{"id":9131,"date":"2015-03-19T13:37:00","date_gmt":"2015-03-19T13:37:00","guid":{"rendered":"http:\/\/lorenalupu.com\/blog\/?p=9131"},"modified":"2015-03-19T23:50:41","modified_gmt":"2015-03-19T23:50:41","slug":"pasiunea-nu-are-nevoie-de-explicatii","status":"publish","type":"post","link":"https:\/\/lorenalupu.com\/blog\/pasiunea-nu-are-nevoie-de-explicatii\/","title":{"rendered":"Pasiunea nu are nevoie de explica\u0163ii"},"content":{"rendered":"

\"cortes<\/a><\/p>\n

 <\/p>\n

L-am v\u0103zut prima oar\u0103 pe Joaquin Cortes \u00een 2008, c\u00e2nd prezenta la Bucure\u015fti spectacolul\u00a0Mi Soledad.\u00a0<\/em>Era de o frumuse\u0163e care sfida orice omenesc \u015fi de o carism\u0103 n\u0103ucitoare. \u015ei-a ar\u0103tat cu generozitate corpul perfect din toate pozi\u0163iile, con\u015ftient c\u0103, exact ca \u00eenc\u0103lzirea global\u0103, era direct responsabil de ridicarea nivelului oceanelor lumii. \u00a0A prezentat un spectacol sofisticat, cu dansuri surprinse translucid prin perdele \u015fi momente construite cu grij\u0103, amintind intens de filmele cu \u015fi despre dans ale lui Carlos Saura. (\u0102sta e regizorul care l-a valorificat cu adev\u0103rat pe Cortes, nu Pedro Almodovar, de\u015fi to\u0163i mi-a\u0163i venit cu Almodovar la \u00eentrebarea din concurs. De\u015fi e firesc. Orice b\u0103rbat sublim vine la pachet cu o cohort\u0103 de gay \u00eendr\u0103gosti\u0163i muci.)<\/p>\n

\u00cen 2014, Joaquin Cortes s-a re\u00eentors la Bucure\u015fti cu noul spectacol Gitano<\/em>. \u015ease ani sunt o perioad\u0103 lung\u0103, mai ales dac\u0103, \u00een decursul lor, dep\u0103\u015fe\u015fti sensibilul deceniu al patrulea. \u015ei mai ales dac\u0103 e\u015fti dansator.<\/p>\n

\"cortes<\/p>\n

Sau nu.<\/p>\n

Pentru unii, v\u00e2rsta \u00eenaintat\u0103 e o reduc\u0163ie la meschin\u0103rie \u015fi dec\u0103dere. Pentru al\u0163ii, v\u00e2rsta e o minunat\u0103 explorare a maturit\u0103\u0163ii, a instrumentelor noi pe care le descoperi \u00een tine zi de zi \u015fi a nuan\u0163elor pe care nu le \u015ftiai c\u0103 le ai.<\/p>\n

Joaquin Cortes din 2014 e \u015fi nu e Joaquin Cortes din 2008. Nu se mai dezbrac\u0103. \u00cen unele pozi\u0163ii, vezi c\u0103 are burtic\u0103, iar c\u00e2nd danseaz\u0103 \u00een blugi, vezi c\u0103 s-a \u00eemplinit bini\u015for \u015fi \u00een zona coapselor \u015fi a feselor. Dar asta nu deranjeaz\u0103 cu nimic. Pentru c\u0103, dac\u0103 cei mai mul\u0163i dansatori \u00ee\u0163i inspir\u0103 imaterialul \u015fi delicate\u0163ea aerului, imaterialul lui Cortes este acela al unui incendiu care \u00eenghite totul \u00een jur. Flexibilitatea lui e acaparatoare, iar dimensiunea n-o afecteaz\u0103 cu nimic.<\/p>\n

Eu \u00eenc\u0103 n-am v\u0103zut lume care s\u0103 rag\u0103 cu extaz, din to\u0163i bojocii, la un spectacol de dans. Am v\u0103zut lume t\u0103c\u00e2nd politicoas\u0103, am v\u0103zut lume nedumerit\u0103 cu “WTF” \u00eenscris \u00een ochi la c\u00e2te un experiment din care nu \u00een\u0163elegea nimeni nimic, \u015fi am v\u0103zut lume z\u00e2mbind cu o \u00eenc\u00e2ntare strict estetic\u0103, la c\u00e2te un concept frumos elaborat \u015fi executat. Dar la Joaquin Cortes lumea url\u0103 ca la ACDC. Pentru c\u0103 pasiunea nu are nevoie de explica\u0163ii.<\/p>\n

 <\/p>\n

\"cortes<\/p>\n

C\u00e2t despre conceptul “Gitano”, acesta a mers pe trei direc\u0163ii:<\/p>\n

 <\/p>\n

a) Eclectismul dansurilor<\/p>\n

Departe de a sta pe flamenco, Cortes a f\u0103cut un mix de flamenco cu pa\u015fi de \u0163ig\u0103nesc \u015fi dans contemporan, specific amestecului de culturi care au caracterizat \u00eentotdeauna artele gypsy.<\/p>\n

\"cortes<\/p>\n

b) Grupul de muzicieni live, \u00een semicerc \u00een fundul scenei, exact ca muzican\u0163ii \u0163igani \u00eentr-o pia\u0163et\u0103 vesel\u0103, \u00eentr-o dup\u0103-amiaz\u0103 de var\u0103. \u015ei c\u00e2nt\u00e2nd exact ca aceia. Fragmente de piese, \u00eentrerupte de strig\u0103turi, \u00eentr-un aparent haos \u00een care ai fi crezut \u015fi tu, dac\u0103 nu remarcai matematica perfect\u0103 a coregrafiilor.<\/p>\n

c) Senza\u0163ia de timp real.<\/p>\n

Niciodat\u0103 n-a fost Cortes mai complice cu spectatorul s\u0103u. Mai un dans, mai o \u015federe \u00een fund, mai o glum\u0103, mai un solo la tobi\u0163\u0103, mai \u00eenc\u0103 un dans. Pendularea \u00eentre momentele de on \u015fi off, ie\u015firea \u00een \u015fi din conven\u0163ie avea un puternic lipici. Mai ales c\u0103 scurtele impromptu-uri nu \u00eel \u00eempiedicau cu nimic ca, \u00een clipa \u00een care \u00eencepea un nou moment, s\u0103 se dezl\u0103n\u0163uie iar la tura\u0163ie maxim\u0103.<\/p>\n

\"cortes<\/p>\n

 <\/p>\n

Fotografii de Cristi Mitrea.<\/p>\n","protected":false},"excerpt":{"rendered":"

  L-am v\u0103zut prima oar\u0103 pe Joaquin Cortes \u00een 2008, c\u00e2nd prezenta la Bucure\u015fti spectacolul\u00a0Mi Soledad.\u00a0Era de o frumuse\u0163e care sfida orice omenesc \u015fi...<\/p>\n","protected":false},"author":2,"featured_media":9139,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Pasiunea nu are nevoie de explica\u0163ii.","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[22,24],"tags":[],"class_list":["post-9131","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sticky","category-webterviu"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/lorenalupu.com\/blog\/wp-content\/uploads\/2015\/03\/cortes-0057_resize.jpg?fit=3610%2C2410&ssl=1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/9131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/comments?post=9131"}],"version-history":[{"count":6,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/9131\/revisions"}],"predecessor-version":[{"id":9147,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/posts\/9131\/revisions\/9147"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media\/9139"}],"wp:attachment":[{"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/media?parent=9131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/categories?post=9131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lorenalupu.com\/blog\/wp-json\/wp\/v2\/tags?post=9131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}