\u2026 o\u2026 are\u2026 f\u0103r\u0103\u2026 ele. S\u0103 verific\u0103m. Orice text plin de puncte-puncte are exact valoarea pe care o are f\u0103r\u0103 ele. Sunte\u0163i de acord c\u0103 e exact aceea\u015fi fraz\u0103, c\u0103 are exact acela\u015fi sens, dar un coeficient de enervabilitate infinit mai mic?<\/p>\n

Bun. Exact acela\u015fi lucru se aplic\u0103 \u015fi la \u201cDrag\u0103\u2026 Marcela\u2026, \u00cen\u2026 ochii t\u0103i\u2026 v\u0103d tot Parisul\u2026\u201d \u201cE \u015fi\u2026 vaca mea\u2026 pe acolo\u2026?\u201d<\/p>\n

Rostul punctelor de suspensie e s\u0103 sugereze:<\/strong><\/p>\n

a) c\u0103 vorbitorul e \u00eentrerupt de altcineva.<\/strong> \u201cDrag\u0103 Marcela, \u00een ochii t\u0103i v\u0103d tot Pari\u2026\u201d \u201cE \u015fi vaca mea pe acolo?\u201d<\/p>\n

b) c\u0103 se \u00eent\u00e2mpl\u0103 o schimbare brusc\u0103 de situa\u0163ie.<\/strong><\/p>\n

\u201cDrag\u0103 Marcela, \u00een ochii t\u0103i v\u0103d\u2026 (poc) o ven\u0103 spart\u0103 \u015fi tot Parisul\u201d<\/p>\n

\u00cen rest, le folosi\u0163i complet inutil.<\/p>\n

2. Autorul vrea s\u0103 par\u0103 mai interesant dec\u00e2t este. <\/strong><\/p>\n

C\u00e2nd omul e foarte sigur pe con\u0163inutul a ceea ce scrie, scrie pur \u015fi simplu. C\u00e2nd are impresia c\u0103 lucrurile pe care le spune sunt banalit\u0103\u0163i de doi bani \u2013 \u015fi de cele mai multe ori, asta \u015fi sunt \u2013 pluseaz\u0103 cu puncte-puncte, s\u0103 ne fac\u0103 s\u0103 credem c\u0103 are tr\u0103iri at\u00e2t de ample \u00eenc\u00e2t nu pot fi rezumate \u00een cuvinte. Ei, bine, iat\u0103 cum st\u0103 treaba. C\u00e2nd te ocupi cu scrisul, cuv\u00e2ntul e arma, p\u00e2inea \u015fi nevasta ta. Dac\u0103 nu-l g\u0103se\u015fti, poate e cazul s\u0103 treci la o \u00eendeletnicire bazat\u0103 pe gemete \u015fi \/ sau interjec\u0163ii.<\/p>\n

Dar nu, punctele de suspensie nu tranform\u0103 plictico\u015fenia \u00een factor wow sau superficialitatea \u00een profunzime. Nu fac dec\u00e2t s\u0103 semnalizeze: \u201cAici e un omule\u0163 nesigur pe contentul s\u0103u\u201d Ceea ce ne duce la<\/p>\n

<\/strong>3. Uneori, c\u00e2nd elimini punctele de suspensie inutile, excesul de semne de exclama\u0163ie \u015fi alte \u201cpodoabe\u201d de prost gust, r\u0103m\u00e2ne un text mai bun \u00een urm\u0103. <\/strong><\/p>\n

Am zis uneori. Unde nu e, nici Dumnezeu nu cere. Dar, pe viitor, v\u0103 invit s\u0103 completa\u0163i punctele de suspensie cu exact ce a\u0163i fi vrut s\u0103 spune\u0163i prin ele.<\/p>\n

\u201cDrag\u0103\u2026 Marcela\u2026 \u00cen ochii t\u0103i\u2026 v\u0103d\u2026 tot\u2026 Parisul\u2026\u201d<\/p>\n

\u201cDrag\u0103 \u2013 cum te-o fi chem\u00e2nd? ah, da! \u2013 Marcela (mi\u015fto nume)! \u00cen ochii t\u0103i de o culoare indefinibil\u0103, ceva \u00eentre verde \u015fi gri, v\u0103d mii de sentimente, tot ce a\u015f fi vrut s\u0103 v\u0103d \u015fi ceva \u00een plus, care nu \u015ftiu ce caut\u0103 acolo: Parisul, capitala Fran\u0163ei.\u201d<\/p>\n

Better, nu?<\/p>\n

Sau, dac\u0103 realmente nu avea\u0163i de spus dec\u00e2t \u201cDrag\u0103 Marcela, \u00een ochii t\u0103i v\u0103d tot Parisul\u201d, nu mai pune\u0163i puncte de suspensie \u015fi gata.<\/p>\n

4. Oricum, nu ne ucidea\u0163i cu suspansul. <\/strong><\/p>\n

Dac\u0103 cineva ar scoate o bro\u015furic\u0103, iar pe fiecare pagin\u0103 ar fi c\u00e2te un cuv\u00e2nt: \u201cDrag\u0103\u2026\u201d \/ \u201cMarcela\u2026\u201d, atunci a\u015f \u00een\u0163elege. Pentru c\u0103 trebuie s\u0103 faci o ac\u0163iune, cum ar fi datul paginii, s\u0103 vezi continuarea. Dar c\u00e2nd continuarea e \u00een acela\u015fi r\u00e2nd, suspansul e inexistent, iar mimarea lui e ca \u015fi cum a\u015f veni eu la tine \u00een m\u00e2n\u0103 cu o bancnot\u0103 de 10 lei \u015fi \u0163i-a\u015f \u00eentinde-o \u00eentreb\u00e2nd: \u201cIa ghici, ce-\u0163i dau acum?\u201d<\/p>\n

Scrie\u0163i simplu \u015fi curat, prieteni. Cu c\u00e2t o face\u0163i mai simplu, cu at\u00e2t sunte\u0163i mai expresivi \u015fi implicit mai interesan\u0163i. Semnele de punctua\u0163ie sunt ca \u015fi pastilele de sl\u0103bit: ajut\u0103, dar nu \u00eenlocuiesc.<\/p>\n","protected":false},"excerpt":{"rendered":"

Articol vechi, dar etern actual, ca rochi\u0163a mic\u0103 \u015fi neagr\u0103, caviarul \u015fi \u00eenjur\u0103turile de mum\u0103. C\u00e2nd prestezi un job \u00een domeniul artelor \u015fi literelor,...<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-8780","post","type-post","status-publish","format-standard","hentry","category-spicy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/8780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=8780"}],"version-history":[{"count":0,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/8780\/revisions"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=8780"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=8780"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=8780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}