Dac\u0103 Ceau\u015fescu a f\u0103cut un r\u0103u acestei na\u0163ii, n-a fost foamea \u015fi nici frigul. Foamea \u015fi frigul c\u0103lesc omul, \u00eel antreneaz\u0103 pentru via\u0163\u0103.<\/p>\n
Marele r\u0103u pe care l-a f\u0103cut Ceau\u015fescu acestei na\u0163ii este lemnificarea spiritului, a limbajului \u015fi a mentalit\u0103\u0163ii. Ceau\u015fescu a luat seringa de prejudecat\u0103 \u0163\u0103\u0163easc\u0103 \u015fi a \u00eenfipt-o ad\u00e2nc \u00een sufletele oamenilor. De aceea, \u00eenc\u0103 avem lemne vorbitoare care pun problema “Literatura ta are sau nu cuvinte vulgare?”<\/p>\n
Pas\u0103mite, tu nu m\u0103 \u00eentrebi tema, nu m\u0103 \u00eentrebi supratema, nu m\u0103 \u00eentrebi genul, nu m\u0103 \u00eentrebi motivele, nu m\u0103 \u00eentrebi nici m\u0103car popularul “despre ce e vorba”, m\u0103 \u00eentrebi dac\u0103 are cuvinte vulgare.<\/p>\n
E ca \u015fi cum ar expune unul o pictur\u0103 \u015fi ar veni cineva s\u0103-l \u00eentrebe din ce lemn e rama.<\/p>\n
At\u00e2t de irelevant\u0103 e pentru calitatea unei scriituri existen\u0163a sau nu a cuv\u00e2ntului “pul\u0103”.<\/p>\n
**<\/p>\n
Numai semidoc\u0163ii supremi, \u0103ia care-\u015fi cump\u0103r\u0103 c\u0103r\u0163i din colec\u0163iile ziarelor \u015fi le aranjeaz\u0103 pe grosimi \u015fi culori, \u015fi nu le deschid niciodat\u0103, sunt \u00een stare s\u0103 clasifice literatura \u00een vulgar\u0103 \u015fi nevulgar\u0103. Numai lemnele care au supt prejudecata direct din seringa lui Ceau\u015fescu, hulpav \u015fi cu nesa\u0163, sunt \u00een stare s\u0103 sorteze texte pe baza criteriului “are pul\u0103, deci automat e prost”. Numai snobii b\u0103\u015fi\u0163i, cu creiere \u00eemb\u00e2csite de proletcultism \u015fi realism socialist – romanele alea penibile cu t\u00e2n\u0103rul comunist harnic \u015fi bun, care o iube\u015fte pe fata inginerului, \u015fi to\u0163i vorbesc artificial \u015fi pompos, cum nu vor vorbi muncitorii niciodat\u0103 – cred c\u0103 literatura e chestia aia pompoas\u0103 \u015fi artificial\u0103, cu cuvinte frumoase \u015fi expresii stereotip. Ah, \u015fi musai figuri de stil. \u00cenc\u0103 \u00eemi amintesc indica\u0163ia uneia dintre profele mele de rom\u00e2n\u0103: “Conspecta\u0163i \u00eentr-un vocabular toate metaforele care v\u0103 plac \u015fi folosi\u0163i-le \u00een compuneri”. Chiar \u015fi \u00een calitate de copil mi-a sunat gre\u015fit. “Ce, f\u0103, nu e\u015fti \u00een stare s\u0103 le faci pe ale tale?”<\/p>\n
**<\/p>\n
Literatura e reflectare a vie\u0163ii. Ca atare, abund\u0103 de cuvinte pe care snobii le definesc ca vulgare din cele mai vechi timpuri. \u015ei dau doar dou\u0103 exemple:<\/p>\n
Francois Villon, un huligan din Fran\u0163a care a scris cele mai obraznice \u015fi frumoase poeme, viscerale \u015fi infinit de expresive, un golan be\u0163iv, un b\u0103t\u0103u\u015f \u015fi un escroc. Nu, nu-l c\u0103uta\u0163i pe Facebook s\u0103-l \u00eenjura\u0163i c\u0103 scrie gol\u0103ne\u015fte. Omul s-a n\u0103scut \u00een 1431. \u015ei a disp\u0103rut – nu se \u015ftie cum – \u00een 1463.<\/p>\n
Geoffrey Chaucer, \u00een schimb, e considerat de britanici cel mai mare poet al lor din Evul Mediu. 1343 – 1400. B\u0103iat fin, educat, savant, filozof \u015fi astronom. A scris “Povestiri din Canterbury”, o autentic\u0103 capodoper\u0103 cu care a redescoperit genul pove\u015ftii-\u00een-poveste. Nu merge\u0163i s\u0103-i da\u0163i like la pagin\u0103, dac\u0103 sunte\u0163i pizde snoabe, al c\u0103ror creier d\u0103 instant error 404 la prima pul\u0103 \u00eent\u00e2lnit\u0103 \u00een text. Scriitura lui abunda de termeni argotici. O \u00eent\u00e2lnire erotic\u0103 \u00eentre doi amorezi din capodopera “Povestiri din Canterbury” \u00eencepe a\u015fa: “He grabbed her by the cunt”. El a apucat-o de pizd\u0103. Nu de ginga\u015fa floare a feminit\u0103\u0163ii. Nu de cupa dulcelui nectar. De pizd\u0103.<\/p>\n
Literatura e reflectare a vie\u0163ii, am spus. Reflectare a vie\u0163ii fiind, reflect\u0103:<\/p>\n
-personaje care nu-s neap\u0103rat academicieni \u015fi zeii gramaticii. e penibil ca \u0163\u0103ranul t\u0103u s\u0103 vorbeasc\u0103:<\/p>\n
“Gheorghe, d\u0103-te la o parte, c\u0103 dac\u0103 nu, \u00ee\u0163i aplic o lovitur\u0103 peste facies de vezi astre verzi.”<\/p>\n
-situa\u0163ii intense, care cer ca tu, autor, s\u0103 creezi din vorbe suspansul \u015fi clocotul momentului.<\/p>\n
Iar eu nu-mi propun, c\u00e2nd scriu un text: aici o s\u0103 folosesc patru pule, trei fututuri \u015fi cinci pizde. Eu vizualizez situa\u0163ia \u015fi \u00eencerc s\u0103 o tr\u0103iesc c\u00e2nd o scriu. Pentru ca tu, la r\u00e2ndul t\u0103u, s-o tr\u0103ie\u015fti viu c\u00e2nd o cite\u015fti. Pulele vin singure.<\/p>\n
Pentru c\u0103 literatura, am zis mai sus, e o reflectare a vie\u0163ii. \u00centotdeauna, pulele vin singure. C\u00e2nd tragi tu de ele, e de r\u0103u. \ud83d\ude00<\/p>\n
<\/p>\n
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